Music after Hitler, 1945-1955

Music after Hitler, 1945-1955 PDF

Author: Toby Thacker

Publisher: Routledge

Published: 2017-07-05

Total Pages: 292

ISBN-13: 1351557831

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The political control of music in the Third Reich has been analysed from several perspectives, and with ever increasing sophistication. However, music in Germany after 1945 has not received anything like the same treatment. Rather, there is an assumption that two separate musical cultures emerged in East and West alongside the division of Germany into two states with differing economic and political systems. There is a widely accepted view of music in West Germany as 'free', and in the East subject to party control. Toby Thacker challenges these assumptions, asking how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955. The 're-education' of Germany after the Hitler years was a unique historical experiment and the place of music within this is explored here for the first time. While emphasizing political, economic and broader social structures that influenced the production and reception of different musical forms, the book is informed by a sense of human agency, and explores the role of salient individuals in the reconstruction of music in post-war Germany. The focus is not restricted to any one kind of music, but concentrates on those aspects of music, professional and amateur, live and recorded, which appeared to be the mostly highly charged politically to contemporaries. Particular attention is given to 'denazification' and to the introduction of international music. Thacker traces the development of a divide between Communist and liberal-democratic understandings of the place of music in society. The contested celebrations of the Bach Year in 1950 are used to highlight the role of music in the broader cultural confrontation between East and West. Thacker examines the ways in which central governments in East and West Germany sought to control and influence music through mechanisms of censorship and positive support. The book will therefore be of interest not only

Hit Songs, 1900-1955

Hit Songs, 1900-1955 PDF

Author: Don Tyler

Publisher: McFarland

Published: 2007-04-16

Total Pages: 555

ISBN-13: 0786429461

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This is a chronology of the most famous songs from the years before rock 'n' roll. The top hits for each year are described, including vital information such as song origin, artist(s), and chart information. For many songs, the author includes any web or library holdings of sheet music covers, musical scores, and free audio files. An extensive collection of biographical sketches follows, providing performing credits, relevant professional awards, and brief biographies for hundreds of the era's most popular performers, lyricists, and composers. Includes an alphabetical song index and bibliography.

Art and the Challenge of Markets Volume 1

Art and the Challenge of Markets Volume 1 PDF

Author: Victoria D. Alexander

Publisher: Springer

Published: 2018-01-16

Total Pages: 355

ISBN-13: 3319645862

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Art and the Challenge of Markets Volumes 1 & 2 examine the politics of art and culture in light of the profound changes that have taken place in the world order since the 1980s and 1990s. The contributors explore how in these two decades, the neoliberal or market-based model of capitalism started to spread from the economic realm to other areas of society. As a result, many aspects of contemporary Western societies increasingly function in the same way as the private enterprise sector under traditional market capitalism. The first volume of this two-volume collection considers a broad range of national cultural policies from European and North American countries, and examines the strengthening of international and transnational art worlds in music, visual arts, film, and television. The chapters cover cultural policy and political culture in the United States, United Kingdom, Germany, France, Switzerland, the Nordic countries, the Balkans, and Slovenia, and address the extent to which Western nations have shifted from welfare-state to market-based ideologies. Tensions between centres and peripheries in global art worlds are considered, as well as complex interactions between nations and international and transnational art worlds, and regional variations in the audiovisual market. Both volumes provide students and scholars across a range of disciplines with an incisive, comparative overview of the politics of art and culture and national, international and transnational art worlds in contemporary capitalism.

Popular Music in Japan

Popular Music in Japan PDF

Author: Toru Mitsui

Publisher: Bloomsbury Publishing USA

Published: 2020-07-09

Total Pages: 227

ISBN-13: 1501363875

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Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop--Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West.

Queer Pop

Queer Pop PDF

Author: Bettina Papenburg

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2024-07

Total Pages: 208

ISBN-13: 311101343X

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Popular culture encompasses and draws on a rich history of works by musicians, filmmakers, writers, photographers, and performers who question the contours of traditional sexual and gender identities, including but not limited to members of LGBTQIA* communities. When encountered on the stage or screen, for instance, in the guise of drag performances, forms of sexual ambiguity often spark fascination. Yet in everyday life in various socio-cultural contexts, sexual and bodily difference in all its forms is still met with hostility, rendering vulnerable those human beings that deviate from the white, male, straight, able-bodied norm. Queer artists today respond to social stigma in multiple creative ways, for example, by transforming negative affect, fostering a politics of care, and rewriting history. This volume considers how feminist, queer, and trans* musicians, filmmakers, curators, and performance artists contribute to popular culture. It explores the many ways of relating to difference, however this is conceived, that their contributions enable. What affects do their works engender? How do they rouse their audience, and to what ends? How do they fabricate and circulate provocative messages about new forms of gender, race, class, and desire? What other visions do they inspire?

Kids InfoBits Presents: Music

Kids InfoBits Presents: Music PDF

Author: Gale, Cengage Learning

Publisher: Gale, Cengage Learning

Published:

Total Pages: 51

ISBN-13: 1535854758

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What type of guitar was invented by Hawaiian musicians? Which band has won the most Grammy Awards? What is the sound of a musical note called? Find out the answers to these questions and more in Kids InfoBits Presents: Music. Music contains authoritative, age-appropriate content covering a range of musical styles, terms, and instruments, from computer music and rap to rhythm and saxophones. The content, arranged in A-Z format, provides interesting and important facts and is geared to fit the needs of elementary school students. Kids InfoBits Presents contains content derived from Kids InfoBits, a content-rich and easy-to-use digital resource available at your local school or public library.

The Bloomsbury Handbook of Popular Music Policy

The Bloomsbury Handbook of Popular Music Policy PDF

Author: Shane Homan

Publisher: Bloomsbury Publishing USA

Published: 2022-01-13

Total Pages: 496

ISBN-13: 1501345346

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The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.