Realism and 'reality' in Film and Media

Realism and 'reality' in Film and Media PDF

Author: Anne Jerslev

Publisher: Museum Tusculanum Press

Published: 2002

Total Pages: 288

ISBN-13: 9788772897165

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The 2002 theme of 'Northern Lights' is dedicated to the representation of reality in film, TV and new media -- a question of new importance in modern film and media, where a new wave of realism has dominated cinema and reality -- TV became a mass phenomena on both TV and the internet. Eleven articles by Danish, British, and American film and media researchers focus on two sub-themes: 'Film and Realism' deals theoretically with film realism and analyses classic films and modern Danish Dogma films; 'Documentary Forms, Reality TV and New Media' treats new forms of non-fiction film, TV and on the internet in a both theoretical and historical perspective.

Realism of the Senses in World Cinema

Realism of the Senses in World Cinema PDF

Author: Tiago De Luca

Publisher:

Published: 2019

Total Pages: 268

ISBN-13: 9780755694617

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Drawing on foundational realist theories and recent takes on the body and the senses, this title examines the fascinating work of Carlos Reygadas, Tsai Ming-liang and Gus Van Sant.

The Real of Reality: The Realist Turn in Contemporary Film Theory

The Real of Reality: The Realist Turn in Contemporary Film Theory PDF

Author:

Publisher: BRILL

Published: 2021-08-30

Total Pages: 274

ISBN-13: 9004466762

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Reality has become an increasingly prominent topic in contemporary philosophy. The book’s contributors are responding to the challenge to use the philosophically underexplored potential of film to disclose what the editors propose to call “the real of reality.”

Rites of Realism

Rites of Realism PDF

Author: Ivone Margulies

Publisher: Duke University Press

Published: 2003-03-27

Total Pages: 362

ISBN-13: 0822384612

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Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary. By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns—particularly the link between cinematic realism and contingency—that the other essays explore further. Among the topics addressed are the provocative mimesis of Luis Buñuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami. Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abé Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang

Realist Cinema as World Cinema

Realist Cinema as World Cinema PDF

Author: Lúcia Nagib

Publisher: Film Culture in Transition

Published: 2020-10-19

Total Pages: 300

ISBN-13: 9789462987517

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This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

Subjective Realist Cinema

Subjective Realist Cinema PDF

Author: Matthew Campora

Publisher: Berghahn Books

Published: 2014-03-01

Total Pages: 160

ISBN-13: 1782382798

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Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.

World Cinema and the Ethics of Realism

World Cinema and the Ethics of Realism PDF

Author: Lúcia Nagib

Publisher: Bloomsbury Publishing USA

Published: 2011-01-20

Total Pages: 308

ISBN-13: 1441154655

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World Cinema and the Ethics of Realism is a highly original study. Traditional views of cinematic realism usually draw on the so-called classical cinema and its allegiance to narrative mimesis, but Nagib challenges this, drawing instead on the filmmaker's commitment to truth and to the film medium's material bond with the real. Starting from the premise that world cinema's creative peaks are governed by an ethics of realism, Nagib conducts comparative case studies picked from world new waves, such as the Japanese New Wave, the French nouvelle vague, the Cinema Novo, the New German Cinema, the Russo-Cuban Revolutionary Cinema, the Portuguese self-performing auteur and the Inuit Indigenous Cinema. Drawing upon Badiou and Rancière, World Cinema and the Ethics of Realism revisits and reformulates several fundamental concepts in film studies, such as illusionism, identification, apparatus, alienation effects, presentation and representation. Its groundbreaking scholarship takes film theory in a bold new direction.

Major Realist Film Theorists

Major Realist Film Theorists PDF

Author: Aitken Ian Aitken

Publisher: Edinburgh University Press

Published: 2016-05-31

Total Pages: 240

ISBN-13: 1474402224

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From the 1910s to the emergence of structuralism and post-structuralism in the 1960s, the writings of John Grierson, Siegfried Kracauer, Andre Bazin and Georg Lukacs dominated realist film theory. In this critical anthology, the first collection to address their work in one volume, a wide range of international scholars explore the interconnections between their ideas and help generate new understandings of this important, if neglected, field. Challenging preconceptions about 'classical' theory and the nature of realist representation, and in the process demonstrating how this body of work can be seen as a cohesive theoretical model, this invaluable collection will help return the realist paradigm of film theory to the forefront of academic enquiry.

Realism and the Cinema

Realism and the Cinema PDF

Author: British Film Institute

Publisher: London : Routledge & K. Paul : British Film Institute

Published: 1980

Total Pages: 306

ISBN-13:

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This reader brings together the principal arguments in the long-standing and often tortuous debate about realism in the cinema, linking them with a critical commentary which elucidates their dramatic and political character.

Realism and Popular Cinema

Realism and Popular Cinema PDF

Author: Julia Hallam

Publisher: Manchester University Press

Published: 2000-08-05

Total Pages: 302

ISBN-13: 9780719052514

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Compares Once were warriors with other films that have similar themes.