The Janacek Opera Libretti: Prihody lisky Bystrousky

The Janacek Opera Libretti: Prihody lisky Bystrousky PDF

Author: Leoš Janáček

Publisher: Janácek Opera Libretti Series

Published: 2003

Total Pages: 232

ISBN-13:

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Responding to the ever-increasing popularity and international performances of operas by the Czech composer Leoš Janácek, this collection, meet the needs of English-speaking singers, conductors, coaches, and stage directors and conveniently provides idiomatic and word-for-word translations, including translations of stage and musical directions. In addition, the International Phonetic Alphabet (IPA) is used to indicate Czech pronunciation, following the clearly-presented method given in the author's book Singing in Czech : A Guide to Czech Lyric Diction and Vocal Repertoire, with a foreword by Sir Charles Mackerras. Cheek also provides practical notes about Janácek's style, both in general terms and specific issues relating to this opera along with a plot summary with translations and vocal ranges of characters and the pronunciation of their names. The first volume is the full translation of The Cunning Little Vixen in English alongside the original Czech. The second volume on Kát'a Kabanová, will help make productions in the original Czech much easier a task than ever before.

Pr'hody lisky Bystrousky, The Cunning Little Vixen

Pr'hody lisky Bystrousky, The Cunning Little Vixen PDF

Author: Timothy Cheek

Publisher: Scarecrow Press

Published: 2003-03-19

Total Pages: 218

ISBN-13: 1461670659

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Responding to the ever-increasing popularity and international performances of operas by the Czech composer Leo? Janácek, this volume, the first in the Janácek Opera Libretti Series, is the full translation of The Cunning Little Vixen in English alongside the original Czech. This work meets the needs of English-speaking singers, conductors, coaches, and stage directors and conveniently provides idiomatic and word-for-word translations, including translations of stage and musical directions. In addition, the International Phonetic Alphabet (IPA) is used to indicate Czech pronunciation, following the clearly-presented method given in the author's book Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire, with a foreword by Sir Charles Mackerras. Cheek also provides practical notes about Janácek's style, both in general terms and specific issues relating to this opera along with a plot summary with translations and vocal ranges of characters and the pronunciation of their names. This entire volume is organized in a clear, readable format, resulting in a book that will help to make productions of The Cunning Little Vixen in the original Czech much easier a task than ever before.

The Opera Lover's Companion

The Opera Lover's Companion PDF

Author: Charles Osborne

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 648

ISBN-13: 9780300123739

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Written by a well-known authority, this book consists of 175 entries that set some of the most popular operas within the context of their composer's career, outline the plot, discuss the music, and more.

The Janáček Opera Libretti: Kát'a Kabanová

The Janáček Opera Libretti: Kát'a Kabanová PDF

Author: Leoš Janáček

Publisher: Scarecrow Press

Published: 2003

Total Pages: 284

ISBN-13: 9780810850149

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This book is the second volume in a series devoted to the Czech operas of Leos Janácek. Word-for-word and idiomatic English translations are provided along with the International Phonetic Alphabet and practical notes on style, to help singers, condcutors, coaches, stages directors, and devoted Janácek fans all to gain an understanding of the opera and how best to perform it in its original language.

Opera Production II

Opera Production II PDF

Author: Quaintance Eaton

Publisher: U of Minnesota Press

Published: 1974-03

Total Pages: 370

ISBN-13: 0816657548

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Opera Production II was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. For the world of opera this is an indispensable basic reference work which provides essential information about more than 350 operas. Producers, singers, directors, students, orchestras, and audiences will find useful, concise information in this handbook, a sequel to the author's earlier book Opera Production I: A Handbook, which contains similar information about more than 500 other operas. While the first volume concentrates on more familiar operas, this book is devoted principally to lesser known works, both old and new, including many as yet unperformed contemporary operas. The details given about each opera are those needed to assess the production requirements for a given work: the number and importance of settings; size of orchestra, chorus, and ballet; number of singers, their relative importance and individual requirements; vocal and acting demands of performers, including vocal ranges in most cases; plot synopsis; and brief historical material to anchor the reader in the necessary knowledge of the period and source of the libretto. The information is compressed into capsule form so that anyone using the book can tell at a glance the suitability of a work to the particular facilities, talents, or tastes of an opera company or its public. In addition to the reference material, there is a chapter "Production Problems in Handel's Opera" by Randolph Mickelson, a helpful feature since nine of Handel's operas are included and they are apt to pose special production problems.

Paragraphs on Translation

Paragraphs on Translation PDF

Author: Peter Newmark

Publisher: Multilingual Matters

Published: 1993

Total Pages: 190

ISBN-13: 9781853591914

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A collection of 20 articles published as a series in The Linguist 1989-92, discussing the place of translation in health and social services; some particular requirements of opera, erotica, economics texts, and other works; quotations, symbols, and synonymous sound effects; the subordination of the translation to the two languages, the meaning, logic, and right and wrong; and a wide range of other topics. No index or bibliography. Annotation copyright by Book News, Inc., Portland, OR

Music in the Early Twentieth Century

Music in the Early Twentieth Century PDF

Author: Richard Taruskin

Publisher: Oxford University Press

Published: 2006-08-14

Total Pages: 881

ISBN-13: 0199796017

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The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich