Russia on Reels

Russia on Reels PDF

Author: Birgit Beumers

Publisher: Bloomsbury Publishing

Published: 1999-12-31

Total Pages: 232

ISBN-13: 075560590X

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This is the first book to deal exclusively with Russian cinema of the 1990s. It introduces readers to the currents and common interests of contemporary Russian cinema, offers close studies of the work of filmmakers like Sokurov, Muratova and Astrakhan, reviews the Russian film industry in a period of massive economic transformation, and assesses cinema's function as a definer of Russia's new identity.

Russia on Reels

Russia on Reels PDF

Author: Birgit Beumers

Publisher: I.B. Tauris

Published: 1999-12-31

Total Pages: 232

ISBN-13: 9781860643897

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Film writers and scholars from Britain, Russia and the United States provide the first - scholarly and enjoyable - account of modern Russian cinema after the collapse of the Soviet Union. The book gives a much needed historical context for recent films, defines common themes and diverse aesthetic concerns and offers individual portraits of three film directors: Sokurov, Muratova, and Astrakhan. The focal point for the discussion of a range of films is the 'Russian idea' and Russian identity and nationhood: how and why filmmakers debunk Soviet myths and the new images and clichés that are being created.

Imaging Russia 2000

Imaging Russia 2000 PDF

Author: Anna M. Lawton

Publisher: New Academia Publishing, LLC

Published: 2004

Total Pages: 364

ISBN-13: 9780974493435

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"Anna Lawton deftly tells two stories--one about the evolution of Russian film since the collapse of the Soviet Union in 1991, and the other about Russian life during that same period. She managed to capture a vivid portrait of Moscow of the 1990s, and to remind us that the Soviet past remains omnipresent in the new Russia. Russia 2000: Film and Facts is a must read for anyone who cares about Russia, or about film."Blair Ruble, Director, The Kennan Institute of the Woodrow Wilson Center.

Russia and its Other(s) on Film

Russia and its Other(s) on Film PDF

Author: S. Hutchings

Publisher: Springer

Published: 2008-04-25

Total Pages: 255

ISBN-13: 0230582788

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Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the 'Evil Empire' of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugee and that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia and the West during, and after, communism. The book's structure reflects both sides of this fascinating dialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue in a theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.

The Post-Soviet Russian Media

The Post-Soviet Russian Media PDF

Author: Birgit Beumers

Publisher: Routledge

Published: 2008-11-26

Total Pages: 262

ISBN-13: 1134112394

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Presenting original research from a number of well-known international specialists, this book is a detailed investigation of the development of mass media in Russia since the end of Communism and the collapse of the Soviet Union.

Modern Russian Cinema as a Battleground in Russia's Information War

Modern Russian Cinema as a Battleground in Russia's Information War PDF

Author: Alexander Rojavin

Publisher: Taylor & Francis

Published: 2024-07-31

Total Pages: 173

ISBN-13: 104010259X

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This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by the Kremlin's allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia’s broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.

Blockbuster History in the New Russia

Blockbuster History in the New Russia PDF

Author: Stephen M. Norris

Publisher: Indiana University Press

Published: 2012-10-19

Total Pages: 406

ISBN-13: 0253007089

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Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.

Popular Tropes of Identity in Contemporary Russian Television and Film

Popular Tropes of Identity in Contemporary Russian Television and Film PDF

Author: Irina Souch

Publisher: Bloomsbury Publishing USA

Published: 2017-11-16

Total Pages: 247

ISBN-13: 1501329049

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This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people's self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.

Cinemas, Identities and Beyond

Cinemas, Identities and Beyond PDF

Author: D. H. Fleming

Publisher: Cambridge Scholars Publishing

Published: 2020-07-13

Total Pages: 260

ISBN-13: 1527556670

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Cinemas, Identities and Beyond examines different modes of representing and constructing identities in and through the medium of film, transcending the narrow confines of the local / national / regional, and challenging spatial and temporal boundaries. It gathers fifteen essays that explore different dimensions of identities in contexts ranging from domestic spheres, urban milieus, socio-political environments, diasporic film-making issues, anthropology, film festivals, and psychoanalysis, to the examination of stardom in society. Engaging with cinematic representations, narrative conventions, film form, industry concerns, and other socio-cultural-economic-political factors relating to the production, distribution, exhibition and consumption of film, Cinemas, Identities and Beyond contributes to one of the most thought-provoking contemporary debates on cinemas and identities in film studies. Revisiting films such as Farewell My Concubine, The Matrix trilogy, The Straight Story, El Topo, and Days of Being Wild, this anthology establishes a framework that actively queries stabilised, ideological paradigms. The book discovers new frontiers and discourses to help us better understand ourselves and our surroundings when another decade of the new millennium is about to begin. Cinemas, Identities and Beyond will prove to be of value to a broad range of scholars, critics and students who are interested in issues pertaining to identities, and their construction in and beyond film.

Russian Modernization

Russian Modernization PDF

Author: Markku Kivinen

Publisher: Routledge

Published: 2020-11-29

Total Pages: 368

ISBN-13: 1000226808

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Building on an original interpretation of social theory and an interdisciplinary approach, this book creates a new paradigm in the Russian studies. Taking a fresh view of Russia’s multiple experiences of modernization, it seeks to explain the Putin era in a completely new way. This book explores the paradoxical and contradictory aspects of Russia, analyzing the energy-dependent economy and hybrid political regime, but also religion, welfare, and culture, and their often complex interrelations. Written by a community of both Western and Russian scholars, this book re-affirms the value of social science when confronting a society that has undergone enormous and costly systematic changes. The Russian elites see modernization narrowly as economic and technological competitiveness. The contributors to this volume see contemporary Russia facing a series of antinomies, which are macro-level dilemmas that cannot be abolished, either by philosophical mediation or by immediate political decisions. As such, they are the tension fields that constitute choices for various competing agencies. This book will be of interest to scholars and students of Russian studies, transition studies, sociology, social policy, political science, energy policy, cultural studies, and stratification studies. Professionals involved in energy, ecology, and security policy will also find this publication a rich source.