Francis Bacon

Francis Bacon PDF

Author:

Publisher:

Published: 2021

Total Pages: 160

ISBN-13: 9781912520558

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Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts in 2020 explores the role of animals in his work - not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle and the erotic lurks not far away: "Bullfighting is like boxing," Bacon once said. "A marvellous aperitif to sex." 0Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included surrealist literature and the photographs of Eadweard Muybridge. They contend that, by depicting animals in states of vulnerability, anger and unease, Bacon sought to delve into the human condition.00Exhibition: Royal Academy of Arts, London, UK (22.01-12.04.2021).

The Académie Royale de Peinture et de Sculpture

The Académie Royale de Peinture et de Sculpture PDF

Author: Christian Michel

Publisher: Getty Publications

Published: 2018-02-06

Total Pages: 436

ISBN-13: 1606065351

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The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.

Phyllida Barlow

Phyllida Barlow PDF

Author: Phyllida Barlow

Publisher:

Published: 2019

Total Pages: 0

ISBN-13: 9781912520015

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The British sculptor Phyllida Barlow CBE RA (b. 1944) studied at Chelsea College of Art (1960-63) and the Slade School of Art (1963-66), where she later taught for much of her career. Since retiring from teaching in 2009, she has been elected a Royal Academician, created new work for Tate Britain and the Royal Academy, had numerous solo shows and represented Britain at the Venice Biennale. Barlow's large-scale sculptures eschew serenity, balance, and beauty in favour of instability, obstruction, and oddness. This study of Phyllida Barlow situates her as an important figure within British contemporary art.

The King's Artists : The Royal Academy of Arts and the Politics of British Culture 1760-1840

The King's Artists : The Royal Academy of Arts and the Politics of British Culture 1760-1840 PDF

Author: Holger Hoock

Publisher: Clarendon Press

Published: 2003-11-13

Total Pages: 396

ISBN-13: 9780191556104

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This is the story of the forging of a national cultural institution in late eighteenth- and early nineteenth-century Britain. The Royal Academy of Arts was the dominant art school and exhibition society in London and a model for art societies across the British Isles and North America. This is the first study of its early years, re-evaluating the Academy's significance in national cultural life and its profile in an international context. Holger Hoock reassesses royal and state patronage of the arts and explores the concepts and practices of cultural patriotism and the politicization of art during the American and French Revolutions. By demonstrating how the Academy shaped the notions of an English and British school of art and influenced the emergence of the British cultural state, he illuminates the politics of national culture and the character of British public life in an age of war, revolution, and reform.

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