Picture-writing of the American Indians

Picture-writing of the American Indians PDF

Author: Garrick Mallery

Publisher:

Published: 1972

Total Pages: 522

ISBN-13:

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Volume 1 of most complete account of Indian picture writing ever ? with 1,290 illustrations and 54 additional plates (total in set) depicting inscriptions on stone, bone, skins, feathers, quills, shells, earth, copper, wood, fabrics, pottery, and even the human body. Symbols of trade, war, peace, traditions, custom, history, games, more.

Picture-Writing of the American Indians

Picture-Writing of the American Indians PDF

Author: Garrick Mallery

Publisher: Good Press

Published: 2021-05-20

Total Pages: 1145

ISBN-13:

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This work is essential for anyone doing research in rock art and petroglyphs. Col. Garrick Mallery's report on the picture-writing of the American Indians is one of the most significant of all the early reports of the Bureau of Ethnology of the Smithsonian Institution. Besides a special section on petroglyphs, most of the specimens are roughly contemporary with the report's writing and were collected by ethnologists, explorers, and expeditions to reservations. The focus is on the significance of the pictures and the dissimilarities between the styles of picture-writing of the various tribes. Col. Mallery's report is the fundamental study of North American Indian picture-writing for anthropologists, sociologists, historians, or artists. Since most of the samples were collected by peers while picturing was still a vital method of communication, the ethnologists were often helped by the Indians themselves in interpreting the pictographs and uncovering the wealth of information they conveyed. The report consists of almost 1,300 pictures and 54 plates illustrating the samples which Col. Mallery describes.

PICT WRITING OF THE AMER INDIA

PICT WRITING OF THE AMER INDIA PDF

Author: G. Mallery

Publisher: Wentworth Press

Published: 2016-08-29

Total Pages: 950

ISBN-13: 9781373597168

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Legends of the Delaware Indians and Picture Writing

Legends of the Delaware Indians and Picture Writing PDF

Author: Richard C. Adams

Publisher: Syracuse University Press

Published: 2000-05-01

Total Pages: 166

ISBN-13: 9780815606390

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This collection of twenty-two Delaware Indian stories has long been sought out both by scholars and individuals. Beyond the lessons, the book introduces the richness of the original Delaware language to an English-speaking audience: four of these legends have been retranslated into the Delaware language by native Delaware speakers. Readers will find line-by-line translations that reveal the eventual transformation of a transliterated Delaware text into an English-language story.

We Are the Many

We Are the Many PDF

Author: Doreen Rappaport

Publisher: HarperCollins

Published: 2002-09-03

Total Pages: 32

ISBN-13: 9780060011390

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A dedicated doctor drives her horse through a blinding snowstorm to tend a child sick with pneumonia. An athlete, lagging behind, pumps his arms and flies past his competitors in the 1,500-meter race, to win an Olympic gold medal. In a tangled jungle in the South Pacific, an American marine baffles Japanese codebreakers with an ingenious code based on the Navajo language. Susan La Flesche Picotte, Jim Thorpe, and William McCabe are just three of the distinguished American Indians you will meet in this book- Acclaimed author Doreen Rappaport re-created one dramatic moment in each person's life to give you a glimpse of their incredible accomplishments. Each portrait has been thoroughly researched and is beautifully evoked by noted artists Ying-Hwa Hu and Cornelius Van Wright. Beginning with Tisquantum teaching the Pilgrims how to survive in a new land and ending 370 years later with Sherman Alexie writing a poem, this book provides young readers with a fresh, exciting first took at the great history and culture of American Indians.

Picture Writing of the American Indians, Vol. 2

Picture Writing of the American Indians, Vol. 2 PDF

Author: Garrick Mallery

Publisher: New York : Dover Publications

Published: 1972

Total Pages: 420

ISBN-13:

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Volume 2 of most complete account of Indian picture writing ever — with 1,290 illustrations and 54 additional plates (total in set) depicting inscriptions on stone, bone, skins, feathers, pottery, and more.

Indians Illustrated

Indians Illustrated PDF

Author: John M Coward

Publisher: University of Illinois Press

Published: 2016-06-30

Total Pages: 256

ISBN-13: 0252098528

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After 1850, Americans swarmed to take in a raft of new illustrated journals and papers. Engravings and drawings of "buckskinned braves" and "Indian princesses" proved an immensely popular attraction for consumers of publications like Frank Leslie's Illustrated Newspaper and Harper's Weekly . In Indians Illustrated , John M. Coward charts a social and cultural history of Native American illustrations--romantic, violent, racist, peaceful, and otherwise--in the heyday of the American pictorial press. These woodblock engravings and ink drawings placed Native Americans into categories that drew from venerable "good" Indian and "bad" Indian stereotypes already threaded through the culture. Coward's examples show how the genre cemented white ideas about how Indians should look and behave--ideas that diminished Native Americans' cultural values and political influence. His powerful analysis of themes and visual tropes unlocks the racial codes and visual cues that whites used to represent--and marginalize--native cultures already engaged in a twilight struggle against inexorable westward expansion.