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Pilgrims, Patrons, and Place

Author: Phyllis Granoff

Publisher: UBC Press

Published: 2011-11-01

Total Pages: 390

ISBN-13: 0774842199

This book brings together essays by anthropologists, scholars of religion, and art historians to explore some of the most fundamental challenges that religious groups face as they expand from their homeland or confront the demands of modernity. The chapters span a broad geographical area that includes India, Nepal, Thailand, Indonesia, and China, and address issues from the classical and medieval period to the present. They show how sacred places have a plurality of meanings for all religious communities and how in their construction, secular politics, private religious experience, and sectarian rivalry can all intersect. A Buddha Dharma Kyokai Foundation Book on Buddhism and Comparative Literature.

Images in Asian Religions

Author: Phyllis Granoff

Publisher: UBC Press

Published: 2010-10-01

Total Pages: 398

ISBN-13: 0774859806

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This collection offers a challenge to any simple understanding of the role of images by looking at aspects of the reception of image worship that have only begun to be studied, including the many hesitations that Asian religious traditions expressed about image worship. Written by eminent scholars of anthropology, art history, and religion with interests in different regions (India, China, Japan, and Southeast Asia), this volume takes a fresh look at the many ways in which images were defined and received in Asian religions. Buddha Dharma Kyokai Foundation Book on Buddhism and Comparative Religion

Pilgrimage Explored

Author: Jennie Stopford

Publisher: Boydell & Brewer Ltd

Published: 1999

Total Pages: 236

ISBN-13: 9780952973430

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The history and underlying ideology of pilgrimage examined, from prehistory to the middle ages. The enduring importance of pilgrimage as an expression of human longing is explored in this volume through three major themes: the antiquity of pilgrimage in what became the Christian world; the mechanisms of Christian pilgrimage(particularly in relation to the practicalities of the journey and the workings of the shrine); and the fluidity and adaptability of pilgrimage ideology. In their examination of pilgrimage as part of western culture from neolithictimes onwards, the authors make use of a range of approaches, often combining evidence from a number of sources, including anthropology, archaeology, history, folklore, margin illustrations and wall paintings; they suggest that it is the fluidity of pilgrimage ideology, combined with an adherence to supposedly traditional physical observances, which has succeeded in maintaining its relevance and retaining its identity. They also look at the ways in whichpilgrimage spilled into, or rather was part of, secular life in the middle ages. Dr JENNIE STOPFORD teaches in the Centre for Medieval Studies, University of York. Contributors: RICHARD BRADLEY, E.D. HUNT, JULIEANN SMITH, SIMON BARTON, WENDY R. CHILDS, BEN NILSON, KATHERINE J. LEWIS, DEBRA J. BIRCH, SIMON COLEMAN, JOHN ELSNER, A. M. KOLDEWEIJ.

Sacred Places, Pilgrim Paths

Author: Martin Robinson

Publisher: HarperOne

Published: 1997

Total Pages: 232

ISBN-13:

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From ancient times to the present day, countless people have responded to the call of pilgrimage as an outward sign of their inner yearning for God.

Britain's Pilgrim Places

Author: Guy Hayward

Publisher: Heartwood Publishing

Published: 2020-08-06

Total Pages: 1671

ISBN-13: 0954476794

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Britain’s Pilgrim Places captures the spirit of 2,000 years of history, heritage and wonder. It is the complete guide to every spiritual treasure, including 500 enchanting holy places throughout England, Wales and Scotland and covers all major pilgrimage routes.

Places in Motion

Author: Jacob N. Kinnard

Publisher: Oxford University Press

Published: 2014-06-20

Total Pages: 320

ISBN-13: 0199359687

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Jacob Kinnard offers an in-depth examination of the complex dynamics of religiously charged places. Focusing on several important shared and contested pilgrimage places-Ground Zero and Devils Tower in the United States, Ayodhya and Bodhgaya in India, Karbala in Iraq-he poses a number of crucial questions. What and who has made these sites important, and why? How are they shared, and how and why are they contested? What is at stake in their contestation? How are the particular identities of place and space established? How are individual and collective identity intertwined with space and place? Challenging long-accepted, clean divisions of the religious world, Kinnard explores specific instances of the vibrant messiness of religious practice, the multivocality of religious objects, the fluid and hybrid dynamics of religious places, and the shifting and tangled identities of religious actors. He contends that sacred space is a constructed idea: places are not sacred in and of themselves, but are sacred because we make them sacred. As such, they are in perpetual motion, transforming themselves from moment to moment and generation to generation. Places in Motion moves comfortably across and between a variety of historical and cultural settings as well as academic disciplines, providing a deft and sensitive approach to the topic of sacred places, with awareness of political, economic, and social realities as these exist in relation to questions of identity. It is a lively and much needed critical advance in analytical reflections on sacred space and pilgrimage.

N.C. Wyeth's Pilgrims

Author: Robert D. San Souci

Publisher: Chronicle Books

Published: 1996-09

Total Pages: 44

ISBN-13: 0811814866

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Recounts the coming of the Pilgrims to America, with illustrations by N.C. Wyeth.

The Place of the Pilgrims in American History

Author: Evarts Boutell Greene

Publisher:

Published: 1921

Total Pages: 56

ISBN-13:

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Pilgrimages

Author: Richard Barber

Publisher: Boydell & Brewer Ltd

Published: 1991

Total Pages: 172

ISBN-13: 9780851154718

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This is the first book to offer a survey of the great pilgrimage traditions. It outlines the history of different customs & merges common themes, revealing surprising similarities in practice among pilgrims of widely differing beliefs & times

The Geography of Gandhāran Art

Author: Wannaporn Rienjang

Publisher: Archaeopress

Published: 2019-03-15

Total Pages: 186

ISBN-13: 1789691877

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Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or 'workshops', particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandhara Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.