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Recent Studies on the Image of Edessa

Author: Mark Guscin

Publisher: Cambridge Scholars Publishing

Published: 2022-09-06

Total Pages: 333

ISBN-13: 1527587312

This volume presents the latest historical, theological and site-specific developments in the study of the Image of Edessa, shedding new light onto various different aspects of the icon. Experts from Russia, Spain, Australia, Georgia, Italy and the United Kingdom bring their latest findings together in order to reach a deeper understanding of this fascinating object.

The Image of Edessa

Author: Mark Guscin

Publisher: BRILL

Published: 2009

Total Pages: 257

ISBN-13: 9004171746

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The Image of Edessa, also later known as the Mandylion, was a relic of Christ, a cloth imprinted with his features which he had used to wipe his face, and subsequently used to cure King Agbar of Edessa, the first Christian ruler. This book collects and provides parallel translations of all the available written evidence for the image, along with detailed analysis of the history of the image. Guscin deftly seperates fact from legend, for while the story of King Agbar is certainly mythical, an image of some sort did definitely exist by the mid tenth century when it was translated to Constantinople.

The Tradition of the Image of Edessa

Author: Mark Guscin

Publisher: Cambridge Scholars Publishing

Published: 2016-02-08

Total Pages: 270

ISBN-13: 1443888753

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The Image of Edessa was an image of Christ, which, according to tradition, was of miraculous origin. It was taken from Edessa to Constantinople in 944, and disappeared from known history in the aftermath of the Fourth Crusade in 1204. It generated, however, a vast amount of literature and hundreds of copies in churches all over the Byzantine world. This book is a study of the literature, paintings, icons and other aspects related to the Image of Edessa. It examines how it was used as a tool to express Christ’s humanity and for various other purposes, and how some of the related literature became completely decontextualised and used as a magical charm, especially in the West.

From the Mandylion of Edessa to the Shroud of Turin

Author: Andrea Nicolotti

Publisher: BRILL

Published: 2014-09-18

Total Pages: 227

ISBN-13: 9004278524

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According to legend, the Mandylion was an image of Christ’s face imprinted on a towel, kept in Edessa. This acheiopoieton image (“not made by human hands”) disappeared in the eighteenth century. The first records of another acheiropoieton relic appeared in mid-fourteenth century France: a long linen bearing the image of Jesus’ corpse, known nowadays as the Holy Shroud of Turin. Some believe the Mandylion and the Shroud to be the same object, first kept in Edessa, later translated to Constantinople, France and Italy. Andrea Nicolotti traces back the legend of the Edessean image in history and art, focusing especially on elements that could prove its identity with the Shroud, concluding that the Mandylion and the Shroud are two distinct objects.

History and Literature of Byzantium in the 9th–10th Centuries

Author: Athanasios Markopoulos

Publisher: Taylor & Francis

Published: 2023-08-11

Total Pages: 344

ISBN-13: 1000939340

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The studies reprinted here deal with the Byzantine empire between the 9th and 11th centuries, with a focus on the period of the Macedonian dynasty, and include four translated into English for this volume. They reflect both historical and prosopographical concerns, but Professor Markopoulos's principle interest is in the analysis of literary works and texts. This he combines with the examination of the ideological context of the period, as shaped in the reigns of Basil I and Constantine VII Porphyrogennetos, and the investigation of gender issues and other approaches. The close analysis of the texts shows how, after the close of Iconoclasm, new styles of writing and new attitudes towards the writing of history emerged, for instance in the use of mythological themes, which exemplify the changing intellectual concerns of the time.

Sources for Byzantine Art History: Volume 3, The Visual Culture of Later Byzantium (1081–c.1350)

Author: Foteini Spingou

Publisher: Cambridge University Press

Published: 2022-04-21

Total Pages: 1683

ISBN-13: 1108643906

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In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.

New Testament Apocrypha, vol. 3

Author: Tony Burke

Publisher: Wm. B. Eerdmans Publishing

Published: 2023-05-25

Total Pages: 751

ISBN-13: 1467466840

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An expansive compilation of New Testament apocrypha in English translation, featuring fascinating but heretofore unpublished texts. New Testament Apocrypha, vol. 3, continues to unearth the vast diversity of Christian Scripture outside of the traditional canon. This new collection encompasses a broad range of languages—Greek, Church Slavic, Old English, Coptic, and more—and spans centuries, from the formation of the canonical New Testament to the high Middle Ages. The selections here represent some of the least studied apocryphal texts, many of which have not previously received an English translation or a critical edition. Notable newly edited and translated selections include The Martyrdom of Zechariah, The Decapitation of John the Forerunner, The Birth of John, The Revelation about the Lord’s Prayer, and The Dialogue of Mary and Christ on the Departure of the Soul. Each text is accompanied by a robust introduction, bibliography, and notes. Scholars of apocrypha, Scripture, and hagiography from a breadth of disciplines will find this an indispensable reference for their research and teaching. Contributors: Carson Bay, Mark Glen Bilby, Rick Brannan, Christian H. Bull, Slavomir Čéplö, Alexander D’Alisera, J. Gregory Given, Nathan J. Hardy, Brandon W. Hawk, Stephen C. E. Hopkins, Alexander Kocar, Brent Landau, Jacob A. Lollar, Christine Luckritz Marquis, Ivan Miroshnikov, Tobias Nicklas, Samuel Osborn, Stephen Pelle, Bradley Rice, Julia A. Snyder, Janet E. Spittler, James Toma, Péter Tóth, Sarah Veale, J. Edward Walters, Charles D. Wright, Lorne R. Zelyck

The Embodied Eye

Author: David Morgan

Publisher: Univ of California Press

Published: 2012-02-01

Total Pages: 280

ISBN-13: 0520272226

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"Exploring a dazzling variety of religious imagery, David Morgan shows how vision functions as an active, physical process, embedded in bodily experience and profoundly shaped by social practice. Morgan's bold, thoughtful interpretations will fascinate art historians and students of visual culture as well as historians of religion.” -Pepe Karmel, Department of Art History, New York University "The Embodied Eye is an important and truly groundbreaking book. It represents a substantive and quite fascinating extension of David Morgan's previous work- especially as it impressively shows us how 'seeing' is the primary medium of social life, and materially integrates the body of the individual and the body of the group. Morgan is unquestionably the pioneering theorist in the whole emergent field of Visual and Culture Studies as it relates to religion and art." -Norman Girardot, University Distinguished Professor, Lehigh University “Under David Morgan’s inspiring guidance, readers are taken on a dazzling journey through religious images that mediate worlds of faith. Embedding vision in the body, this book stands out with its thought-provoking approach to religious media as material and embodied interfaces that underpin the social construction of the sacred.” -Birgit Meyer, Professor of Religious Studies, Utrecht University

The Shroud

Author: Ian Wilson

Publisher: Random House

Published: 2010-03-24

Total Pages: 514

ISBN-13: 1409094707

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Two decades after radiocarbon dating declared the Turin Shroud a mediaeval fake, brand-new historical discoveries strongly suggest that this famous cloth, with its extraordinary photographic imprint, is genuinely Christ's shroud after all. In 1978 in his international bestseller The Turin Shroud Ian Wilson ignited worldwide public debate with his compelling case endorsing the shroud's authenticity. Now, 30 years later, he has completely rewritten and updated his earlier book to provide fresh evidence to support his original argument. Shroud boldly challenges the current post-radiocarbon dating view - that it is a fake. By arguing his case brilliantly and provocatively, Ian Wilson once more throws the matter into the public arena for further debate and controversy.

The Resurrection of the Shroud

Author: Mark Antonacci

Publisher: Rowman & Littlefield

Published: 2001-08-30

Total Pages: 338

ISBN-13: 0871319632

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August 2000 marked an unusual event in history: the new millennium's first public exhibition of the Holy Shroud of Turin. Only the fifth exhibition since 1898 and commemorating the Jubilee anniversary of the birth of Jesus, the event in Italy attracted millions of people world-wide. In this book Mark Antonacci scientifically challenges earlier radiocarbon testing and presents new evidence in determining the Shroud's true age. In addition, he provides the first scientific explanation and demonstration of the cause of the image of the man on the Shroud. Despite centuries of efforts from people of different backgrounds throughout the world, this extraordinary image has never been adequately explained -- until now. Based on extensive research of both the author's twenty years of analysis and the findings of scientists commissioned by the author, this work provides scientific and concrete evidence that The Shroud of Turin was indeed used to wrap the body of the historical Jesus Christ.