Report on International Exhibition of Industry and Art, London 1862

Report on International Exhibition of Industry and Art, London 1862 PDF

Author: B. P. Johnson

Publisher: Palala Press

Published: 2015-09-15

Total Pages: 174

ISBN-13: 9781342655301

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Report on International Exhibition of Industry and Art, London, 1862

Report on International Exhibition of Industry and Art, London, 1862 PDF

Author: Benjamin Pierce Johnson

Publisher: Theclassics.Us

Published: 2013-09

Total Pages: 84

ISBN-13: 9781230271453

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1863 edition. Excerpt: ... It was invented by the Messrs. Crockett, of America, in 1855, since which time it has also been manufactured to a large extent in England. It is made in all shades of color, and grained to exactly imitate Morocco leather; is perfectly waterproof, being used largely in making leggings, and in the late Crimean war the French ambulance wagons were covered with it. The present American army is also equipped with capes, knapsacks and leggings made from it. It is also applicable for the purpose of bookbinding. On account of its cleanliness it has almost entirely superseded the use of the old fashioned haircloths (which hold the dust), for upholstery work, in covering chairs and couches. Its adaptability for the purposes above mentioned, together with its durability and cheapness, in comparison with leather, (being less than one-fourth the cost of the latter, ) has caused it to be ranked as one of the most useful necessaries of the age. Class xxvii. Articles Of Clothing. Section B.--Saponification.--R. A. Tilghman, Philadelphia, for fatty acids from aqueous saponification, prize medal. Section C.--Manchester Print Works, U. S., woolen hosiery; honorable mention. There was nothing of very special interest in relation to this class. Class xxviii. Paper, Stationery, Etc. There were 47 exhibitors of first class paper made from rags; 38 exhibitors in all other classes from rags; 85 in all. Paper made from rope, 4 exhibitors; straw, 7 exhibitors; esparto, 1 exhibitor; hop vine, 1 exhibitor; wood, 1 exhibitor; unknown materials, 1 exhibitor; 15 in all. Four exhibitors of paper from materials hitherto but little or never employed, viz: one from wheaten straw; one from oat straw; one from esparto, Alfa or Spanish grass; one from hop vine. The paper from..

The Popular Guide To The International Exhibition Of 1862

The Popular Guide To The International Exhibition Of 1862 PDF

Author: Edward McDermott

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781021861306

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The International Exhibition of 1862 was a crucial event in the history of the Victorian era, showcasing the latest innovations and developments in technology, industry, science, and art. In this volume, Edward McDermott provides a comprehensive guide to the exhibition, offering a fascinating insight into the culture and society of the period. Overflowing with remarkable and unusual facts about the exhibition, this book is an essential reading for anyone interested in the history of the Industrial Revolution and Victorian culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Impressed by Light

Impressed by Light PDF

Author: Roger Taylor

Publisher: Metropolitan Museum of Art

Published: 2007

Total Pages: 456

ISBN-13: 1588392252

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Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.

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