Shakespearean Tragedy

Shakespearean Tragedy PDF

Author: D. F. Bratchell

Publisher: Routledge

Published: 2019-05-24

Total Pages: 172

ISBN-13: 113496708X

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This volume reflects changing critical perceptions of Shakespeare's works from Renaissance to modern times and celebrates the power of Shakespearean tragedy. The selection of critical reaction covers both the general concept of Shakespearean tragedy and its expression in the major plays, illustrating the main directions of critical approaches to Shakespearean tragedy and enabling the reader to develop an informed response to Shakespeare's dramatic works. An introductory chapter traces the development of the concept of tragedy from classical times, and its dramatic expression in the time of Shakespeare. Each of Shakespeare's great tragedies - Hamlet, Macbeth, Lear, and Othello - is considered in turn, and a final chapter summarizes contemporary critical approaches so that the reader can link the best of the critical past with the present critical scene.

Shakespearean Tragedy and Gender

Shakespearean Tragedy and Gender PDF

Author: Shirley Nelson Garner

Publisher: Indiana University Press

Published: 1996-02-22

Total Pages: 346

ISBN-13: 9780253210272

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While considering Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume covers the major tragic period, giving special attention to Othello.

Representing Shakespearean Tragedy

Representing Shakespearean Tragedy PDF

Author: Reiko Oya

Publisher: Cambridge University Press

Published: 2011-02-17

Total Pages: 0

ISBN-13: 9780521181402

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Reiko Oya explores theatrical expressions of Shakespearean tragedy in Georgian London and the relations between the representative players of the time - David Garrick, John Philip Kemble and his sister Sarah Siddons, and Edmund Kean - and their close circle of friends. The book begins by analysing the tragic emotion that Garrick conveyed through his performance of King Lear, and the responses to it from such critics as Samuel Johnson and Elizabeth Montagu. The second chapter examines the concept of sublimity in Kemble and Siddons' interpretations of Macbeth. The final chapter studies the disparity between the literary and the theatrical Hamlet in Kean's impersonation and William Hazlitt's response to it. With subjects ranging from Shakespearean promptbooks to paintings and the poetics of Romanticism, the book offers great insights into the exchange of ideas and inspirations among the cultural luminaries who surrounded the London stage.

Shakespeare's Tragedies and Modern Critical Theory

Shakespeare's Tragedies and Modern Critical Theory PDF

Author: James Cunningham

Publisher: Fairleigh Dickinson Univ Press

Published: 1997

Total Pages: 252

ISBN-13: 9780838637111

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Individual chapters deal with cultural materialism, new historicism, poststructuralism, and feminist criticism. The theoretical basis of each critical mode is examined and some representative critiques analyzed. Most importantly, in each chapter the various interpretations are tested against Shakespeare's texts, and the strengths and weaknesses of the different readings are assessed.

Shakespearean Tragedy

Shakespearean Tragedy PDF

Author: John Drakakis

Publisher: Routledge

Published: 2014-06-06

Total Pages: 446

ISBN-13: 1317899903

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Shakespearean Tragedy brings together fifteen major contemporary essays on individual plays and the genre as a whole. Each piece has been carefully chosen as a key intervention in its own right and as a representative of an influential critical approach to the genre. The collection as a whole, therefore, provides both a guide and explanation to the various ways in which contemporary criticism has determined our understanding of the tragedies, and the opportunity for assessing the wider issues such criticism raises. The collection begins by considering the impact of social semiotics on approaches to the tragedies, before moving on to deal, in turn, with the various forms of Marxist criticism, New Historicism, Cultural Materialism, Feminism, Psychoanalysis, and Poststructuralism.

Fools of Time

Fools of Time PDF

Author: Northrop Frye

Publisher: University of Toronto Press

Published: 1996-02-06

Total Pages: 121

ISBN-13: 1442656239

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In the Alexander Lectures for 1965-66 at the University of Toronto, Dr. Frye describes the basis of the tragic vision as "being in time," in which death as "the essential event that gives shape and form to life ... defines the individual, and marks him off from the continuity of life that flows indefinitely between the past and the future." In Dr. Frye's view, three general types can be distinguished in Shakespearean tragedy, the tragedy of order, the tragedy of passion, and the tragedy of isolation, in all of which a pattern of "being in time" shapes the action. In the first type, of which Julius Caesar, Macbeth, and Hamlet are examples, a strong ruler is killed, replaced by a rebel-figure, and avenged by a nemesis-figure; in the second, represented by Romeo and Juliet, Anthony and Cleopatra, and Troilus and Cressida, authority is split and the hero is destroyed by a conflict between social and personal loyalties; and in the third, Othello, King Lear, and Timon of Athens, the central figure is cut off from his world, largely as a result of his failure to comprehend the dynamics of that world. What all these plays show us, Dr. Frye maintains, is "the impact of heroic energy on the human situation" with the result that the "heroic is normally destroyed ... and the human situation goes on surviving." Fools of Time will be welcomed not only by many scholars who are familiar with Dr. Frye's keen critical insight but also by undergraduates, graduates, high-school and university teachers who have long valued his work as a means toward a firmer grasp and deeper understanding of English literature.

The Cambridge Companion to Shakespearean Tragedy

The Cambridge Companion to Shakespearean Tragedy PDF

Author: Claire McEachern

Publisher: Cambridge University Press

Published: 2013-08-08

Total Pages: 325

ISBN-13: 110701977X

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This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.

The Cambridge Companion to Shakespearean Tragedy

The Cambridge Companion to Shakespearean Tragedy PDF

Author: Claire McEachern

Publisher: Cambridge University Press

Published: 2013-08-08

Total Pages: 325

ISBN-13: 1107470137

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This revised and updated Companion acquaints the student reader with the forms, contexts, critical and theatrical lives of the ten plays considered to be Shakespeare's tragedies. Thirteen essays, written by leading scholars in Britain and North America, address the ways in which Shakespearean tragedy originated, developed and diversified, as well as how it has fared on stage, as text and in criticism. Topics covered include the literary precursors of Shakespeare's tragedies, cultural backgrounds, sub-genres and receptions of the plays. The book examines the four major tragedies and, in addition, Titus Andronicus, Romeo and Juliet, Julius Caesar, Antony and Cleopatra, Coriolanus and Timon of Athens. Essays from the first edition have been fully revised to reflect the most up-to-date scholarship; the bibliography has been extensively updated; and four new chapters have been added, discussing Shakespearean form, Shakespeare and philosophy, Shakespeare's tragedies in performance, and Shakespeare and religion.

The Cambridge Companion to Shakespeare and Race

The Cambridge Companion to Shakespeare and Race PDF

Author: Ayanna Thompson

Publisher: Cambridge University Press

Published: 2021-02-25

Total Pages: 518

ISBN-13: 1108623298

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The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.