Poems, Legendary, Lyrical, and Descriptive

Poems, Legendary, Lyrical, and Descriptive PDF

Author: Vedder David

Publisher: Palala Press

Published: 2016-04-27

Total Pages: 402

ISBN-13: 9781354726754

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Poems

Poems PDF

Author: William Gilmore Simms

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9781611170559

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William Gilmore Simms collected a large swath of his previously published poetry into a single, two-volume collection. Poems thus contains a broad selection of the author's verse works, both those that had appeared periodically and those that had seen prior book publication. The latter group includes his verse plays Norman Maurice and Atalantis, his ode to Charleston's Magnolia Cemetery City of the Silent, and his collection of nature poetry The Cassique of Accabee. Perhaps most significant, the collection also contains in its entirety (and dominating the second volume of the collection) Southern Passages and Pictures, the collection of lyric poetry Simms himself often judged his best work. Because of the heft of this latter work, as well as the pervading atmosphere of the southern character throughout the collection as a whole, John Russell recommended the planned volumes peculiarly to the South, as illustrating its history--its traditions and legends--its scenery and its sentiments. In this way, Poems: Descriptive, Dramatic, Legendary, and Contemplative continued Simms's increasing interest in linking southern patriotism, as well as sentiment, to his poetics.

Scottish Poetry, 1730-1830

Scottish Poetry, 1730-1830 PDF

Author: Daniel Cook

Publisher: Oxford University Press

Published: 2023-01-05

Total Pages: 785

ISBN-13: 0192525352

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The pride o' a' our Scottish plain; Thou gi'es us joy to hear thy strain, (Janet Little, 'An Epistle to Mr Robert Burns') The 18th century saw Scotland become one of the leading international centres of literature, philosophy, and publishing and yet still retain its lively oral tradition of ballads and poetry. Scottish Poetry, 1730-1830 edited by Daniel Cook contains over 200 poems and songs written in Scots, English, and Gaelic which reflect this vibrant period of literary flourishing. The collection places Burns, Scott, and other major writers alongside lesser known or even entirely forgotten figures. Gaelic poets feature in their original language and in translation, along with many important long poems in their entirety. Lairds and ladies jostle with labouring-class writers, satirists with sentimentalists, Gaelic bards with Gothic balladists, rural singers with urbanite odists, and together they reveal the unrivalled range of Scottish poetry. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Poems, Descriptive, Dramatic, Legendary and Contemplative

Poems, Descriptive, Dramatic, Legendary and Contemplative PDF

Author: William Gilmore Simms

Publisher: Palala Press

Published: 2016-04-27

Total Pages: 368

ISBN-13: 9781354779842

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

English Narrative Poems

English Narrative Poems PDF

Author: Various Authors

Publisher: Library of Alexandria

Published: 2020-09-28

Total Pages: 334

ISBN-13: 1465585591

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Narrative poetry is distinguished from other types of verse in that it aims to relate a connected series of events and, therefore, deals primarily with actions, rather than with thoughts or emotions. This definition, however, simple as it appears to be in theory, is often difficult to apply as a test because other matter is blended with the pure narrative. In any story where the situation is made prominent, description may be required to make clear the scene and explain movements to the reader; thus Enoch Arden begins with a word picture of a sea-coast town. Again it is often necessary to analyze the motives which actuate certain characters, and so it becomes necessary to introduce exposition of some sort into the plot. The poems in this collection serve to enforce the lesson that the four standard rhetorical formsÑnarration, description, exposition, and argumentationÑare constantly being combined and welded in a complicated way. In cases where these various literary elements are apparently in a tangle, a classification, if it be made at all, must be based on the design of the poem as a whole, and the emphasis and proportion given to the respective elements by the author. If the stress is laid on the recounting of the events which make up a unified action, and if the other factors are made subordinate and subsidiary to this end, then the poem in question belongs to the narrative group. The antiquity of the narrative as a form of literature is undisputed. Indeed it has been established with a reasonable degree of certainty that poetry in its very beginnings was narrative and in its primitive state must have been a sort of rude, rhythmical chant, originated and participated in by the tribe as a whole, and telling of the exploits of gods or legendary heroes. In the course of time there arose the minstrel, who, acting first as chorus leader, became eventually the representative of the tribe and its own special singer. When we reach a somewhat more advanced stage of civilization, we find regularly appointed bards reciting their lays in the hall of the chieftain or urging on the warriors to battle with rehearsals of past victories. Originally these bards simply repeated the old oral traditions handed down as common property, but the opportunity for the display of individual genius soon induced them to try variations on the current themes and to compose versions of their own. With this advance of individualism, poetry became gradually more complex. Various elements, lyrical, descriptive, and dramatic, assumed some prominence and tended to develop separate forms. This differentiation, however, did not impair the vigor of the story-telling spirit, and a constant succession of narrative poems down to the present day evidences how productive and characteristic a feature of our literature this form has been.