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French Motets in the Thirteenth Century
Author: Mark Everist
Publisher: Cambridge University Press
Published: 2004-11-11
Total Pages: 220
ISBN-13: 9780521612043
DOWNLOAD EBOOK →This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.
Music from the Middle Ages Through the Twentieth Century
Author: Gwynn S. McPeek
Publisher: Taylor & Francis
Published: 1988
Total Pages: 412
ISBN-13: 9782881242168
DOWNLOAD EBOOK →First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
A Critical Companion to Medieval Motets
Author: Jared C. Hartt
Publisher: Boydell & Brewer
Published: 2018
Total Pages: 422
ISBN-13: 1783273070
DOWNLOAD EBOOK →First full comprehensive guide to one of the most important genres of music in the Middle Ages.
The Sound of Writing
Author: Christopher Cannon
Publisher: JHU Press
Published: 2023-11-14
Total Pages: 278
ISBN-13: 142144724X
DOWNLOAD EBOOK →"This work provides an interdisciplinary and historical exploration of various techniques leveraging writing in order to capture sound. Collectively, the essays in this work focus on questions of language and expression as much as the method and theory of both sound and writing"--
Conjunctures
Author: Douglas Kelly
Publisher: Rodopi
Published: 1994
Total Pages: 628
ISBN-13: 9789051836585
DOWNLOAD EBOOK →Music and Culture in the Middle Ages and Beyond
Author: Benjamin Brand
Publisher: Cambridge University Press
Published: 2016-10-27
Total Pages: 379
ISBN-13: 131679895X
DOWNLOAD EBOOK →It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
Polyphony in Medieval Paris
Author: Catherine A. Bradley
Publisher: Cambridge University Press
Published: 2018-08-09
Total Pages: 301
ISBN-13: 1108311180
DOWNLOAD EBOOK →Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking.
Allegorical Play in the Old French Motet
Author: Sylvia Huot
Publisher: Stanford University Press
Published: 1997
Total Pages: 264
ISBN-13: 9780804727174
DOWNLOAD EBOOK →This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.
The Motet in the Late Middle Ages
Author: Margaret Bent
Publisher: Oxford University Press
Published: 2023
Total Pages: 777
ISBN-13: 0190063777
DOWNLOAD EBOOK →"The book ranges widely over French, English and Italian motets, mostly between the 1310s and the 1420s. About half the chapters are previously unpublished, the remainder revised to varying degrees from previous publications and now organised into Parts devoted to compositional techniques, Fauvel and Vitry, Machaut, the Musician motets, English motets, Italian motets, music for popes and courts. Transcriptions of entire motets complement the musical analyses, many downloadable from the companion website. Chapters vary in their technical demands, allowing readers to select as appropriate. The five Musician motets of Part IV (chs. 15-21) praise over sixty musicians and range over many decades, each playing off its predecessors with citation, allusion and modelling. Motets of this period are individual conceptions, virtuosic creations of multi-layered words and music as tightly constructed as Chinese puzzles. Many chapters are devoted to individual motets, drawing on a multitude of new analytic directions and giving close attention to the detailed fit and juxtapositions of words and music. Verbal texts borrow musical techniques of repetition and recapitulation, words which may then be underlined musically by melodic or rhythmic 'leitmotives'. Alliteration and onomatopoeia abound, and there is a wider range of ingenious word painting than has usually been recognised, including puns on number and structural joins. Segments of chant are often chosen for their musical characteristics (number, symmetries, cadencing opportunities, melodic qualities) as well as their textual suitability to the pre-compositional materia"--
