Resonance in Singing and Speaking

Resonance in Singing and Speaking PDF

Author: Thomas Fillebrown

Publisher: Good Press

Published: 2019-11-25

Total Pages: 128

ISBN-13:

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Thomas Fillebrown's 'Resonance in Singing and Speaking' presents a unique plan for developing the human voice. Drawing on anatomical study and personal experience, Fillebrown offers a systematic and practical method for achieving perfect tone in speaking and singing. This volume emphasizes the value of each element in vocal production and demonstrates the principles needed to develop the best possible individual voice.

Set Your Voice Free

Set Your Voice Free PDF

Author: Roger Love

Publisher: Little, Brown

Published: 2003-08-15

Total Pages: 240

ISBN-13: 9780316441582

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With innovative techniques and enjoyable exercises that have worked wonders with his professional clients, the internationally acclaimed vocal coach demonstrates how to carry a tune, expand vocal range, and speak with ease, confidence, and effectiveness. Illustrations.

Resonance in Singing and Speaking

Resonance in Singing and Speaking PDF

Author: Thomas Fillebrown

Publisher: CreateSpace

Published: 2015-04-26

Total Pages: 80

ISBN-13: 9781511895637

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Efforts to develop my own voice, and the voices of my patients after operations for cleft palate, aided by anatomical study, resulted in a plan for the focusing and development of the human voice quite different from any other yet published, or, so far as I know, yet proposed. This plan has proved so successful in my later life that I feel emboldened to offer it for the consideration of speakers and singers.

Resonance in Singing and Speaking

Resonance in Singing and Speaking PDF

Author: Thomas Fillebrown

Publisher: Forgotten Books

Published: 2015-06-04

Total Pages: 114

ISBN-13: 9781330250150

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Excerpt from Resonance in Singing and Speaking Efforts to develop my own voice, and the voices of my patients after operations for cleft palate, aided by anatomical study, resulted in a plan for the focusing and development of the human voice quite different from any other yet published, or, so far as I know, yet proposed. This plan has proved so successful in my later life that I feel emboldened to offer it for the consideration of speakers and singers. While twenty-five years ago few of the principles here described were acknowledged or even recognized, within the last decade almost all have been advocated separately by different teachers or writers. At the present time, therefore, originality consists only in the classification of the principles into a systematic, progressive whole, and in arranging a simpler and more practical method of applying them, thus making the desired results much more quickly attainable. It is attempted in this volume only to describe the value of each element in the production of the perfect tone and to demonstrate the principles which, if properly and faithfully applied, will develop the best that is possible in each individual voice and prepare the pupil to enter upon the more advanced arts of speaking and singing. In 1903 I prepared a series of papers on The Art of Vocalism, which were published in The Étude in May, June, and July of that year. These articles are incorporated in this work. In connection with different organs and conditions, important principles are stated and restated. This repetition is thought desirable in order that the fundamentals may be kept prominently before the mind and impressed upon the attention. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.