Picturing the New Negro

Picturing the New Negro PDF

Author: Caroline Goeser

Publisher:

Published: 2007

Total Pages: 384

ISBN-13:

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Chronicles the vibrant partnership between literary and visual African American artists that resulted in the image of the New Negro. In the process, demonstrates that commercial illustration represents the largest and, in some cases, most progressive body of visual art associated with the Harlem Renaissance.

Picturing Black New Orleans

Picturing Black New Orleans PDF

Author: Arthé A. Anthony

Publisher: University Press of Florida

Published: 2023-03-07

Total Pages: 227

ISBN-13: 0813072905

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The visual legacy of Florestine Perrault Collins, who documented African American life in New Orleans Florestine Perrault Collins (1895-1988) lived a fascinating and singular life. She came from a Creole family that had known privileges before the Civil War, privileges that largely disappeared in the Jim Crow South. She learned photographic techniques while passing for white. She opened her first studio in her home, and later moved her business to New Orleans’s Black business district. Fiercely independent, she ignored convention by moving out of her parents’ house before marriage and, later, by divorcing her first husband.  Between 1920 and 1949, Collins documented African American life, capturing images of graduations, communions, and recitals, and allowing her subjects to help craft their images. She supported herself and her family throughout the Great Depression and in the process created an enduring pictorial record of her particular time and place. Collins left behind a visual legacy that taps into the social and cultural history of New Orleans and the South.  It is this legacy that Arthé Anthony, Collins's great-niece, explores in Picturing Black New Orleans. Anthony blends Collins's story with those of the individuals she photographed, documenting the profound changes in the lives of Louisiana Creoles and African Americans. Balancing art, social theory, and history and drawing from family records, oral histories, and photographs rescued from New Orleans in the wake of Hurricane Katrina, Anthony gives us a rich look at the cultural landscape of New Orleans nearly a century ago.  Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Picturing Us

Picturing Us PDF

Author: Deborah Willis

Publisher:

Published: 1994

Total Pages: 209

ISBN-13: 9781565841062

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A study of African American identity is the creation of an expert on African-American photography who asked writers, critics, and filmmakers to select a photograph of personal or historical significance and "read" it for insights into the black experience.

A Tribute for the Negro

A Tribute for the Negro PDF

Author: Wilson Armistead

Publisher: Createspace Independent Publishing Platform

Published: 1848

Total Pages: 654

ISBN-13:

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A Tribute for the Negro: Being a Vindication of the Moral, Intellectual, and Religious Capabilities of the Coloured Portion of Mankind; with Particular Reference to the African Race Authored by Wilson Armistead

Comical Coons

Comical Coons PDF

Author: Edward Windsor Kemble

Publisher:

Published: 1898

Total Pages: 68

ISBN-13:

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Cartoons about African Americans, mostly children, in 2-leaf sequences.

W. E. B. Du Bois's Data Portraits

W. E. B. Du Bois's Data Portraits PDF

Author: The W.E.B. Du Bois Center at the University of Massachusetts Amherst

Publisher: Chronicle Books

Published: 2018-11-06

Total Pages: 152

ISBN-13: 1616897775

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The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."

The New Negro

The New Negro PDF

Author: Jeffrey C. Stewart

Publisher: Oxford University Press

Published: 2018

Total Pages: 945

ISBN-13: 019508957X

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"A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro--the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. [The author] offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally"--Amazon.com.

Escape from New York

Escape from New York PDF

Author: Davarian L. Baldwin

Publisher: U of Minnesota Press

Published: 2013-09-01

Total Pages: 710

ISBN-13: 0816688079

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In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the “New Negro.” This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance. What is less known is how far afield of Harlem that renaissance flourished—how much the New Negro movement was actually just one part of a collective explosion of political protest, cultural expression, and intellectual debate all over the world. In this volume, the Harlem Renaissance “escapes from New York” into its proper global context. These essays recover the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe from New York to New Orleans, from Paris to the Philippines and beyond. Escape from New York does not so much map the many sites of this early twentieth-century Black internationalism as it draws attention to how New Negroes and their global allies already lived. Resituating the Harlem Renaissance, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience. This more comprehensive vision serves as a lens through which to better understand capitalist developments, imperial expansions, and the formation of brave new worlds in the early twentieth century. Contributors: Anastasia Curwood, Vanderbilt U; Frank A. Guridy, U of Texas at Austin; Claudrena Harold, U of Virginia; Jeannette Eileen Jones, U of Nebraska–Lincoln; Andrew W. Kahrl, Marquette U; Shannon King, College of Wooster; Charlie Lester; Thabiti Lewis, Washington State U, Vancouver; Treva Lindsey, U of Missouri–Columbia; David Luis-Brown, Claremont Graduate U; Emily Lutenski, Saint Louis U; Mark Anthony Neal, Duke U; Yuichiro Onishi, U of Minnesota, Twin Cities; Theresa Runstedtler, U at Buffalo (SUNY); T. Denean Sharpley-Whiting, Vanderbilt U; Michelle Stephens, Rutgers U, New Brunswick; Jennifer M. Wilks, U of Texas at Austin; Chad Williams, Brandeis U.