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Author: Anthology
Publisher: Holt McDougal
Published: 2000-09
Total Pages: 312
ISBN-13: 9780030564642
DOWNLOAD EBOOK →Prose, poetry, drama and speech from: Ghana, Greece, Scandinavia, Japan, Ireland, Rome, Spain, Russia, South Africa, France, Zimbabwe, England, Nigeria, Botswana, India, Cuba, Dominican Republic, U.S.A., Haiti, Chile, Israel, Poland, Venezuela, Italy, Egypt, St. Lucia, and the Czech Republic.
Author: David Damrosch
Publisher: Princeton University Press
Published: 2018-06-05
Total Pages: 324
ISBN-13: 0691188645
DOWNLOAD EBOOK →World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchú's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales.
Author: Emily Sun
Publisher: Fordham University Press
Published: 2021-04-06
Total Pages: 176
ISBN-13: 0823294811
DOWNLOAD EBOOK →On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by “world literature” as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided—and continues to provide—a condition of possibility for conversation between cultures as well as for their mutual provincialization. The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds. Sun’s book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China.
Author: Ian Almond
Publisher: Routledge
Published: 2021-07-13
Total Pages: 183
ISBN-13: 1000407136
DOWNLOAD EBOOK →What would world literature look like, if we stopped referring to the “West”? Starting with the provocative premise that the “‘West’ is ten percent of the planet”, World Literature Decentered is the first book to decenter Eurocentric discourses of global literature and global history – not just by deconstructing or historicizing them, but by actively providing an alternative. Looking at a series of themes across three literatures (Mexico, Turkey and Bengal), the book examines hotels, melancholy, orientalism, femicide and the ghost story in a series of literary traditions outside the “West”. The non-West, the book argues, is no fringe group or token minority in need of attention – on the contrary, it constitutes the overwhelming majority of this world.
Author: Laura Getty
Publisher: University of North Georgia Press
Published: 2015-12-31
Total Pages: 1576
ISBN-13: 9781940771328
DOWNLOAD EBOOK →This peer-reviewed World Literature I anthology includes introductory text and images before each series of readings. Sections of the text are divided by time period in three parts: the Ancient World, Middle Ages and Renaissance, and then divided into chapters by location. World Literature I and the Compact Anthology of World Literature are similar in format and both intended for World Literature I courses, but these two texts are developed around different curricula.
Author: Pheng Cheah
Publisher: Duke University Press
Published: 2016-01-01
Total Pages: 408
ISBN-13: 0822374536
DOWNLOAD EBOOK →In What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature’s cosmopolitan vocation. Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature’s world-making power by creatively synthesizing four philosophical accounts of the world as a temporal process: idealism, Marxist materialism, phenomenology, and deconstruction. Literature opens worlds, he provocatively suggests, because it is a force of receptivity. Cheah compellingly argues for postcolonial literature’s exemplarity as world literature through readings of narrative fiction by Michelle Cliff, Amitav Ghosh, Nuruddin Farah, Ninotchka Rosca, and Timothy Mo that show how these texts open up new possibilities for remaking the world by negotiating with the inhuman force that gives time and deploying alternative temporalities to resist capitalist globalization.
Author: Martin Puchner
Publisher:
Published: 2018
Total Pages: 1472
ISBN-13: 9780393602814
DOWNLOAD EBOOK →An unmatched value and an incomparable resource
Author: Srikanth Reddy
Publisher: Omnidawn
Published: 2012
Total Pages: 58
ISBN-13:
DOWNLOAD EBOOK →Readings in World Literature is the daybook of a speaker haunted by the prospect of perpetual night. Cast in the form of lecture notes for an imaginary course in the humanities, this extended prose sequence combines academic satire, a survivor's memoir, translations from obscure works of world literature, and a postmodern journey through the underworlds of various cultures. Accompanied by a class full of skeptical students--"some in headscarves, some, occasionally, dressed in fatigues"--the quixotic protagonist of this volume undertakes to scale the Tower of Babel that is world literature, and learns, in the process, that learning itself may count for precious little in the final reckoning. "Contrary to the accounts of Mu Lian, Odysseus, and Kwasi Benefo," this speaker discovers, "it is not customarily permitted to visit the underworld. No, the underworld visits you."
Author: Rebecca L. Walkowitz
Publisher: Columbia University Press
Published: 2015-08-04
Total Pages: 446
ISBN-13: 0231539452
DOWNLOAD EBOOK →As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium rather than as an afterthought. These strategies challenge the global dominance of English, complicate "native" readership, and protect creative works against misinterpretation as they circulate. They have also given rise to a new form of writing that confounds traditional models of literary history and political community. Born Translated builds a much-needed framework for understanding translation's effect on fictional works, as well as digital art, avant-garde magazines, literary anthologies, and visual media. Artists and novelists discussed include J. M. Coetzee, Junot Díaz, Jonathan Safran Foer, Mohsin Hamid, Kazuo Ishiguro, Jamaica Kincaid, Ben Lerner, China Miéville, David Mitchell, Walter Mosley, Caryl Phillips, Adam Thirlwell, Amy Waldman, and Young-hae Chang Heavy Industries. The book understands that contemporary literature begins at once in many places, engaging in a new type of social embeddedness and political solidarity. It recasts literary history as a series of convergences and departures and, by elevating the status of "born-translated" works, redefines common conceptions of author, reader, and nation.
Author: Michael Niblett
Publisher: Springer Nature
Published: 2020-05-12
Total Pages: 264
ISBN-13: 3030385817
DOWNLOAD EBOOK →Located at the intersection of world-literary studies and the environmental humanities, this book analyses how fiction and poetry respond to the ecological transformations entailed by commodity frontiers. Examining the sugar, cacao, coal, and oil frontiers in Trinidad, Brazil, and Britain, World Literature and Ecology shows how literary texts have registered the relationship between the re-making of biophysical natures and struggles around class, race, and gender. It combines a materialist theory of world-literature with the insights of the world-ecology perspective to generate compelling new readings of writers such as Rhys Davies, Yseult Bridges, Lewis Jones, José Lins do Rego, Ellen Wilkinson, Jorge Amado, Gwyn Thomas, and Ralph de Boissière. The book represents a timely intervention into a series of field-defining debates around peripheral realisms and modernisms, ecocriticism, and the energy humanities.
