-PDF Download- Renee Green EBOOK

Renée Green

Author: Mason Leaver-Yap

Publisher: Hatje Cantz Verlag

Published: 2022-01-01

Total Pages: 256

ISBN-13: 3775750614

Über zwei Jahrzehnte hinweg hat sich Renée Green in ihrer außergewöhnlichen multimedialen Kunstpraxis fortlaufend mit der Beziehung zwischen Ästhetik und Macht auseinandergesetzt. Ihre Filme, Skulpturen, Schriften, Fotografien, Druckgrafiken und Soundarbeiten untersuchen und beleuchten unterrepräsentierte Geschichten von Migration, Vertreibung, Ethnografie und kultureller Repräsentation. Dieser außergewöhnliche Künstlerkatalog zeigt Greens Werk in seinen vielen Facetten und kombiniert frühe und undokumentierte Kunstwerke mit neueren Arbeiten, begleitet von einer Vielzahl von Texten neuer Autoren, die ihr Kunstwerk für ein zeitgenössisches Publikum rekontextualisieren. Das Buch erlaubt die einzigartige Einsicht in einen Prozess, in dem Sehen und Wissen in neue Konstellationen gebracht werden.

Other Planes of There

Author: Renée Green

Publisher: Duke University Press Books

Published: 2014-11-10

Total Pages: 0

ISBN-13: 9780822357032

DOWNLOAD EBOOK →

For more than two decades, the artist Renée Green has created an impressive body of work in which language is an essential element. Green is also a prolific writer and a major voice in the international art world. Other Planes of There gathers for the first time a substantial collection of the work she wrote between 1981 and 2010. The selected essays initially appeared in publications in different countries and languages, making their availability in this volume a boon to those wanting to follow Green's artistic and intellectual trajectory. Charting this cosmopolitan artist’s thinking through the decades, Other Planes of There brings essays, film scripts, reviews, and polemics together with reflections on Green's own artistic practice and seminal artworks. It immerses the reader in three decades of contemporary art showcasing the art and thought, the incisive critiques and prescient observations of one of our foremost artists and intellectuals. Sound, cinema, literature, time-based media, and the relationship between art forms and other forms of knowledge are just a few of the matters that Green takes up and thinks through. Sixty-four pages of color plates were selected by the artist for this lavishly illustrated volume.

Pacing

Author: Nora Alter

Publisher:

Published: 2020-07-20

Total Pages:

ISBN-13: 9781735230504

DOWNLOAD EBOOK →

Renée Green: Pacing explores the artist's two-year engagement with the Carpenter Center for the Visual Arts at Harvard University, including her major exhibition Within Living Memory, and chronicles a series of Green's interlinked exhibitions and events that took place during that time period in Cambridge, US (Pacing); Toronto, Canada (Facing); Como, Italy (Tracing); Berlin, Germany (Placing); and Lisbon, Portugal (Spacing). Renée Green: Pacing puts these projects into dialog with extensive documentation of and critical responses to her exhibitions and public programs staged at the Carpenter Center between 2016 - 2018. In doing so, the publication focuses on questions of process across a network of histories and actions, dwelling in literature, poetry, mathematics, color, architecture, cinema, sound, voices, conversations, and written exchanges.Renée Green: Pacing features these works collected in Within Living Memory, including her new work Americas : Veritas (2018); commissioned by the Carpenter Center, Americas : Veritas is a short film inspired by materials found in Harvard libraries and archives, positioning Le Corbusier's Cambridge-situated Carpenter Center for the Visual Arts in dialogue with his Casa Curutchet, located in La Plata, Argentina, as the architect's only two built structures in the Americas. The book collects the scripts of Green's re- cent essay films ED/HF (2017), Walking in NYL (2016), and Begin Again, Begin Again (2015). Renée Green: Pacing advances new linkages between diverse international gures and sites, spanning Asia, Europe, North America, and South America, connecting Viennese émigré architect Rudolf M. Schindler, literary luminaries Gertrude Stein, Laura (Riding) Jackson, and Muriel Rukeyser, and polymaths and activists Albert Einstein, W. E. B. Du Bois, and Paul Robeson.In addition to a newly commissioned essay by art historian Gloria Sutton, and a new text by poet and scholar Fred Moten, Renée Green: Pacing brings together a series of never-before-published dialogs between the artist and a multidisciplinary group of leading practitioners including choreographer Yvonne Rainer, film and media scholar Nora Alter, and critic Mason Leaver-Yap. The publication will also collect recently published conversations with Nicholas Korody and William S. Smith, and an introduction by Carpenter Center director, Dan Byers.

Endless Dreams and Time-based Streams

Author: Renée Green

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9780982678909

DOWNLOAD EBOOK →

The term "time-based art" is ostensibly a well-known construct by this point, encompassing video, audio and performance work but not textiles or other objects. Yet Renée Green, whose complex installation art has long troubled easy oppositions such as public/ private, center/margin, and history/ fiction, complicates the idea of time-based art as well, recycling the otherwise "static" elements in her vibrant multimedia environments from year to year, thus mobilizing a more expansive notion of the "time-based" to situate her practice in history. Conceived for Green's 2010 exhibition at Yerba Buena Center for the Arts, this volume appraises the intellectual complexity of Green's ever-evolving art.

Renée Green

Author: Renée Green

Publisher: Jrp Ringier

Published: 2009

Total Pages: 164

ISBN-13:

DOWNLOAD EBOOK →

This is the first comprehensive monograph devoted to New York and San Francisco-based artist Renée Green. Over the past 20 years, through film, video, sound art, photographs, prints, banners, texts, websites and ephemera, Green's work has comprised complex, multi-layered archive-like installations, employing a vast array of sources, which always urge viewers to become active participants. Included in this superbly illustrated volume are newly commissioned essays by a host of esteemed media scholars, art historians, critics and curators--Nora Alter, Diedrich Diederichsen, Kobena Mercer, Catherine Quéloz, Gloria Sutton and Elvan Zabunyan--who engage issues central to Green's oeuvre, such as genealogy, archives and their reworkings, movements and displacements, site specificity and location.

Easy Green Living

Author: Renée Loux

Publisher: Rodale

Published: 2008-04-01

Total Pages: 418

ISBN-13: 1594867925

DOWNLOAD EBOOK →

A guide to an eco-friendly lifestyle provides suggestions for using an array of "green" home, garden, and beauty products, with recommendations on affordable options for renewable energy solutions, allergen-free textiles, and toxin-free cleaning products.

Whole Green Catalog

Author: Michael W. Robbins

Publisher: Rodale

Published: 2009-09-01

Total Pages: 402

ISBN-13: 1594868875

DOWNLOAD EBOOK →

A consumer's reference to green living counsels readers on how to identify truly eco-friendly products and includes reviews and advice for everything from home furnishings and appliances to toys and clothing. Original.

Bound to Appear

Author: Huey Copeland

Publisher: University of Chicago Press

Published: 2013-10-28

Total Pages: 275

ISBN-13: 022601312X

DOWNLOAD EBOOK →

At the close of the twentieth century, black artists began to figure prominently in the mainstream American art world for the first time. Thanks to the social advances of the civil rights movement and the rise of multiculturalism, African American artists in the late 1980s and early ’90s enjoyed unprecedented access to established institutions of publicity and display. Yet in this moment of ostensible freedom, black cultural practitioners found themselves turning to the history of slavery. Bound to Appear focuses on four of these artists—Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson—who have dominated and shaped the field of American art over the past two decades through large-scale installations that radically departed from prior conventions for representing the enslaved. Huey Copeland shows that their projects draw on strategies associated with minimalism, conceptualism, and institutional critique to position the slave as a vexed figure—both subject and object, property and person. They also engage the visual logic of race in modernity and the challenges negotiated by black subjects in the present. As such, Copeland argues, their work reframes strategies of representation and rethinks how blackness might be imagined and felt long after the end of the “peculiar institution.” The first book to examine in depth these artists’ engagements with slavery, Bound to Appear will leave an indelible mark on modern and contemporary art.

The Green Giant

Author: Katie Cottle

Publisher: Pavilion Children's

Published: 2020-08-07

Total Pages: 39

ISBN-13: 1843654423

DOWNLOAD EBOOK →

A beautiful eco-tale from the winner of the Batsford Prize You've met the Iron Giant, the Big Friendly Giant and the Selfish Giant. Now meet the Green Giant! A young girl, Bea, and her dog, Iris, are staying with her grandad in the country. Bea is bored, but Iris’s adventures lead them to the small and rusty old greenhouse next door. Inside the greenhouse, Bea finds... a giant. A giant made entirely of plants and greenery. Bea is scared, but the giant reassures her and explains that he has escaped from the grey city. Bea and the giant become friends, but can they do anything to make the grey city, and the world, a greener place? A brilliant new picture book that highlights our concern for the environment, greening our cities, guerrilla gardening and making the world a better place. Katie Cottle was the winner of the Batsford Prize 2017 and is a rising star in the picture book world.

One Place after Another

Author: Miwon Kwon

Publisher: MIT Press

Published: 2004-02-27

Total Pages: 236

ISBN-13: 9780262612029

DOWNLOAD EBOOK →

A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.