Theatre As Action

Theatre As Action PDF

Author: Lars Kleberg

Publisher: NYU Press

Published: 1993-05-01

Total Pages: 152

ISBN-13: 9780333568170

DOWNLOAD EBOOK →

After the 1917 revolution, Russian and Soviet avant-garde theatre attempted to create a new art for post-revolutionary society. This reconsideration of the Russian avant-garde theatre investigates the burgeoning new drama/theatre forms of the period. Kleberg considers assumptions made about the audience and by the audience, and seeks to determine whether discrepancies existed between the two. Offering fresh insights into the modernist period of Russian theatre, Theatre as Action provides a new typology of the stage/audience relationship in modernist Russian theatre. Constructivism of the 1920's is discussed on light of the plays of Meyerhold, Eisenstein, and Treytykov. The relation of the Soviet Russian avant-garde to the aesthetics of Bertold Brecht is also examined. This original, comprehensive work is a major contribution to our understanding of the confrontation of the ideal and the reality of Soviet 1920's, revealing the Wagnerian and Symbolist utopia beneath, and its crisis. It will be of particular interest to students of literature and drama.

Russian Avant-garde Theatre

Russian Avant-garde Theatre PDF

Author: John E. Bowlt

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9781848424531

DOWNLOAD EBOOK →

A landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia from 1913-1933.

Chagall and the Artists of the Russian Jewish Theater

Chagall and the Artists of the Russian Jewish Theater PDF

Author: Susan Tumarkin Goodman

Publisher:

Published: 2008

Total Pages: 248

ISBN-13:

DOWNLOAD EBOOK →

Soviet Jewish theater in a world of moral compromise / Susan Tumarkin Goodman -- The political context of Jewish theater and culture in the Soviet Union / Zvi Gitelman -- Habima and "Biblical theater" / Vladislav Ivanov -- Yiddish constructivism : the art of the Moscow State Yiddish Theater / Jeffrey Veidlinger -- Art and theater / Benjamin Harshav -- Habima and Goset : an illustrated chronicle

The Poetics of the Avant-garde in Literature, Arts, and Philosophy

The Poetics of the Avant-garde in Literature, Arts, and Philosophy PDF

Author: Slav N. Gratchev

Publisher: Rowman & Littlefield

Published: 2020-10-05

Total Pages: 247

ISBN-13: 1793615756

DOWNLOAD EBOOK →

The Poetics of the Avant-garde in Literature, Arts, and Philosophy presents a range of chapters written by a highly international group of scholars from disciplines such as literary studies, arts, theatre, and philosophy to analyze the ambitions of avant-garde artists. Together, these essays highlight the interdisciplinary scope of the historic avant-garde and the interconnectedness of its artists. Contributors analyze topics such as abstraction and estrangement across the arts, the imaginary dialogue between Lev Yakubinsky and Mikhail Bakhtin, the problem of the “masculine ethos” in the Russian avant-garde, the transformation of barefoot dancing, Kazimir Malevich’s avant-garde poetic experimentations, the ecological imagination of the Polish avant-garde, science-fiction in the Russian avant-garde cinema, and the almost forgotten history of the avant-garde children’s literature in Germany. The chapters in this collection open a new critical discourse about the avant-garde movement in Europe and reshape contemporary understandings of it.

Russian and Soviet Theatre

Russian and Soviet Theatre PDF

Author: Konstantin Rudnitsky

Publisher:

Published: 1988

Total Pages: 320

ISBN-13: 9780500281956

DOWNLOAD EBOOK →

Conveys the energy and joy of the Russian theatre between about 1900 and 1930.

Theater of the Avant-Garde, 1890-1950

Theater of the Avant-Garde, 1890-1950 PDF

Author: Robert Knopf

Publisher: Yale University Press

Published: 2015-04-28

Total Pages: 512

ISBN-13: 030021054X

DOWNLOAD EBOOK →

An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.

The Director's Prism

The Director's Prism PDF

Author: Dassia N. Posner

Publisher: Northwestern University Press

Published: 2016-08-15

Total Pages: 405

ISBN-13: 0810133571

DOWNLOAD EBOOK →

Finalist, 2017 Theatre Library Association George Freedley Memorial Award Shortlist, 2019 Prague Quadrennial Best Scenography and Design Publication Award The Director's Prism investigates how and why three of Russia's most innovative directors— Vsevolod Meyerhold, Alexander Tairov, and Sergei Eisenstein—used the fantastical tales of German Romantic writer E. T. A. Hoffmann to reinvent the rules of theatrical practice. Because the rise of the director and the Russian cult of Hoffmann closely coincided, Posner argues, many characteristics we associate with avant-garde theater—subjective perspective, breaking through the fourth wall, activating the spectator as a co-creator—become uniquely legible in the context of this engagement. Posner examines the artistic poetics of Meyerhold's grotesque, Tairov's mime-drama, and Eisenstein's theatrical attraction through production analyses, based on extensive archival research, that challenge the notion of theater as a mirror to life, instead viewing the director as a prism through whom life is refracted. A resource for scholars and practitioners alike, this groundbreaking study provides a fresh, provocative perspective on experimental theater, intercultural borrowings, and the nature of the creative process.