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Psallite Cantor/Choir Edition

Author: The Collegeville Composers Group

Publisher: Liturgical Press

Published: 2008-06

Total Pages: 492

ISBN-13: 9780814630884

This edition contains cantor/schola descants and harmonies for all Sundays and solemnities of the liturgical year and includes liturgical and Scriptural indices for various uses and planning. Titles are placed in alphabetical order. Single volume contains all titles in the Psallite collection. The Collegeville Composers Group includes Carol Browning, Catherine Christmas, Cyprian Consiglio, OSB Cam, Paul F. Ford, Ph.D., and Paul Inwood.

Piers Plowman

Author: Joseph Wittig

Publisher: A&C Black

Published: 2001-08-01

Total Pages: 891

ISBN-13: 184714361X

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This is a complete Concordance to the A, B and C texts of Piers Plowman in the Athlone Press editions. Each word in the vocabulary of the three versions (approximately 5,400) is listed alphabetically in its order of occurrence within the particular version, in the succession A, B, C. Except for a few words of extremely frequent occurrence such as the definite and indefinite articles, common conjunctions and the personal pronouns (all these are indexed) each occurrence of each word is listed within its line of context. Words of similar spelling are, where called for, lexicographically distinguished, as are parts of speech. A system of cross-reference to a headword allows for the variety of spelling and dialect forms, and those forms and their frequency are given after the headword. The Latin and French elements in the three texts are concorded in Appendices. The Concordance will prove to be an indispensable tool for the study of the content, language and style of Langland's poems.

The Latin Poems of Richard Ledrede, O.F.M., Bishop of Ossory, 1317-1360

Author: Richard Ledrede

Publisher: PIMS

Published: 1974

Total Pages: 228

ISBN-13: 9780888440303

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Early Trope Repertory of Saint Martial de Limoges

Author: Paul Evans

Publisher: Princeton University Press

Published: 2015-03-08

Total Pages: 307

ISBN-13: 1400872138

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Focusing on the earliest and most extensive collection of tropes we now possess, those associated with the abbey of Saint Martial de Limoges in the tenth and early eleventh centuries, Professor Evans offers new conclusions about the nature and early development of the trope. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Sacred Song

Author: Various

Publisher: Liturgical Press

Published: 2016-07

Total Pages: 528

ISBN-13: 0814646956

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Sacred Song is a modern, Catholic, three-year, hymnal that easily supports congregational singing throughout the liturgical year. It contains over 950 liturgical music compositions--classic, contemporary, chant, and traditional. Sacred Song includes: the Order of Mass with ICEL Chants--accompaniment composed by Anthony Ruff, OSB; the complete Psallite collection of over 290 liturgical antiphons inspired by the entrance, responsorial, and Communion songs for each Sunday and solemnity of all three years of the liturgical cycle; responsorial psalm antiphons from the Basilica Psalter; new music for Christian initiation, weddings, and funerals from Psallite; classic Gregorian chant music, including over 30 hymns/chants in Latin, most with English translations (including the Marian antiphons), plus the entire Latin chant Mass Iubilate Deo; a wide variety of hymns and songs reflecting the breadth of the Catholic tradition--from classic hymns to contemporary music from GIA Publications, Hope Publishing, World Library Publications, Oregon Catholic Press, Selah Publishing, Liturgical Press, Oxford University Press, and more. Sacred Song features the following Mass settings: The Psallite Mass: At the Table of the Lord by the Collegeville Composers Group Mass in Honor of Saint Benedict by Robert LeBlanc Mass in A Minor by Frederick Strassburger An Austrian Mass by Michael Haydn, arr. by Anthony Ruff, OSB Land of Rest Acclamations by Richard Proulx Missa Pacem by L. Randolph Babin Mass in Honor of Saint Paul by Kevin Christopher Vogt Mass in Honor of Saint Cecilia by David Hurd Mass in Honor of Saint Dominic by Matthew S. Still Acclamations from Mass of Creation by Marty Haugen The entire Latin chant Mass Missa Iubilate Deo, Vatican Edition

Music in Ancient Judaism and Early Christianity

Author: John Arthur Smith

Publisher: Routledge

Published: 2016-04-29

Total Pages: 319

ISBN-13: 1317091922

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In Music in Ancient Judaism and Early Christianity, John Arthur Smith presents the first full-length study of music among the ancient Israelites, the ancient Jews and the early Christians in the Mediterranean lands during the period from 1000 BCE to 400 CE. He considers the physical, religious and social setting of the music, and how the music was performed. The extent to which early Christian music may have retained elements of the musical tradition of Judaism is also considered. After reviewing the subject's historical setting, and describing the main sources, the author discusses music at the Jerusalem Temple and in a variety of spheres of Jewish life away from it. His subsequent discussion of early Christian music covers music in private devotion, monasticism, the Eucharist, and gnostic literature. He concludes with an examination of the question of the relationship between Jewish and early Christian music, and a consideration of the musical environments that are likely to have influenced the formation of the earliest Christian chant. The scant remains of notated music from the period are discussed and placed in their respective contexts. The numerous sources that are the foundation of the book are evaluated objectively and critically in the light of modern scholarship. Due attention is given to where their limitations lie, and to what they cannot tell us as well as to what they can. The book serves as a reliable introduction as well as being an invaluable guide through one of the most complex periods of music history.

Latinitas Perennis. Volume II: Appropriation and Latin Literature

Author:

Publisher: BRILL

Published: 2009-06-24

Total Pages: 256

ISBN-13: 9047430271

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The contributions in this volume analyze different moments of intercultural negotiation within the history of Latin literature (in Antiquity, the Middle Ages and Early Modern times) and look into the dynamic process of appropriation that guarantees its continuity.

Ars Cantus Mensurabilis Mensurata Per Modos Iuris

Author: C. Matthew Balensuela

Publisher: U of Nebraska Press

Published: 1994-01-01

Total Pages: 348

ISBN-13: 9780803212459

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An anonymous fourteenth-century treatise that borrows heavily from the Libellus cantus mensurabilis attributed to Johannes de Muris, the Ars cantus mensurabilis mensurata per modos iuris differs from others ars nova treatises in its systematic application of scholastic philosophy and allusions to medieval law. Using music as the subject of inquiry, the writer addresses questions that occupied scholastic philosophers in other fields, such as the natural minimum of a substance and the potentia Dei absoluta. The writer quotes legal maxims and alludes to medieval legal issues such as the lex regia and the Becket controversy to justify and prove the rules of music. A substantial portion of the treatise was first published as Anonymous V in Edmond de Coussemaker's Scriptores de musica medii aevi, where it was paired with a counterpoint treatise beginning "Cum notum sit". The treatise published by Coussemaker, however, is not the entire work. From textual and manuscript evidence, the Greek and Latin Music Theory edition demonstrates that a set of three figures and an introduction are related to the mensural treatise; the same evidence suggests that the counterpoint treatise "Cum notum sit" should not be considered part of the treatise. The GLMT editionøpresents a complete critical text for the treatise together with a facing-page English translation. Annotations to the translation explain the numerous legal and scholastic allusions in the treatise. Also presented are corrected versions of the approximately one hundred musical figures. Preceding the critical text and translation, an extended introduction explains the musical and intellectual sources of the work.

Latinitas Perennis

Author: Wim Verbaal

Publisher: BRILL

Published: 2009-06-01

Total Pages: 257

ISBN-13: 9004176837

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No cultural phenomenon can remain vital and evolve without a continuous integration of external elements. Instead of reading the process of appropriation in terms of sources or models , the dynamics involved are better understood using more flexible categories such as creative reception, polyphony and dialogue. In every phase of its evolution, in Antiquity, the Middle Ages or (Early) Modern times, Latin literature had to face a double challenge, one from the past, and one from the present: although the models and heritage of the past always remained normative, contemporary demands had to be met too. The contributions in this volume analyze different moments of intercultural negotiation within the long history of Latin Literature.

A Companion to the Abbey of Quedlinburg in the Middle Ages

Author:

Publisher: BRILL

Published: 2022-11-14

Total Pages: 497

ISBN-13: 9004527494

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Quedlinburg Abbey was one of the oldest and most prestigious women's religious communities in medieval Germany. This essay collection conveys the abbey’s illustrious history, political importance, and cultural significance through studies on, among others, its architecture, rich treasury, and its abbatial effigies.