Postmodern Fiction in Canada
Author: Theo D'Haen
Publisher: Rodopi
Published: 1992
Total Pages: 248
ISBN-13: 9789051834383
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RE: Reading the Postmodern
Author: Robert David Stacey
Publisher: University of Ottawa Press
Published: 2011-01-14
Total Pages: 418
ISBN-13: 0776619233
DOWNLOAD EBOOK →It would be difficult to exaggerate the worldwide impact of postmodernism on the fields of cultural production and the social sciences over the last quarter century—even if the concept has been understood in various, even contradictory, ways. An interest in postmodernism and postmodernity has been especially strong in Canada, in part thanks to the country’s non-monolithic approach to history and its multicultural understanding of nationalism, which seems to align with the decentralized, plural, and open-ended pursuit of truth as a multiple possibility as outlined by Jean-François Lyotard. In fact, long before Lyotard published his influential work The Postmodern Condition in 1979, Canadian writers and critics were employing the term to describe a new kind of writing. RE: Reading the Postmodern marks a first cautious step toward a history of Canadian postmodernism, exploring the development of the idea of the postmodern and debates about its meaning and its applicability to various genres of Canadian writing, and charting its decline in recent years as a favoured critical trope.
The Canadian Postmodern
Author: Linda Hutcheon
Publisher: Oxford University Press, USA
Published: 1988
Total Pages: 256
ISBN-13:
DOWNLOAD EBOOK →This book studies the work of some of Canada's most prominent fiction writers in the context of postmodernism. Hutcheon shows that in Canada, this cultural phenomenon has not only found particularly fertile ground on which to develop but has also taken a distinctive form. She examines contemporary cultural theory and the writings of Margaret Atwood, Clark Blaise, George Bowering, Leonard Cohen, Timothy Findley, Jack Hodgins, Robert Kroetsch, Michael Ondaatje, Chris Scott, Susan Swan, Audrey Thomas, Aritha van Herk, and others.
New World Myth
Author: Marie Vautier
Publisher: McGill-Queen's Press - MQUP
Published: 1998-01-06
Total Pages: 364
ISBN-13: 0773566880
DOWNLOAD EBOOK →There is an emphasis on de-constructing, de-centring, de-stabilizing, and especially de-mythologizing in the study that illustrates New World myth narrators questioning the past in the present and carrying out their original investigations of myth, place, and identity. Underlining the fact that political realities are encoded in the language and narrative of the works, Vautier argues that the reworkings of literary, religious, and historical myths and political ideologies in these novels are grounded in their shared situation of being in and of the New World.
Postmodern Fiction in Canada
Author: Johannes Willem Bertens
Publisher: Rodopi
Published: 1992
Total Pages: 246
ISBN-13: 9789051834376
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Author: Linda Hutcheon
Publisher: OUP Canada
Published: 2012-12-20
Total Pages: 0
ISBN-13: 9780199001798
DOWNLOAD EBOOK →The Canadian Postmodern examines the theory and practice of postmodernism as seen through both contemporary cultural theory and the writings of Audrey Thomas, Michael Ondaatje, Robert Kroetsch, Margaret Atwood, Timothy Findley, Jack Hodgins, Aritha van Herk, Leonard Cohen, Susan Swan, Clark Blaise, George Bowering, and others.
Postmodern Canadian Fiction and the Rhetoric of Authority
Author: Glenn Deer
Publisher: McGill-Queen's Press - MQUP
Published: 1994-02-08
Total Pages: 154
ISBN-13: 0773564527
DOWNLOAD EBOOK →Deer illuminates the psychology of family relations and power struggles in Sheila Watson's The Double Hook, the surrealism and spirit of sexual rebellion in Leonard Cohen's Beautiful Losers, the tensions between private psychology and public politics in Dave Godfrey's The New Ancestors, the implied male sympathies in the guise of a feminist persona in Robert Kroetsch's Badlands, the playful yet didactic uses of history in George Bowering's Burning Water, and the paradoxes of power in Margaret Atwood's dystopia, The Handmaid's Tale. Inspired by the philosophies of rhetoric and social discourse in the work of Kenneth Burke, Roger Fowler, Wayne Booth, and George Dillon, Deer forcefully engages the politics of postmodernism in its theoretical and literary dimensions by reading against the grain of canonizing criticism. He provides a detailed discussion of the connections between postmodern literary forms and world views and focuses particularly on how novels are scripted to influence readers and what kinds of world and social views are being promoted. Combining the ethical focus of Wayne Booth and Gerald Graff with elements of deconstruction, Deer's specialized readings of the novels imaginatively construct the addresser-addressee relations of texts and explicate narrative authority. This study will be of particular interest to students of Canadian literature and literary politics as well as scholars of rhetorical theory and criticism.
Unreal Country
Author: Glenn Willmott
Publisher: McGill-Queen's Press - MQUP
Published: 2002-08-29
Total Pages: 248
ISBN-13: 0773570349
DOWNLOAD EBOOK →Modernism is one of the great manifold movements in literature and the arts. Responding with magnificent independence to inherited values and tastes, and with radical novelty to the future, varieties of modernism anxiously express both the ends of the Enlightenment and the beginnings of Postmodernism, and thus the feeling of a crisis that continues to haunt contemporary life. Modernity in Canada, stretching from the turn of the century to the 1950s, is a period marked by unprecedented urban and industrial growth, by urban and rural immigration from around the world, and by unique changes in power between regions, classes, races, and sexes. At the same time it is a period profoundly aware of the colonial past and its persistence, for good or ill, in the fragile economy and volatile culture of a new nation.
New York and Toronto Novels after Postmodernism
Author: Caroline Rosenthal
Publisher: Camden House
Published: 2011
Total Pages: 324
ISBN-13: 1571134891
DOWNLOAD EBOOK →Cities are material and symbolic spaces through which nations define their cultural identities. The great cities that have arisen on the North American continent have stimulated the imaginations of the United States and Canada in very different ways. This first comparative study of North American urban fiction starts out by delineating the sociohistorical and literary contexts in which cities grew into diverging symbolic spaces in American and Canadian culture. After an overview of recent developments in the cultural conception of urban space, the book takes New York and Toronto fiction as exemplary for exploring representations of the urban after postmodernism. It analyzes four twenty-first-century novels: two set in New York - Siri Hustvedt's What I Loved and Paule Marshall's The Fisher King - and two set in Toronto - Carol Shields's Unless and Dionne Brand's What We All Long For. While these texts continue to echo the specific traditions of nation building and canon formation in the United States and Canada, they also share certain features. All of them investigate the affective crossroads of the city while returning to a more realistic mode of representation. Caroline Rosenthal is Professor of American Literature at the Friedrich-Schiller University in Jena, Germany.
Postmodern Canadian Fiction and the Rhetoric of Authority
Author: Glenn Deer
Publisher: McGill-Queen's Press - MQUP
Published: 1994
Total Pages: 168
ISBN-13: 9780773511590
DOWNLOAD EBOOK →Criticism that takes an ideological approach to Canadian writing is scarce; political-rhetorical studies are even more uncommon. In this original approach to postwar Canadian fiction Glenn Deer presents provocative readings of ideologies as well as experiments with authorial stances.
