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Religious Hair Display and Its Meanings

Author: William C. Innes, Jr

Publisher: Springer Nature

Published: 2021-04-30

Total Pages: 284

ISBN-13: 3030699749

This book explores the fascinating world of religious hair observances within six religious traditions that account for 77% of the world’s adherents: Judaism, Christianity, Islam, Hinduism, Buddhism, and Sikhism. Symbolic use of hair has been, and remains, prevalent in all six and carries significant amounts of religious and social meaning. Hair is a unique body substance. It can be shaped and colored, removed from us without pain but still retain an individual’s essence, signal our age, sex, and sexual maturity, and much, much more. The book’s approach is to situate each practice within its tradition. That requires a study of its foundational leaders and their teachings, sacred texts (where they mention hair), its rites and rituals, ideas of religious power and subsequent historical development. Contemporary practitioners are interviewed for their motivations. Even more insight can be gleaned by searching beyond an overt religious purpose. Social scientists from anthropology, sociology, psychology, and related fields bring their research to deliver added perceptions. The author reveals how hair practices are created from ancient psychological and cultural impulses, become modified by time, culture and religious intent, and are adopted by adherents for reasons ranging from personal religious expression to group identity. This book is written for the interested observer of our increasingly diverse society and for the student of comparative religion and sociology. It will change forever how you see hair.

Religious Hair Display and Its Meanings

Author: Innes, Jr (William C.)

Publisher:

Published: 2021

Total Pages: 0

ISBN-13: 9783030699758

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This book explores the fascinating world of religious hair observances within six religious traditions that account for 77% of the world's adherents: Judaism, Christianity, Islam, Hinduism, Buddhism, and Sikhism. Symbolic use of hair has been, and remains, prevalent in all six and carries significant amounts of religious and social meaning. Hair is a unique body substance. It can be shaped and colored, removed from us without pain but still retain an individual's essence, signal our age, sex, and sexual maturity, and much, much more. The book's approach is to situate each practice within its tradition. That requires a study of its foundational leaders and their teachings, sacred texts (where they mention hair), its rites and rituals, ideas of religious power and subsequent historical development. Contemporary practitioners are interviewed for their motivations. Even more insight can be gleaned by searching beyond an overt religious purpose. Social scientists from anthropology, sociology, psychology, and related fields bring their research to deliver added perceptions. The author reveals how hair practices are created from ancient psychological and cultural impulses, become modified by time, culture and religious intent, and are adopted by adherents for reasons ranging from personal religious expression to group identity. This book is written for the interested observer of our increasingly diverse society and for the student of comparative religion and sociology. It will change forever how you see hair.

A Cultural History of Hair in the Renaissance

Author: Edith Snook

Publisher: Bloomsbury Publishing

Published: 2020-12-10

Total Pages: 233

ISBN-13: 1350122807

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In the period 1450 to 1650 in Europe, hair was braided, curled, shaped, cut, colored, covered, decorated, supplemented, removed, and reused in magic, courtship, and art, amongst other things. On the body, Renaissance men and women often considered hair a signifier of order and civility. Hair style and the head coverings worn by many throughout the period marked not only the wearer's engagement with fashion, but also moral, religious, social, and political beliefs. Hair established individuals' positions in the period's social hierarchy and signified class, gender, and racial identities, as well as distinctions of age and marital and professional status. Such a meaningful part of the body, however, could also be disorderly, when it grew where it wasn't supposed to or transgressed the body's boundaries by being wild, uncovered, unpinned, or uncut. A natural material with cultural import, hair weaves together the Renaissance histories of fashion, politics, religion, gender, science, medicine, art, literature, and material culture. A necessarily interdisciplinary study, A Cultural History of Hair in the Renaissance explores the multiple meanings of hair, as well as the ideas and practices it inspired. Separate chapters contemplate Religion and Ritualized Belief, Self and Society, Fashion and Adornment, Production and Practice, Health and Hygiene, Sexuality and Gender, Race and Ethnicity, Class and Social Status, and Cultural Representations.

Wild Religion

Author: David Chidester

Publisher: Univ of California Press

Published: 2012-04-23

Total Pages: 274

ISBN-13: 0520273079

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This book examines South Africa's political journey of the late twentieth and early twenty-first century in the context of religious diversity and the recent revitalization of indigenous religion and rituals.

Key Terms in Material Religion

Author: S. Brent Plate

Publisher: Bloomsbury Publishing

Published: 2015-12-17

Total Pages: 303

ISBN-13: 1472595483

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Material religion is a rapidly growing field, and this volume offers an accessible, critical entry into these new areas of research. Each "key term" uses case studies and is accompanied by a color image – an object, practice, space, or site. The entries cut across geographies, histories, and traditions, offering a versatile and engaging text for the classroom. Key topics covered include: - Icon, ritual, magic, gender, race - Sacred, spirit, technology, - Space, belief, body, brain - Taste, touch, smell, sound, vision Each entry demonstrates in clear and jargon-free prose how the key term figures prominently in understanding the materiality of religion. Written by leading international scholars, all entries are linked by the ways materiality stands at the forefront of the understanding of religion, whether that comes from humanistic, social scientific, artistic, curatorial, or other perspectives. Brent Plate brings his expertise and extensive teaching experience to the comprehensive introduction which introduces students to the themes and methods of the material cultural study of religion. Key Terms in Material Religion provides a much-needed resource for courses on theory and method in religious studies, the anthropology of religion, and the ever-increasing number of courses focused on material religion.

A Cultural History of Hair in the Modern Age

Author: Geraldine Biddle-Perry

Publisher: Bloomsbury Publishing

Published: 2020-12-10

Total Pages: 256

ISBN-13: 1350122831

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Over the last century, there has been a revolution in self-presentation and social attitudes towards hair. Developments in mass manufacturing, advances in chemical science and new understandings of bodies and minds have been embraced by new kinds of hairdressers and their clientele and embodied in styles that reflect shifting ideals of what it is to be and to look modern. The emergence of the ladies hairdressing salon, the rise of the celebrity stylist, the impact of Hollywood, an expanding mass media, and a new synergy between fashions in clothing and hairstyles have rippled out globally. Fashions in hair styles and their representation have taken on new meanings as a way of resisting dominant social structures, experimenting with social taboos, and expressing a modern sense of self. From the 1920s bob to the punk cut, hair has continued to be deeply involved in society's larger issues. Drawing on a wealth of visual, textual and object sources, and illustrated with 75 images, A Cultural History of Hair in the Modern Age presents essays that explore how politics, science, religion, fashion, beauty, the visual arts, and popular culture have reshaped modern hair and its significance as an agent of social change.

My Brother Esau is a Hairy Man

Author: Susan Niditch

Publisher:

Published: 2008

Total Pages: 176

ISBN-13:

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The story of Jacob and Esau is told in the book of Genesis. With his mother's help, Jacob impersonates his hairy older twin by dressing in Esau's clothes and covering his own hands and the nape of his neck with the hairy hide of goats. Fooled by this ruse, their blind father, Isaac, is tricked into giving the younger son the blessing of the firstborn. This is only one of many biblical stories in which hair plays a pivotal role. In recent years, there has been an explosion of scholarly interest in the relationship between culture and the body. Hair plays an integral role in the way we represent and identify ourselves. The way we treat our hair has to do with aesthetics, social structure, religious identity, and a host of other aspects of culture. In societies modern and ancient, the hairdo is one key to a group's cultural code. In ancient Israel, hair signifies important features of identity with respect to gender, ethnicity, and holiness. Susan Niditch seeks a deeper understanding of Israelite culture as expressed, shaped, and reinforced in images of hair. Among her examples is the tradition's most famous long-haired hero, Samson. The hair that assures Samson's strength is a common folktale motif, but is also important to his sacred status as a Nazirite. Niditch examines the meaning of the Nazirite identity held by Samuel as well as Samson arguing that long hair is involved in a complex set of cultural assumptions about men, warrior status, and divine election. In addition to biblical texts, Niditch looks at pictorial and other material evidence. She concludes by examining the troubling texts in which men impose hair cutting or loosening upon women, revealing much about attitudes to women and their place in Israelite culture. Much has been written on the presentation of the body in various literatures, including the Bible, but the role of hair in ancient Israel has been neglected. This book charts a new path for studies on the body, religion, and culture.

A Cultural History of Hair in the Age of Enlightenment

Author: Margaret K. Powell

Publisher: Bloomsbury Publishing

Published: 2020-12-10

Total Pages: 256

ISBN-13: 1350087947

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Hair, or lack of it, is one the most significant identifiers of individuals in any society. In Antiquity, the power of hair to send a series of social messages was no different. This volume covers nearly a thousand years of history, from Archaic Greece to the end of the Roman Empire, concentrating on what is now Europe, North Africa, and the Near East. Among the key issues identified by its authors is the recognition that in any given society male and female hair tend to be opposites (when male hair is generally short, women's is long); that hair is a marker of age and stage of life (children and young people have longer, less confined hairstyles; adult hair is far more controlled); hair can be used to identify the 'other' in terms of race and ethnicity but also those who stand outside social norms such as witches and mad women. The chapters in A Cultural History of Hair in Antiquity cover the following topics: religion and ritualized belief, self and society, fashion and adornment, production and practice, health and hygiene, gender and sexuality, race and ethnicity, class and social status, and cultural representations.