Renaissance Acting Editions: The Tragedie of King Lear

Renaissance Acting Editions: The Tragedie of King Lear PDF

Author: William Shakespeare

Publisher: Demitra Papadinis

Published:

Total Pages: 272

ISBN-13:

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Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.

Renaissance Acting Editions: The Tragedie of Hamlet, Prince of Denmarke [Hamlet, Prince of Denmark]

Renaissance Acting Editions: The Tragedie of Hamlet, Prince of Denmarke [Hamlet, Prince of Denmark] PDF

Author: William Shakespeare

Publisher: Demitra Papadinis

Published:

Total Pages: 299

ISBN-13:

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Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.

Renaissance Acting Editions: The Tragedie of Othello, the Moore of Venice [Othello, the Moor of Venice]

Renaissance Acting Editions: The Tragedie of Othello, the Moore of Venice [Othello, the Moor of Venice] PDF

Author: William Shakespeare

Publisher: Demitra Papadinis

Published:

Total Pages: 292

ISBN-13:

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Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.

MAUDE ADAMS ACTING /E OF ROMEO

MAUDE ADAMS ACTING /E OF ROMEO PDF

Author: William 1564-1616 Shakespeare

Publisher: Wentworth Press

Published: 2016-08-27

Total Pages: 156

ISBN-13: 9781363870325

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Tragedy of Romeo and Juliet

The Tragedy of Romeo and Juliet PDF

Author: William Shakespeare

Publisher: Hackett Publishing

Published: 2012-03-01

Total Pages: 184

ISBN-13: 1585104825

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George Lyman Kittredge’s insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: The original introduction to the Kittredge Edition Editor’s Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play’s performance history on stage and screen. Explanatory Notes. The explanatory notes either expand on Kittredge’s superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare’s sometimes demanding language. Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare’s words allow the reader to envision the work "off the page." Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare’s life. Some of the Chronologies include time chronologies within the plays. Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions’ Introduction. Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.