Raul Ruiz's Cinema of Inquiry

Raul Ruiz's Cinema of Inquiry PDF

Author: Ignacio López-Vicuña

Publisher: Wayne State University Press

Published: 2017-12-04

Total Pages: 271

ISBN-13: 0814341071

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Students and scholars of film and media studies will find great value in this collection.

Notes, Recollections and Sequences of Things Seen

Notes, Recollections and Sequences of Things Seen PDF

Author: Raul Ruiz

Publisher:

Published: 2022-11-15

Total Pages: 128

ISBN-13: 9782381620060

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Meditations on cinema and method from the acclaimed Chilean director of City of Pirates and Life Is a Dream This volume gathers excerpts from the diary of celebrated Chilean experimental film director Raul Ruiz. A continuation of Poetics of Cinema 1 and Poetics of Cinema 2--his seminal volumes on new narrative modes--Notes, Recollections and Sequences of Things Seen follows the late stage of Ruiz's career, from 1990 to 2011, in which he realized more ambitious productions. These new films generated significant economic and aesthetic challenges, and he observed the increasing distance between his dream of a handmade, nonindustrial, shamanic-inspired cinema--as set out in the Poetics of Cinema--and his reality. Selected by Bruno Cueno and Erik Bullot, friends of Ruiz, the writings also express the filmmaker's pragmatic side, such as his prescriptions for implementing the theoretical concepts outlined in Poetics. A preface by Bullot and notes by Cuneo contextualize the excerpts. Raul Ruiz (1941-2011) was an experimental Chilean filmmaker, writer and teacher who directed more than 100 films, including Dark at Noon (1992) starring John Hurt, Three Lives and Only One Death (1996) starring Marcello Mastroianni, Genealogies of a Crime (1997) starring Catherine Deneuve and Time Regained (1999) starring John Malkovich.

The Cinema of Raúl Ruiz

The Cinema of Raúl Ruiz PDF

Author: Michael Goddard

Publisher: Columbia University Press

Published: 2013-09-22

Total Pages: 217

ISBN-13: 0231850506

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Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work—with its surrealist, magic realist, popular cultural, and neo-Baroque sources—as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.

Kafkaesque Cinema

Kafkaesque Cinema PDF

Author: Angelos Koutsourakis

Publisher: Edinburgh University Press

Published: 2024-05-31

Total Pages: 322

ISBN-13: 1474498981

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For all its familiarity as a widely used term, "e;Kafkaesque cinema"e; remains an often-baffling concept that is poorly understood by film scholars. Taking a cue from Jorge Luis Borges' point that Kafka has modified our conception of past and future artists, and Andre Bazin's suggestion that literary concepts and styles can exceed authors and "e;novels from which they emanate"e;, this monograph proposes a comprehensive examination of Kafkaesque Cinema in order to understand it as part of a transnational cinematic tradition rooted in Kafka's critique of modernity, which, however, extends beyond the Bohemian author's work and his historical experiences. Drawing on a range of disciplines in the Humanities including film, literary, and theatre studies, critical theory, and history, Kafkaesque Cinema will be the first full-length study of the subject and will be a useful resource for scholars and students interested in film theory, World Cinema, World Literature, and politics and representation.

Chilean Cinema in the Twenty-First-Century World

Chilean Cinema in the Twenty-First-Century World PDF

Author: Carl Fischer

Publisher: Wayne State University Press

Published: 2020-10-20

Total Pages: 418

ISBN-13: 0814346839

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Intended for scholars, students, and researchers of film and Latin American studies, Chilean Cinema in the Twenty-First-Century World evaluates an active and emergent film movement that has yet to receive sufficient attention in global cinema studies.

A History of Chilean Literature

A History of Chilean Literature PDF

Author: Ignacio López-Calvo

Publisher:

Published: 2021-10-14

Total Pages: 683

ISBN-13: 1108487378

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This book covers the heterogeneity of Chilean literary production from the times of the Spanish conquest to the present. It shifts critical focus from national identity and issues to a more multifaceted transnational, hemispheric, and global approach. Its emphasis is on the paradigm transition from the purportedly homogeneous to the heterogeneous.

Interrogating Trauma

Interrogating Trauma PDF

Author: Mick Broderick

Publisher: Routledge

Published: 2013-09-27

Total Pages: 223

ISBN-13: 1317986679

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Throughout the past century, traumatic experiences have been re-enacted frequently by evolving media and art forms. Now there is a significant body of theory across academic disciplines focused on the representation of cataclysmic European and US historical events. However, less critical attention has been devoted to the representation of havoc outside the West, even though depictions of Third-World disasters saturate contemporary media and art around the globe. This book considers traumatic histories internationally in a broad range of creative arts and visual media representations. Deploying diverse applications of the conventional theories of trauma, it examines the theoretical limitations at the same time as considering alternative methodologies. Interrogating Trauma is concerned with the examination of the concept of trauma, and how it is (often unproblematically) used to theorise the cultural representation of disaster and atrocity. It offers a theorisation of trauma, in order to reappraise the relationship between cultural representation and the socio-historical processes which are marked by violence, conflict and suffering. This book was published as a special issue of Continuum: Journal of Media and Cultural Studies.

An Accented Cinema

An Accented Cinema PDF

Author: Hamid Naficy

Publisher: Princeton University Press

Published: 2018-06-05

Total Pages: 391

ISBN-13: 0691186219

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In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.