Rembrandt and the Female Nude

Rembrandt and the Female Nude PDF

Author: Eric Jan Sluijter

Publisher: Amsterdam University Press

Published: 2006

Total Pages: 452

ISBN-13: 9053568379

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Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.

Rembrandt's Naked Truth

Rembrandt's Naked Truth PDF

Author: Judith Noorman

Publisher: W Books

Published: 2016

Total Pages: 0

ISBN-13: 9789462581340

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Rembrandt and his pupils drew from the nude model in the 17th century. They took part in a new trend of drawing from models, but with different approach from their contemporaries. Rembrandt's drawings were especially realistic and he was criticized for presenting reality instead of pursuing the ideals of beauty then current.

Drawings by Rembrandt and His Pupils

Drawings by Rembrandt and His Pupils PDF

Author: Rembrandt Harmenszoon van Rijn

Publisher: Getty Publications

Published: 2009

Total Pages: 292

ISBN-13: 0892369787

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"Rembrandt was the most famous painter of the Dutch Golden Age, and the opportunity to work in his studio attracted young artists for nearly four decades, until the artist's death in 1669. This catalogue explores the workings of Rembrandt's studio in the form of drawings made by the master himself and fifteen of his pupils. Rembrandt and his students would often depict the same subject matter as an exercise and make drawings of the same nude models. In his later years, Rembrandt also made sketching trips outside Amsterdam to create his innovative landscapes of the Dutch countryside. His students followed this example, sometimes depicting the same sites." "Organized chronologically, Drawings by Rembrandt and His Pupils: Telling the Difference is a groundbreaking study that presents more than forty works by Rembrandt and related works by his pupils. It explores the scholarship of recent decades that has brought new and more systematic criteria to bear on determining the authenticity of Rembrandt drawings, and defines the styles of his pupils and followers with ever-greater precision. In so doing, this volume demystifies the sometimes-baffling exercise known as connoisseurship and seeks to re-enact the daily practices that Rembrandt used to teach his students and bring them to artistic maturity." "This is an essential book for anyone interested in the Dutch Golden Age or the lives and careers of Rembrandt and the artists in his immediate circle. A major exhibition of these drawings will be on view at the J. Paul Getty Museum from December 8, 2009, to February 28, 2010." --Book Jacket.

Rembrandt's Women

Rembrandt's Women PDF

Author: Julia Lloyd Williams

Publisher:

Published: 2001

Total Pages: 280

ISBN-13:

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This is the first book to focus on Rembrandt's portrayal of women. It reveals the women in Rembrandt's life, as well as his unique approach to depicting the female form in paintings, drawings and prints, all shown through 140 superb works drawn from the finest collections in the world.

The Nude and the Norm in the Early Modern Low Countries

The Nude and the Norm in the Early Modern Low Countries PDF

Author: Karolien de Clippel

Publisher: Brepols Publishers

Published: 2011

Total Pages: 0

ISBN-13: 9782503535692

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Table of Contents: Katlijne Van der Stighelen, Introduction - Eric Jan Sluijter, The Nude, the Artist and the Model: The Case of Rembrandt - Erna Kok, The Female Nude from Life: On Studio Practice and Beholder Fantasy - Victoria Sancho Lobis, Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe - Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory - Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries - -Johan Verberckmoes, Is that Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish Netherlands - Ralph Dekoninck, Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature - Veerle De Laet, Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting.

Rembrandt: The Painter Thinking

Rembrandt: The Painter Thinking PDF

Author: Ernst van de Wetering

Publisher: Univ of California Press

Published: 2016-04-18

Total Pages: 348

ISBN-13: 0520290259

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Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.