Remakes and Remaking

Remakes and Remaking PDF

Author: Rüdiger Heinze

Publisher: transcript Verlag

Published: 2015-02-28

Total Pages: 185

ISBN-13: 3839428947

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From »Avatar« to danced versions of »Romeo and Juliet«, from Bollywood films to »Star Wars Uncut«: This book investigates film remakes as well as forms of remaking in other media, such as ballet and internet fan art. The case studies introduce readers to a variety of texts and remaking practices from different cultural spheres. The essays also discuss forms of remaking in relation to neighbouring phenomena like the sequel, prequel and (re-)adaptation. »Remakes and Remaking« thus provides a necessary and topical addition to the recent conceptual scholarship on intermediality, transmediality and adaptation.

Film Remakes, Adaptations and Fan Productions

Film Remakes, Adaptations and Fan Productions PDF

Author: K. Loock

Publisher: Springer

Published: 2012-10-23

Total Pages: 252

ISBN-13: 1137263350

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A dynamic investigation of processes of cultural reproduction – remaking and remodelling – which considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives.

Why We Remake

Why We Remake PDF

Author: Lauren Rosewarne

Publisher:

Published: 2020-03-05

Total Pages: 366

ISBN-13: 9780367419134

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This examination of film and television remakes focuses explicitly on why - since the dawn of cinema - studios have remade films over and over again. Each chapter provides insight into the business of Hollywood, the motivations of filmmakers and also the pleasures for audiences, and offers a separate explanation for the whys of remaking. Utilizing an interdisciplinary approach, the author draws from existing literature, close readings of films and a dataset of hundreds of film reviews, to provide a taxonomy and deep-dive into six unique rationales for remaking premade titles: the better remake; the economic remake; the nostalgic remake; the Americanized remake; the creative remake; the fashionable remake. This unique examination of the industrial activity of remaking will be of great interest to academics and students working in the areas of film and adaptation studies, narrative, media discourse, transmedia storytelling, American cinema and cultural studies.

Film Remakes

Film Remakes PDF

Author: NA NA

Publisher: Springer

Published: 2016-10-03

Total Pages: 205

ISBN-13: 1137081686

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This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.

The Old Man and the Wasteland

The Old Man and the Wasteland PDF

Author: Nick Cole

Publisher: Harper Collins

Published: 2013-01-22

Total Pages: 135

ISBN-13: 0062268538

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Part Hemingway, part Cormac McCarthy's The Road, a suspenseful odyssey into the dark heart of the post-apocalyptic American Southwest. Forty years after the destruction of civilization, human beings are reduced to salvaging the ruins of a broken world. One survivor's most prized possession is Hemingway's classic The Old Man and the Sea. With the words of the novel echoing across the wasteland, a living victim of the Nuclear Holocaust journeys into the unknown to break a curse. What follows is an incredible tale of grit and endurance. A lone traveler must survive the desert wilderness and mankind gone savage to discover the truth of Hemingway's classic tale of man versus nature. Now with a new introduction by author Nick Cole.

Dead Ringers

Dead Ringers PDF

Author: Jennifer Forrest

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 382

ISBN-13: 0791489639

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While the popular press has criticized movie remakes as signs of Hollywood's collective lack of imagination, the essays in Dead Ringers reveal the centrality and staying power of remakes as a formative genre in filmmaking. The contributors show that the practice of remaking films dates back to the origins of cinema and the evolution of film markets. In fact, remakes were never so prevalent as during the Classic Hollywood period, when filmmaking had achieved its greatest degree of industrialization, and they continue to play a crucial role in the development of film genres generally. Offering a variety of historical, commercial, theoretical, and cultural perspectives on the remake, Dead Ringers is a valuable resource for students of film history and theory, as well as those interested in the cultural politics of the late twentieth century.

Transnational Film Remakes

Transnational Film Remakes PDF

Author: Iain Robert Smith

Publisher: Edinburgh University Press

Published: 2017-03-08

Total Pages: 248

ISBN-13: 1474407250

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What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La Bete Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings.

Remaking Horror

Remaking Horror PDF

Author: James Francis, Jr.

Publisher: McFarland

Published: 2013-01-25

Total Pages: 223

ISBN-13: 0786470887

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This book chronicles the American horror film genre in its development of remakes from the 1930s into the 21st century. Gus Van Sant's 1998 remake of Alfred Hitchcock's Psycho (1960) is investigated as the watershed moment when the genre opened its doors to the possibility that any horror movie--classic, modern, B-movie, and more--might be remade for contemporary audiences. Staple horror franchises--Halloween (1978), Friday the 13th (1980), and A Nightmare on Elm Street (1984)--are highlighted along with their remake counterparts in order to illustrate how the genre has embraced a phenomenon of remake productions and what the future of horror holds for American cinema. More than 25 original films, their remakes, and the movies they influenced are presented in detailed discussions throughout the text.

Remaking Gender and the Family

Remaking Gender and the Family PDF

Author: Sarah Woodland

Publisher: BRILL

Published: 2018-06-05

Total Pages: 167

ISBN-13: 9004363300

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In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes, exploring how source texts are reshaped for their new audiences, and focusing on how changes in representations of gender connect with perceived socio-cultural, political and cinematic values within China.

Remaking Home

Remaking Home PDF

Author: Paul R. Merchant

Publisher: University of Pittsburgh Press

Published: 2022-01-11

Total Pages: 418

ISBN-13: 0822988496

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Houses, in the Argentine and Chilean films of the early twenty-first century, provide much more than a backdrop to on-screen drama. Nor are they simply refuges from political turmoil or spaces of oppression. Remaking Home argues that domestic spaces are instead the medium through which new, fragile common identities are constructed. The varied documentary and fiction films analyzed here, which include an early work by Oscar winner Sebastián Lelio, use the domestic sphere as a laboratory in which to experiment with narrative, audiovisual techniques, and social configurations. Where previous scholarship has focused on the social fragmentation and political disillusionment visible in contemporary film, Remaking Home argues that in order to understand the political agency of contemporary cinema, it is necessary to move beyond deconstructive critical approaches to Latin American culture. In doing so, it expands the theoretical scope of studies in Latin American cinema by finding new points of contact between the cultural critique of Nelly Richard, the work of Bruno Latour, and theories of new materialism.