Pottery and Porcelain of All Times and Nations

Pottery and Porcelain of All Times and Nations PDF

Author: William Cowper Prime

Publisher: New York : Harper

Published: 1878

Total Pages: 660

ISBN-13:

DOWNLOAD EBOOK →

Pottery is the oldest, the longest, the most widely diffused of human arts. Its recorded history begins with the building of Babel; and great cities in all ages, notably all great American cities, are vast structures of pottery. It is its own historian.--pg. 2.

How to Read Chinese Ceramics

How to Read Chinese Ceramics PDF

Author: Denise Patry Leidy

Publisher: Metropolitan Museum of Art

Published: 2015-09-01

Total Pages: 146

ISBN-13: 1588395715

DOWNLOAD EBOOK →

Among the most revered and beloved artworks in China are ceramics—sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum’s collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era. As with previous books in the How to Read series, How to Read Chinese Ceramics elucidates the works to encourage deeper understanding and appreciation of the meaning of individual pieces and the culture in which they were created. From exquisite jars, bowls, bottles, and dishes to the elegantly sculpted Chan Patriarch Bodhidharma and the gorgeous Vase with Flowers of the Four Seasons, How to Read Chinese Ceramics is a captivating introduction to one of the greatest artistic traditions in Asian culture.

Pottery and Porcelain: From Early Times Down to the Philadelphia Exhibition of 1876

Pottery and Porcelain: From Early Times Down to the Philadelphia Exhibition of 1876 PDF

Author: Charles Wyllys Elliott

Publisher: Library of Alexandria

Published: 2015-09-12

Total Pages:

ISBN-13: 1465604103

DOWNLOAD EBOOK →

ÊWHAT we have attempted has been to gather and present, in a way to be easily understood, the most important facts respecting ÒPottery and Porcelain.Ó The study of this interesting subject has for more than a century been constant in Europe, and notably so during the last twenty-five years. A correct knowledge of it may now almost be called a liberal education. In the United States something has been done; and the public mind is now asking, ÒWhat is it that makes Ôpottery and porcelainÕ so attractive to scholars, statesmen, women, and wits?Ó In some degree we have answered this question. My part of the work has been to gather where I could such historical and technical facts and such illustrations as seemed most valuable, not only to the student but to the collector. Many of these came from Europe, of course, where since Queen AnneÕs day the love of Òold chinaÓ has at times risen to enthusiasm. But I have drawn from our own collections whenever it has been possible. In the preparation and engraving of the illustrations I hope the judicious critic, as well as the judicious public, will give due credit to the publishers and their artists, who, it seems to me, deserve great praise for having so well done what they have undertaken to do. Permit me to say a word forcollectors. Busy men who are making railways and coal-pits, under the pleasing illusion that they are developing the country more than the rest of us, are apt to think a man with any hobby except that of making money is wasting his time. I would like to remind the reader that there are a fewÑmany of them young men and young women tooÑwho have money enough for all reasonable wants, and who do not care to waste time and life in getting more money, for which they have no special uses; these persons find a perennial occupation in the study, the comparison, the purchasing, the collecting, of all that will illustrate their subject of studyÑtheir hobby. Around this subject of pottery and porcelain may be grouped, if one so pleases, all the habits, the wants, the inventions, the growths, of human society. Some have yet a notion that the study of the politics and the fightings of man is most important; others, how man came to be an Arminian or an Augustinian; others, whether the sun is or is not gradually cooling down, and must finally cease to be, or whether, on the contrary, its flames are fed by the self-sacrificing stars. Without detracting from their labors, I beg leave to say that my great hobby or central fact being the home, I hold that whatever makes that interesting, beautiful, or useful, is, or should be, interesting, beautiful, and useful, to all the world. I believe that what we call politics, or government, is only valuable in that it helps to create and to protect desirable homes; all the restÑall the speeches, and processions, and crownings, and court-balls, and receptions, and dinnersÑare Òleather and prunella.Ó

Pottery and Porcelain of All Times and Nations

Pottery and Porcelain of All Times and Nations PDF

Author: William Cowper Prime

Publisher: Forgotten Books

Published: 2015-06-25

Total Pages: 538

ISBN-13: 9781330387665

DOWNLOAD EBOOK →

Excerpt from Pottery and Porcelain of All Times and Nations: With Tables of Factory and Artists Marks for the Use of Collectors Ten years ago there were probably not ten collectors of Pottery and Porcelain in the United States. To-day there are perhaps ten thousand. The exhibition in public museums of the fine works of ceramic art loaned by the few collectors who possessed them, revealed for the first time to the American public the wealth of beauty which is in "old china;" and now in nearly every city, town, and village in the land more or less persons are "collecting." The need of a book of the kind which I have endeavored to make has been manifest for some time. What to collect and why, how to collect and classify, are questions asked by many, and answered only by European works, in French and English, which indeed answer the questions better than this does, but are unfortunately inaccessible to the American collector outside of our larger cities. The preparation of the needed Volume has not been a voluntary undertaking with me. It was with extreme reluctance that I yielded to the urgent request of the publishers to make a book on Ceramic Art for American readers, students, and collectors. The very idea of a book for these three classes of people might well appall an author, looking at the vast extent of the subject. Those who are familiar with the art will appreciate the impossibility of bringing into one volume even a condensed sketch of its history for the general reader, much more a critical examination of its products for the student, and a descriptive account of characteristics and marks for the use of the collector. For this art is the oldest, the longest, the most widely diffused of all human arts. It has been used by every tribe of man, savage and civilized. Probably the first fire which Adam kindled on a clay soil taught him to make earthenware, and his descendants have ever since used the art he discovered. Its known history begins with the brickmakers on the plain of Shinar, and every year of this nineteenth century after Christ adds material for new pages. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Antique Trader Pottery & Porcelain Ceramics Price Guide

Antique Trader Pottery & Porcelain Ceramics Price Guide PDF

Author: Paul Kennedy

Publisher: Penguin

Published: 2014-04-04

Total Pages: 592

ISBN-13: 144023972X

DOWNLOAD EBOOK →

Ceramic Showcase Whether your favorite piece comes from a mid-century modern ceramic line, lovely Victorian porcelain, or the many variations of fine art pottery, you'll find them beautifully displayed in the new edition of Antique Trader Pottery & Porcelain Ceramics. From the boldly creative works of George Ohr to the inherent practicality of Red Wing, this striking reference covers the fine to the finctional in all its glory - and value. Created specifically to serve the needs of a wide variety of collectors, dealers, and those who simply enjoy ceramics, Antique Trader Pottery & Ceramics features more than 1,500 color images, descriptions, and prices. Coupled with maker marks and vital historical information, the seventh edition offers a helfpul yet sublime guide to a gloriously diverse and splendid world.

Art & Fear

Art & Fear PDF

Author: David Bayles

Publisher: Souvenir Press

Published: 2023-02-09

Total Pages: 105

ISBN-13: 1800815999

DOWNLOAD EBOOK →

'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.