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Author: William J. Slater
Publisher: University of Michigan Press
Published: 1996
Total Pages: 214
ISBN-13: 9780472107216
DOWNLOAD EBOOK →A thought-provoking and timeless volume, presenting Roman theater as the voice of the common citizen
Author: Timothy J. Moore
Publisher: Cambridge University Press
Published: 2012-05-03
Total Pages: 185
ISBN-13: 0521138183
DOWNLOAD EBOOK →An exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts.
Author: Richard C. Beacham
Publisher: Harvard University Press
Published: 1991
Total Pages: 290
ISBN-13: 9780674779143
DOWNLOAD EBOOK →Provides a general account of the Roman theater and its audience, and records some of the results of the author's experiments in constructing a full-scale replica stage based upon the wall paintings at Pompeii and Herculaneum, and producing Roman plays upon it.
Author: Ruth Scodel
Publisher:
Published: 1993
Total Pages: 288
ISBN-13:
DOWNLOAD EBOOK →Examines the wide scope of classical drama
Author: Ruth Scodel
Publisher:
Published: 1993
Total Pages: 288
ISBN-13:
DOWNLOAD EBOOK →Examines the wide scope of classical drama
Author: Marianne McDonald
Publisher: Cambridge University Press
Published: 2007-05-31
Total Pages:
ISBN-13: 1139827251
DOWNLOAD EBOOK →This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.
Author: J. R. Green
Publisher: Routledge
Published: 2013-04-15
Total Pages: 262
ISBN-13: 1134968809
DOWNLOAD EBOOK →In Theatre in Ancient Greek Society the author examines the social setting and function of ancient Greek theatre through the thousand years of its performance history. Instead of using written sources, which were intended only for a small, educated section of the population, he draws most of his evidence from a wide range of archaeological material - from cheap, mass-produced vases and figurines to elegant silverware produced for the dining tables of the wealthy. This is the first study examining the function and impact of the theatre in ancient Greek society by employing an archaeological approach.
Author: Frank Sear
Publisher: OUP Oxford
Published: 2006-07-20
Total Pages: 612
ISBN-13: 0191518271
DOWNLOAD EBOOK →This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary,and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.
Author: David Kawalko Roselli
Publisher: University of Texas Press
Published: 2011-06-01
Total Pages: 303
ISBN-13: 0292744773
DOWNLOAD EBOOK →Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.
Author: Amy Richlin
Publisher: Cambridge University Press
Published: 2017-12-28
Total Pages: 582
ISBN-13: 1108216439
DOWNLOAD EBOOK →Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.
