Race-ing Art History

Race-ing Art History PDF

Author: Kymberly N. Pinder

Publisher: Routledge

Published: 2013-04-15

Total Pages: 439

ISBN-13: 1136056580

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Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.

Art History as a Reflection of Inner Spiritual Impulses

Art History as a Reflection of Inner Spiritual Impulses PDF

Author: Rudolf Steiner

Publisher: SteinerBooks

Published: 2016-06-01

Total Pages: 778

ISBN-13: 1621480763

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13 slide presentations, Dornach, Oct. 8, 1916 - Oct. 29, 1917 (CW 292) "I am going to show you a series of reproductions, of slides, from a period in art history to which the human mind will probably always return to contemplate and consider; for, if we consider history as a reflection of inner spiritual impulses, it is precisely in this evolutionary moment that we see certain human circumstances, ones that are among the deepest and most decisive for the outer course of human history, expressed through a relationship to art." --Rudolf Steiner Rudolf Steiner understood that the history of art is a field in which the evolution of consciousness is symptomatically and transparently revealed. This informal sequence of thirteen lectures was given during the darkest hours of World War I. It was a moment when the negative consequences of what he called the age of the consciousness soul, which began around 1417, were made most terribly apparent. In these lectures he sought to provide an antidote to pessimism. After describing the movement of consciousness from Greece into Rome, coupled with influences from the Orthodox East, he showed how these influences transformed as the Middle Ages became the Renaissance. The process that begins with Cimabue and Giotto develops, deepens, and becomes more conscious in the great Renaissance masters Leonardo, Michelangelo, and Raphael. Then this movement continues with the Northern masters, Dürer and Holbein, as well as the German tradition. One entire lecture is devoted to Rembrandt, followed by one on Dutch and Flemish paintings. Themes are woven together to show how past epochs of consciousness and art live again in our consciousness-soul period. Replete with interesting information and more than 600 color and black-and-white images, these lectures are rich and dense with ideas, enabling us to understand both the art of the Renaissance and the transformation of consciousness it announced. These lectures demonstrate (to paraphrase Shelley) that artists truly are the unacknowledged legislators of the age. Art History as a Reflection of Inner Spiritual Impulses is a translation from German of Kunstgeschichte als Abbild innerer geistiger Impulse (GA 292, Rudolf Steiner Verlag, 2000).

Our Beautiful, Dry, and Distant Texts

Our Beautiful, Dry, and Distant Texts PDF

Author: James Elkins

Publisher: Psychology Press

Published: 2000

Total Pages: 332

ISBN-13: 9780415926638

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Examines art historical writing as an expressive medium, capable of emotion and reflection-and therefore deserving of serious consideration for its own sake, as the testament of art history and of individual historians.

Rendez-vous with Art

Rendez-vous with Art PDF

Author: Philippe de Montebello

Publisher: Thames & Hudson

Published: 2014-09-16

Total Pages: 293

ISBN-13: 0500772258

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The fruits of a lifetime of experience by a cultural colossus, Philippe de Montebello, the longest-serving director of the Metropolitan Museum of Art in its history, distilled in conversations with an acclaimed critic Beginning with a fragment of yellow jasper—all that is left of the face of an Egyptian woman who lived 3,500 years ago—this book confronts the elusive questions: how, and why, do we look at art? Philippe de Montebello and Martin Gayford talked in art galleries or churches or their own homes, and this book is structured around their journeys. But whether they were in the Louvre or the Prado, the Mauritshuis of the Palazzo Pitti, they reveal the pleasures of truly looking. De Montebello shares the sense of excitement recorded by Goethe in his autobiography—"akin to the emotion experienced on entering a House of God"—but also reflects on why these secular temples might nevertheless be the "worst possible places to look at art." But in the end both men convey, with subtlety and brilliance, the delights and significance of their subject matter and some of the intense creations of human beings throughout our long history.

Writing Art History

Writing Art History PDF

Author: Margaret Iversen

Publisher: University of Chicago Press

Published: 2010-12

Total Pages: 256

ISBN-13: 0226388263

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Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.

Circulations in the Global History of Art

Circulations in the Global History of Art PDF

Author: Thomas DaCosta Kaufmann

Publisher: Routledge

Published: 2016-03-03

Total Pages: 262

ISBN-13: 1317166159

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The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.

Art and its Objects

Art and its Objects PDF

Author: Richard Wollheim

Publisher: Cambridge University Press

Published: 1980-09-30

Total Pages: 278

ISBN-13: 9780521228985

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What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.

Charting Thoughts

Charting Thoughts PDF

Author: Low Sze Wee

Publisher: National Gallery Singapore

Published: 2017-12-31

Total Pages: 487

ISBN-13: 9811419620

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A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.

The Art of Christian Reflection

The Art of Christian Reflection PDF

Author: Heidi J. Hornik

Publisher:

Published: 2018-10-15

Total Pages: 272

ISBN-13: 9781481304269

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Art can lead the faithful who reflect on it to become not only hearers and seers of the Word--but doers as well.--Christine E. Joynes, Director, Centre for Reception History of the Bible at the University of Oxford