Reflections on Mughal Art and Culture

Reflections on Mughal Art and Culture PDF

Author: Roda Ahluwalia

Publisher:

Published: 2021-07-28

Total Pages: 352

ISBN-13: 9789389136784

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- Offers fresh insights into the rich aesthetic and cultural legacy of the Imperial Mughal age in the Indian subcontinent - Essays by 13 eminent international scholars draw comparisons between the Mughals, the Safavids and the Ottomans - Over 159 images of Mughal artifacts, paintings, gardens and monuments illustrate the lasting heritage of the Imperial Mughals Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars. Recent scholarship in this field has offered deeper analysis into established norms, explored pan-Indian connections and drawn comparisons with contemporaneous regions of the early modern world. Further studies along these lines were encouraged in a seminar held by the K.R. Cama Oriental Institute, Mumbai, and the formidable scholarship presented by contributors forms the content of this volume. The articles in this book explore varied subjects under the Mughal umbrella, challenge long-held ideas and draw comparisons between the artistic expressions and material culture of the powerful Islamicate triumvirate of the early modern period - the Safavids in Iran, the European-based Ottomans and the Mughals in the Indian subcontinent. Themes as diverse as portraits of royal women, sub-imperial patronage of temples, word-image relationship, the lapidary arts and the Imperial Library of the Mughals, a reconsideration of Mughal garden typologies, murals painted on architectural surfaces, the textile culture of the city of Burhanpur, changes in visual language and content of painting, and Imperial objets d'art have been discussed, challenged and analyzed. The final three articles are groundbreaking comparisons across Ottoman, Safavid and Mughal spheres. This beautifully illustrated book is sure to appeal to c

2000, Reflections on the Arts in India

2000, Reflections on the Arts in India PDF

Author: Pratapaditya Pal

Publisher:

Published: 2000

Total Pages: 186

ISBN-13:

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The arts reflect a society's deeply held values and aesthetic sensibilities. It is therefore necessary to periodically review the arts as an indicator of the broader developments in society and discern the direction in which they are heading. To greet the arrival of 2001, this volume invited more than a dozen scholars and intellectuals -- each as expert in his or her field -- to assess the current state of the world of art in India. The topics selected provide a wide range of issues and trends, problems and perspectives.

Despair and Modernity

Despair and Modernity PDF

Author: Harsha V. Dehejia

Publisher: Motilal Banarsidass Publishe

Published: 2000

Total Pages: 148

ISBN-13: 9788120817555

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Dehejia has tried to create a place within the main frame of culture and philosophy of Indian art for a legitimate analytic theory called despair. Dehejia's effort creates a space for the modern within Indian classicism by negotiating the philosophy of despair in classical terms. As a result the basic schism that has grown in recent years between the philosophy and history of modern art on the one hand and the philosophy and history of traditional arts is today cloder to being breached.

Painted Reflections

Painted Reflections PDF

Author: Scott G. Ortman

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9780890136379

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"For the past two millennia the American Southwest has been home to one of the most vibrant and compelling peoples ever to have graced the earth. The vitality, distinctiveness, and resilience of Pueblo culture is apparent in its traditional pottery, a famous aspect of which is intricate painted designs. These designs, based on simple geometric forms, make Ancestral Pueblo pottery distinctive and easy to recognize. In this book, Scott G. Ortman and Joseph Traugott contemplate a hidden source of its appeal: a phenomenon they call isomeric design. The concept of isomeric design is based on an analogy with isomers in chemistry, which are chemically identical compounds that have mirror-image structures. In Ancestral Pueblo painting, isomeric design is the use of paired forms that can be perceived as reversible. These designs create optical illusions and figure-ground ambiguities that challenge conventional descriptions of Pueblo pottery. Presenting one hundred examples of Pueblo pottery from various museum collections in the Southwest, Painted Reflections takes a closer look at the psychology, history, and cultural significance of this unique aspect of Ancestral Pueblo painting, providing fascinating insights into the very foundations of Pueblo culture"--Provided by publisher.

Glimpses of Indian History and Art

Glimpses of Indian History and Art PDF

Author: Tiziana Lorenzetti

Publisher: Sapienza Università Editrice

Published: 2013-05-01

Total Pages: 16

ISBN-13: 8895814851

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Il volume raccoglie gli articoli presentati al Congresso internazionale “Glimpses of Indian History and Art. Reflections on the Past. Perspectives for the Future” (Uno sguardo alla storia e all’arte dell’India. Riflessioni sul passato, prospettive per il futuro), tenuto alla Sapienza Università di Roma il 18 e 19 aprile 2011. Principale scopo del Congresso, che ha riunito eminenti studiosi indiani ed europei tra i quali alcuni di fama internazionale, è stato quello di tracciare un bilancio tra passato e presente della ricerca in due dei maggiori settori degli studi indologici, quello storico e quello artistico. Gli studi sulla storia e l’arte dell’India hanno finora seguito per lo più tendenze stabilite nella prima metà del secolo scorso. Nel corso di quei decenni, la terminologia e gli approcci adottati vennero modellati su forme dell’arte occidentale; inoltre, a differenza di quanto nel frattempo avveniva per l’arte occidentale, i dati storici e artistici furono assai raramente interpretati alla luce di metodiche interdisciplinari, con riferimento ai risultati della ricerca sociologica, politica e antropologica. Per di più, i testi canonici considerati, con rare eccezioni, erano quelli della tradizione sanscritistica. Oggi emergono orientamenti di maggiore maturità metodologica: antichi paradigmi e recenti stereotipi, talora dovuti a contingenti situazioni di ordine politico e sociale, vengono revocati in dubbio e sostituiti da rinnovati criteri d’indagine e nuove intuizioni interpretative, ai quali il presente volume intende recare testimonianza.

The Wisdom of Ananda Coomaraswamy

The Wisdom of Ananda Coomaraswamy PDF

Author: Ananda Kentish Coomaraswamy

Publisher: World Wisdom, Inc

Published: 2011

Total Pages: 186

ISBN-13: 1935493957

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Ananda Coomaraswamy (1877-1947) was one of the most famous scholars of Indian art, culture, and religion. He served for many years as the Keeper of Indian and Islamic Art at the Boston Museum of Fine Arts, establishing one of the most impressive collections of oriental artifacts in the world. This anthology contains thematically arranged excerpts from his many writings, letters, and speeches, making it a uniquely accessible collection of his wisdom and insight. It is richly illustrated with over 140 black-and-white historical photographs and paintings.

Moving Focus

Moving Focus PDF

Author: K G Subramanyan

Publisher:

Published: 2024-08-05

Total Pages: 0

ISBN-13: 9781803091327

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Reflections on the chords and discords inherent in the relationship between tradition and modernism. Written between the early 1960s and the mid-1970s, the articles and lectures collected in Moving Focus reflect on some of the major concerns of the practicing artist and scholar of modern Indian art: tradition and modernism, the question of the image, and the use of art criticism. The collection also includes essays on the work of Rabindranath Tagore, Abanindranath Tagore, Binodebehari Mukherjee, Ramkinker Baij, and Amrita Sher-Gil. Together, they deal with the focal changes taking place in the contemporary art situation--a period of great significance in terms of cultural development, just about a decade and a half after India's hard-won Independence--and seek to put them in perspective. The analytical essays of K. G. Subramanyan, one of India's most celebrated artists, remain as relevant and useful today as they were when this collection first appeared decades ago, and are perfectly suited to introducing the non-specialist to Indian modernism and its global concerns. Subramanyan played a pivotal role in shaping India's artistic identity after Independence. Mani-da, as he was fondly called, seamlessly blended elements of modernism with folk expression in his works, spanning paintings, murals, sculptures, prints, set designs, and toys. Beyond his visual artistry, his writings have laid a solid foundation for understanding the demands of art on the individual. In the year of his centenary, Seagull is proud to publish his writings in special new editions.

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