Pontormo’s Frescos in San Lorenzo

Pontormo’s Frescos in San Lorenzo PDF

Author: Massimo Firpo

Publisher: Viella Libreria Editrice

Published: 2021-07-08T13:09:00+02:00

Total Pages: 534

ISBN-13: 8833139093

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In the choir of the Basilica of San Lorenzo, a truly sacred temple of the Medici dynasty, Pontormo painted a grandiose cycle of frescos between 1545 and 1556, which were then unfortunately destroyed in the mid-18th century. Far earlier, Giorgio Vasari issued a severe judgment on them that lasted into the modern day. His was a dismissal motivated formally by artistic reasons, but it concealed other, more insidious, ideological and religious motivations. On the basis of drawings, copies, paintings and literary sources, this study reconstructs the design and arrangement of the frescoes, revealing them to have been inspired by a contemporary heterodox text, one that was included in the Index in 1549. From a dense web of Florentine religious, cultural and political life and its shifts in the middle decades of the century, the political motivations underlying Vasari's commitment to transforming the doctrinal heresy from which those grandiose paintings had drawn inspiration into an artistic heresy emerge. It was a commitment that, after the conclusion of the Council of Trent, risked reflecting upon the new Counter-Reformist structure of Medici power.

Pontormo's Frescos in San Lorenzo. Heresy, Politics and Culture in the Florence of Cosimo I

Pontormo's Frescos in San Lorenzo. Heresy, Politics and Culture in the Florence of Cosimo I PDF

Author: Massimo Firpo

Publisher:

Published: 2021

Total Pages: 532

ISBN-13: 9788833137391

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In the choir of the Basilica of San Lorenzo, a truly sacred temple of the Medici dynasty, Pontormo painted a grandiose cycle of frescos between 1545 and 1556, which were then unfortunately destroyed in the mid-18th century. Far earlier, Giorgio Vasari issued a severe judgment on them that lasted into the modern day. His was a dismissal motivated formally by artistic reasons, but it concealed other, more insidious, ideological and religious motivations. On the basis of drawings, copies, paintings and literary sources, this study reconstructs the design and arrangement of the frescoes, revealing them to have been inspired by a contemporary heterodox text, one that was included in the Index in 1549. From a dense web of Florentine religious, cultural and political life and its shifts in the middle decades of the century, the political motivations underlying Vasari's commitment to transforming the doctrinal heresy from which those grandiose paintings had drawn inspiration into an artistic heresy emerge. It was a commitment that, after the conclusion of the Council of Trent, risked reflecting upon the new Counter-Reformist structure of Medici power.

Heresy, Culture, and Religion in Early Modern Italy

Heresy, Culture, and Religion in Early Modern Italy PDF

Author: Ronald K. Delph

Publisher: Penn State Press

Published: 2006-08-25

Total Pages: 280

ISBN-13: 0271090790

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Leading scholars from Italy and the United States offer a fresh and nuanced image of the religious reform movements on the Italian peninsula in the sixteenth and seventeenth centuries. United in their conviction that religious ideas can only be fully understood in relation to the particular social, cultural, and political contexts in which they develop, these scholars explore a wide range of protagonists from popes, bishops, and inquisitors to humanists and merchants, to artists, jewelers, and nuns. What emerges is a story of negotiations, mediations, compromises, and of shifting boundaries between heresy and orthodoxy. This book is essential reading for all students of the history of Christianity in early modern Europe.

Forms of Faith in Sixteenth-Century Italy

Forms of Faith in Sixteenth-Century Italy PDF

Author: Matthew Treherne

Publisher: Routledge

Published: 2016-12-05

Total Pages: 274

ISBN-13: 1351936166

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The sixteenth century was a period of tumultuous religious change in Italy as in Europe as a whole, a period when movements for both reform and counter-reform reflected and affected shifting religious sensibilities. Cinquecento culture was profoundly shaped by these religious currents, from the reform poetry of the 1530s and early 1540s, to the efforts of Tridentine theologians later in the century to renew Catholic orthodoxy across cultural life. This interdisciplinary volume offers a carefully balanced collection of essays by leading international scholars in the fields of Italian Renaissance literature, music, history and history of art, addressing the fertile question of the relationship between religious change and shifting cultural forms in sixteenth-century Italy. The contributors to this volume are throughout concerned to demonstrate how a full understanding of Cinquecento religious culture might be found as much in the details of the relationship between cultural and religious developments, as in any grand narrative of the period. The essays range from the art of Cosimo I's Florence, to the music of the Confraternities of Rome; from the private circulation of religious literature in manuscript form, to the public performances of musical laude in Florence and Tuscany; from the art of Titian and Tintoretto to the religious poetry of Vittoria Colonna and Torquato Tasso. The volume speaks of a Cinquecento in which religious culture was not always at ease with itself and the broader changes around it, but was nonetheless vibrant and plural. Taken together, this new and ground-breaking research makes a major contribution to the development of a more nuanced understanding of cultural responses to a crucial period of reform and counter-reform, both within Italy and beyond.

Space, Image, and Reform in Early Modern Art

Space, Image, and Reform in Early Modern Art PDF

Author: Arthur J. DiFuria

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2021-11-08

Total Pages: 374

ISBN-13: 1501513486

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The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.