-PDF Download- Popular Culture And Performance In The Victorian City EBOOK

Popular Culture and Performance in the Victorian City

Author: Peter Bailey

Publisher: Cambridge University Press

Published: 2003-10-16

Total Pages: 276

ISBN-13: 9780521543484

This lively and highly innovative book reconstructs the texture and meaning of popular pleasure in the Victorian entertainment industry. Integrating theories of language and social action with close reading of contemporary sources, Peter Bailey provides a richly detailed study of the pub, music-hall, theatre and comic newspaper. Analysis of the interplay between entrepreneurs, performers, social critics and audience reveals distinctive codes of humour, sociability and glamour that constituted a new populist ideology of consumerism and the good time. Bailey shows how the new leisure world offered a repertoire of roles that enabled its audience to negotiate the unsettling encounters of urban life. Bailey offers challenging interpretations of respectability, sexuality, and the cultural politics of class and gender in a distinctive, personal voice.

Politics, performance and popular culture

Author: Peter Yeandle

Publisher: Manchester University Press

Published: 2016-09-23

Total Pages: 379

ISBN-13: 178499653X

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"This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements."

The Performing Century

Author: T. Davis

Publisher: Springer

Published: 2015-12-17

Total Pages: 282

ISBN-13: 0230589480

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This book looks at modes of performance and forms of theatre in Nineteenth-century Britain and Ireland. On subjects as varied as the vogue for fairy plays to the representation of economics to the work of a parliamentary committee in regulating theatres, the authors redefine what theatre and performance in the Nineteenth century might be.

The Legend of Spring-heeled Jack

Author: Karl Bell

Publisher: Boydell Press

Published: 2012

Total Pages: 274

ISBN-13: 1843837870

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An intriguing study of a unique and unsettling cultural phenomenon in Victorian England. WINNER of the 2013 Katharine Briggs Award NEW LOWER PRICE This book uses the nineteenth-century legend of Spring-Heeled Jack to analyse and challenge current notions of Victorian popular cultures. Starting as oral rumours, this supposedly supernatural entity moved from rural folklore to metropolitan press sensation, co-existing in literary and theatrical forms before finally degenerating into a nursery lore bogeyman to frighten children. A mercurial and unfixed cultural phenomenon, Spring-Heeled Jack found purchase in both older folkloric traditions and emerging forms of entertainment. Through this intriguing study of a unique and unsettling figure, Karl Bell complicates our appreciation of the differences, interactions and similarities between various types of popular culture between 1837 and 1904. The book draws upon a rich variety of primary source material including folklorist accounts, street ballads, several series of "penny dreadful" stories (and illustrations), journals, magazines, newspapers, comics, court accounts, autobiographies and published reminiscences. The Legend of Spring-Heeled Jack is impressively researched social history and provides a fascinating insight into Victorian cultures. It will appeal to anyone with an interest in nineteenth-century English social and cultural history, folklore or literature. Karl Bell is Senior Lecturer in History at the University of Portsmouth.

Litpop: Writing and Popular Music

Author: Rachel Carroll

Publisher: Routledge

Published: 2016-05-13

Total Pages: 279

ISBN-13: 1317104196

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Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ’Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ’Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.

Victorian Comedy and Laughter

Author: Louise Lee

Publisher: Springer Nature

Published: 2020-08-06

Total Pages: 360

ISBN-13: 1137578823

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This innovative collection of essays is the first to situate comedy and laughter as central rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality,Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear,George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing three consecutive and interlocking moods in the period, all of the contributors engage with the crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone,Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke — both on the page and the stage — while Peter Jones, Jonathan Wild and Matthew Kaiser consider the impassioned debates concerning old and new forms of laughter that took place at the end of the century.

Her Husband was a Woman!

Author: Alison Oram

Publisher: Routledge

Published: 2013-01-11

Total Pages: 210

ISBN-13: 1136014462

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Tracking the changing representation of female gender-crossing in the press, this text breaks new ground to reveal findings where both desire between women and cross-gender identification are understood. Her Husband was a Woman! exposes real-life case studies from the British tabloids of women who successfully passed as men in everyday life, perhaps marrying other women or fighting for their country. Oram revises assumptions about the history of modern gender and sexual identities, especially lesbianism and transsexuality. This book provides a fascinating resource for researchers and students, grounding the concepts of gender performativity, lesbian and queer identities in a broadly-based survey of the historical evidence.

Cultural Identity in British Musical Theatre, 1890–1939

Author: Ben Macpherson

Publisher: Springer

Published: 2018-05-15

Total Pages: 245

ISBN-13: 1137598077

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This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.

Cities and the Making of Modern Europe, 1750-1914

Author: Andrew Lees

Publisher: Cambridge University Press

Published: 2007-12-13

Total Pages: 267

ISBN-13: 052183936X

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A survey of urbanization and the making of modern Europe from the mid-eighteenth century to the First World War.

The Making of the Modern Police, 1780–1914, Part II vol 4

Author: Paul Lawrence

Publisher: Routledge

Published: 2021-12-17

Total Pages: 1552

ISBN-13: 1000561984

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Over six volumes this edited collection of pamphlets, government publications, printed ephemera and manuscript sources looks at the development of the first modern police force. It will be of interest to social and political historians, criminologists and those interested in the development of the detective novel in nineteenth-century literature.