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Principles of Dramaturgy

Author: Robert Scanlan

Publisher: Routledge

Published: 2019-07-09

Total Pages: 215

ISBN-13: 1351628712

In Principles of Dramaturgy, Robert Scanlan explains the invariant principles behind the construction of stage and performance events of any style or modality. This book contains all that is essential for training a professional stage director and/or dramaturg, including the "plot-bead" technique for analyzing play scripts developed by Scanlan. It details all the steps for the full implementation of "Production Dramaturgy" as it is practiced in professional theatres, and treats form and action as foundational cornerstones of all performance, rather than "story" elements – a frequent and debilitating misprision in theatre practice. Scanlan’s unique approach offers practical training that is supported by detailed diagrams and contextualized instructions, making this the missing text for classes in dramaturgy. Serving stage directors, dramaturgs, actors, designers, and playwrights, Principles of Dramaturgy is a comprehensive guide that puts the training of capable practitioners above all else.

New Dramaturgy

Author: Katalin Trencsényi

Publisher: A&C Black

Published: 2014-04-24

Total Pages: 320

ISBN-13: 1408177110

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Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of dramaturgical work such as live art, devised and physical theatre, experimental performance, and dance demand new approaches and sensibilities. New Dramaturgy: International Perspectives on Theory and Practice is the first book to explore new dramaturgy in depth, and considers how our thinking about dramaturgy and the role of the dramaturg has been transformed. Edited by Katalin Trencsényi and Bernadette Cochrane, New Dramaturgy: International Perspectives on Theory and Practice provides an unrivalled resource for practitioners, scholars, and students.

A Theory of Dramaturgy

Author: Janek Szatkowski

Publisher: Routledge

Published: 2019-04-10

Total Pages: 667

ISBN-13: 1351132091

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A Theory of Dramaturgy is the first text of its kind to define concepts and combine arguments into a coherent dramaturgical theory supported by an operative systems theory. This is a wide-ranging theory with historical and contemporary perspectives on dramaturgy, rather than simply a how-to book. Dramaturgy began in ancient Greece, born from experimentation with democracy and commentary in the theatre on the human condition. The term itself has seen constant evolution, but thanks to its introduction into common English usage within the last three decades, it has gained new importance. Dramaturgy draws focus to the communication of communication, and in theatre it examines how moving bodies, voice, sound, and light can tell a story and affect values. Beyond the theatre, in daily life, dramaturgy becomes a question of "performativity", as we constantly have to act in relation to the roles that we occupy. It is because of this that the way in which society describes itself to itself is not just a matter for scientists and theorists, but for all of those who are met on a daily basis with devised, staged, and directed versions of important values and events in our contemporary lives. Ideal for both scholars and students, A Theory of Dramaturgy explains how to approach the values, strategies, and theories that are essential to understanding arts and media, and investigates what art should do in the current world.

The Drama of Space

Author: Holger Kleine

Publisher: Birkhäuser

Published: 2017-10-23

Total Pages: 296

ISBN-13: 3035604355

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The experience of architectural spaces is formed by the way they are staged. The Drama of Space examines the composition and articulation of architectural spaces in terms of spatial dramaturgy, as a repertoire of means and strategies for shaping spatial experience. This fundamental approach to architectural design is presented in four parts: Archetypal principles of spatial composition are traced from the study of three assembly buildings of the early modern period in Venice. Theatre, film, music, and theory provide background knowledge on dramaturgy. Detailed analyses of 18 international case studies offer new perspectives on contemporary architecture. The book ends with a systematic presentation of the dramaturgy of space, its parameters and tools, in architectural design.

Essential Dramaturgy

Author: Theresa Lang

Publisher: Taylor & Francis

Published: 2017-02-03

Total Pages: 294

ISBN-13: 1317450345

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Essential Dramaturgy: The Mindset and Skillset provides a concrete way to approach the work of a dramaturg. It explores ways to refine the process of defining, evaluating, and communicating that is essential to effective dramaturgical work. It then looks at how this outlook enhances the practical skills of production and new play dramaturgy. The book explains what a dramaturg does, what the role can be, and how best to refine and teach the skillset and mindset.

The Practice of Dramaturgy

Author: Konstantina Georgelou

Publisher:

Published: 2017

Total Pages: 303

ISBN-13: 9789492095183

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La 4e de couverture indique : "There is a growing interest in the notion and practice of dramaturgy, which is often discussed either as the work of the dramaturg, or as the compositional, cohesive or sense-making aspects of a performance. Drawing on such views, 'The Practice of Dramaturgy' addresses dramaturgy as a shared, politicized and catalytic practice that sets actions into motion in a more speculative rather than an instructive way. In the first part, 'Dramaturgy as Working on Actions', the editors and main authors of the book discuss three working principles that lie at the heart of their proposition, and return to the etymology of the term 'dramaturgy' ('drama'=action and 'ergon'=work) in order to scrutinize this further by relating it to debates on action, work and post-Fordist labour. The second part, 'Working on Actions and Beyond', opens up to different artistic, social and political perspectives that such understanding of dramaturgy may give rise to."

Strindberg's Dramaturgy

Author: Göran Stockenström

Publisher: U of Minnesota Press

Published: 1988

Total Pages: 399

ISBN-13: 1452908079

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Toward a Dramaturgical Sensibility

Author: Geoffrey S. Proehl

Publisher: Associated University Presse

Published: 2008

Total Pages: 256

ISBN-13: 9780838641125

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"Toward a Dramaturgical Sensibility begins with a moment in Shakespeare's Antony and Cleopatra in which Cleopatra says to Antony, "Not know me yet?" With these four words Cleopatra poses a simple but fundamental human problem: What can we know? She and Antony have known each other for years, at times gloriously - emotionally, mentally, and in the archaic sense of the word, physically - but still the challenge of knowing hangs in the air. Cleopatra's question reminds us that knowledge is not simple: that it is as likely to create yearning as satisfaction; that it is not confined to any one part of the self; that it is far from intellect alone. It reminds us as do most great plays - that life is part wonder, part terror." "What we can know? This study - aimed at students, teachers, and theater artists - suggests that he attempt to know the dramaturgy of a play is little different from the attempt to know another person for whom we care."--BOOK JACKET.

The Routledge International Handbook of Interactionism

Author: Dirk vom Lehn

Publisher: Routledge

Published: 2021-05-26

Total Pages: 564

ISBN-13: 1000392759

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The Routledge International Handbook of Interactionism demonstrates the promise and diversity of the interactionist perspective in social science today, providing students and practitioners with an overview of the impressive developments in interactionist theory, methods and research. Thematically organized, it explores the history of interactionism and the contemporary state of the field, considering the ways in which scholars approach topics that are central to interactionism. As such, it presents discussions of self, identity, gender and sexuality, race, emotions, social organization, media and the internet, and social problems. With attention to new developments in methods and methodologies, including digital ethnography, visual methods and research ethics, the authors also engage with new areas of investigation that have emerged in light of current societal developments, such as policing and police violence, interactionism beyond binaries and social media. Providing a comprehensive overview of the current state and possible future of interactionist research, it will appeal to interactionist scholars, as well as to established sociologists and students of sociology who have an interest in latest developments in interactionism.