The Last Pre-Raphaelite

The Last Pre-Raphaelite PDF

Author: Fiona MacCarthy

Publisher: Harvard University Press

Published: 2012-03-05

Total Pages: 696

ISBN-13: 0674065565

DOWNLOAD EBOOK →

In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.

Pre-Raphaelite Drawings and Watercolours

Pre-Raphaelite Drawings and Watercolours PDF

Author: Christiana Payne

Publisher:

Published: 2021-03-24

Total Pages: 240

ISBN-13: 9781910807439

DOWNLOAD EBOOK →

Oxford has a special place in the history of Pre-Raphaelitism. Thomas Combe (superintendent of the Clarendon Press) encouraged John Everett Millais and William Holman Hunt at a crucial early stage of their careers, and his collection became the nucleus of the Ashmolean collection of works by the Brotherhood and their associates. Two young undergraduates, William Morris and Edward Burne-Jones, saw the Combe collection and became enthusiastic converts to the movement. With Dante Gabriel Rossetti, in 1857 they undertook the decoration of the debating chamber (now the Old Library) of the Oxford Union. The group's champion John Ruskin also studied in Oxford, where he oversaw the design of the University Museum of Natural History and established the Ruskin School of Drawing. Jane Burden, future wife of Morris and muse (probably also lover) of Rossetti, was a local girl, first spotted at the theatre in Oxford. Oxford's key role in the movement has made it a magnet for important bequests and acquisitions, most recently of Burne-Jones's illustrated letters and paintbrushes. The collection of watercolors and drawings includes a wide variety of appealing works, from Hunt's first drawing on the back of a tiny envelope for The Light of the World (Keble College), to large, elaborate chalk drawings of Jane Morris by Rossetti. It is especially rich in portraits, which throw an intimate light on the friendships and love affairs of the artists, and in landscapes which reflect Ruskin's advice to 'go to nature'. More than just an exhibition catalog, this book is a showcase of the Ashmolean's incredible collection, and demonstrates the enormous range of Pre-Raphaelite drawing techniques and media, including pencil, pen and ink, chalk, watercolor, bodycolor and metallic paints. It will include designs for stained glass and furniture, as well as preparatory drawings for some of the well-known paintings in the collection.

Pre-Raphaelite Drawing

Pre-Raphaelite Drawing PDF

Author: Colin Cruise

Publisher:

Published: 2012

Total Pages: 248

ISBN-13: 9780500290293

DOWNLOAD EBOOK →

The paintings of the Pre-Raphaelite Brotherhood are widely known and loved, but this book - newly available in paperback - presents a comprehensive survey of the intimate world of the Pre-Raphaelites' drawings. Works by Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais are set beside those of their followers Edward Burne-Jones, William Morris and Ford Madox Brown, as well as lesser-known figures such as James Collinson and Frederick Sandys. Copiously illustrated with Pre-Raphaelite drawings from public and private collections around the UK, the book features an illuminating text by the renowned art historian Colin Cruise, offering a fresh and intimate perspective on this much-loved group of artists. 'Highly readable ... a fresh and intimate look at a compelling subject' - Good Book Guide 'A lasting contribution to the study of Pre-Raphaelite drawings' - The Burlington Magazine 'Packed with illustrations and an illuminating text' - RA Magazine 'A totally rewarding book in every way: it is a joy to look at and a delight to read' - Artist

The Pre-Raphaelite Art of the Victorian Novel

The Pre-Raphaelite Art of the Victorian Novel PDF

Author: Sophia Andres

Publisher: Ohio State University Press

Published: 2005

Total Pages: 236

ISBN-13: 0814209742

DOWNLOAD EBOOK →

A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.

Reading the Pre-Raphaelites

Reading the Pre-Raphaelites PDF

Author: Tim Barringer

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 182

ISBN-13: 9780300077872

DOWNLOAD EBOOK →

This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.

Edward Burne-Jones, Victorian Artist-dreamer

Edward Burne-Jones, Victorian Artist-dreamer PDF

Author: Stephen Wildman

Publisher: Metropolitan Museum of Art

Published: 1998

Total Pages: 375

ISBN-13: 0870998587

DOWNLOAD EBOOK →

This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR