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Author: Roger S. Wieck
Publisher: University of Washington Press
Published: 2007
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOK →Two dozen Books of Hours mostly from the 15th and 16th centuries, with examples from France, the Netherlands and Belgium, are presented chronologically. Many are previously unknown and unpublished.
Author: Erik Inglis
Publisher: Getty Publications
Published: 2008
Total Pages: 104
ISBN-13: 9780892369300
DOWNLOAD EBOOK →Faces of Power and Piety is the second in the Medieval Imagination series of small, affordable books that draw on manuscript illuminations in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme to provide an accessible and delightful introduction to the imagination of the medieval world. The vivid and charming faces featured in this volume include portraits of both illustrious historical figures and celebrated contemporaries. They reveal that medieval artists often disregarded physical appearance in favor of emphasizing qualities such as power and piety, capturing how their subjects wished to be remembered for the ages. Faces of Power and Piety also looks at the development of portraiture in the modern sense during the Renaissance, when likeness became an important component of portrait painting. An exhibition of the same name will be on view at the J. Paul Getty Museum from August 12 through October 26, 2008.
Author: Fredrika H. Jacobs
Publisher: Cambridge University Press
Published: 2013-10-07
Total Pages: 265
ISBN-13: 1107023041
DOWNLOAD EBOOK →This book traces the origins and development of the use of votive panel paintings in Italy in the fifteenth and sixteenth centuries.
Author: David Morgan
Publisher: Univ of California Press
Published: 1999-09-25
Total Pages: 284
ISBN-13: 0520219325
DOWNLOAD EBOOK →This superb collection of essays challenges the growing tension about religion and the arts by dissecting the intriguing ways religion and the arts have inte frsected in a long, vivid, necessary, and largely positive relationship from the early nineteenth century to the end of the twentieth century. The essays here are unusually strong, sophisticated, mature, and insightful. They are remarkably readable, not merely for art historians but for a broadly interested and intelligent audience. The result is a truly fascinating collection whose essays touch on a wide range of important and fascinating topics in the two-hundred year experience of both American art and American religion. —Jon Butler, Yale University, author of Awash in a Sea of Faith: Christianizing the American People and Religion in American History: A Reader.
Author: Ruben Suykerbuyk
Publisher: BRILL
Published: 2020-07-27
Total Pages: 452
ISBN-13: 9004433104
DOWNLOAD EBOOK →The Matter of Piety provides the first in-depth study of Zoutleeuw’s exceptionally well-preserved pilgrimage church in a comparative perspective, and revaluates religious art and material culture in Netherlandish piety from the late Middle Ages through the crisis of iconoclasm and the Reformation to Catholic restoration. Analyzing the changing functions, outlooks, and meanings of devotional objects – monumental sacrament houses, cult statues and altarpieces, and small votive offerings or relics – Ruben Suykerbuyk revises dominant narratives about Catholic culture and patronage in the Low Countries. Rather than being a paralyzing force, the Reformation incited engaged counterinitiatives, and the vitality of late medieval devotion served as the fertile ground from which the Counter-Reformation organically grew under Protestant impulses.
Author: Elina Gertsman
Publisher: Penn State Press
Published: 2021-06-24
Total Pages: 599
ISBN-13: 0271089016
DOWNLOAD EBOOK →Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Author: Vasiliki M. Limberis
Publisher: Oxford University Press
Published: 2011-03-10
Total Pages: 256
ISBN-13: 9780199842643
DOWNLOAD EBOOK →This book provides a new way of understanding the role of the cult of the martyrs for the Cappadocian Fathers and their families. The study shows that the cult of the martyrs was so popular among all social levels of Christians, including the Cappadocian Fathers, that it formed the rudimentary framework for Christian piety in the fourth century. When Christianity became the state religion in 325, the fundamental presupposition of martyrdom as Christian identity became ambiguous. Thus it was paramount for the Cappadocians to preserve, evolve, and represent how martyr piety fit into the Christian life after the Constantinian settlement. The book reveals the Cappadocians' tireless promotion of martyr piety through careful expositions of the ritual of the panegyris and importance of the calendar, their pastoral teachings through panegyrics to the martyrs, and the triumphs and frustrations of building a martyrium. Limberis also demonstrates how the Cappadocians fixed the image of the martyrs on their families' identities forever, showing how the veneration of the martyrs contributed to practicing Christian faith in a familial context. The study demonstrates that the local martyr cults were so powerful that the Cappadocian Fathers promoted their own kin as martyrs, and claimed other martyrs as their ancestors. The study also engages how gender and theories of kinship complicate their texts, both for the Cappadocians and for us.
Author: John F. Moffitt
Publisher: McFarland
Published: 2014-01-10
Total Pages: 322
ISBN-13: 0786452269
DOWNLOAD EBOOK →While the Renaissance is generally perceived to be a secular movement, the majority of large artworks executed in 15th century Italy were from ecclesiastical commissions. Because of the nature of primarily basilica-plan churches, a parishioner's view was directed by the diminishing parallel lines formed by the walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point. As applied to ecclesiastical artwork, the Catholic Vanishing Point (CVP) was deliberately situated upon or aligned with a given object--such as the Eucharist wafer or Host, the head of Christ or the womb of the Virgin Mary--possessing great symbolic significance in Roman liturgy. Masaccio's fresco painting of the Trinity (circa 1427) in the Florentine church of Santa Maria Novella, analyzed in physical and symbolic detail, provides the first illustration of a consistently employed linear perspective within an ecclesiastical setting. Leonardo's Last Supper, Venaziano's St. Lucy Altarpiece, and Tome's Transparente illustrate the continuation of this use of liturgical perspective.
Author: Tessa Watt
Publisher: Cambridge University Press
Published: 1991
Total Pages: 396
ISBN-13: 9780521458276
DOWNLOAD EBOOK →This book looks at popular belief through a detailed study of the cheapest printed wares in London in the century after the Reformation.
Author: Andrew H. Weaver
Publisher: Routledge
Published: 2016-04-08
Total Pages: 352
ISBN-13: 1317060288
DOWNLOAD EBOOK →Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.
