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Pictorial Effect Naturalistic Vision
Fiction in the Age of Photography
Author: Nancy Armstrong
Publisher: Harvard University Press
Published: 2002-05-03
Total Pages: 354
ISBN-13: 0674008014
DOWNLOAD EBOOK →In this study of British realism, Armstrong explains how fiction entered into a relationship with the new popular art of Victorian photography that transformed the world into a picture.
Negative/Positive
Author: Geoffrey Batchen
Publisher: Routledge
Published: 2020-12-21
Total Pages: 221
ISBN-13: 1000224767
DOWNLOAD EBOOK →As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium. The fact that a photograph is split between negative and positive manifestations means that its identity is always simultaneously divided and multiplied. The interaction of these two components was often spread out over time and space and could involve more than one person, giving photography the capacity to produce multiple copies of a given image and for that image to have many different looks, sizes and makers. This book traces these complications for canonical images by such figures as William Henry Fox Talbot, Kusakabe Kimbei, Dorothea Lange, Man Ray, Seydou Keïta, Richard Avedon, and Andreas Gursky. But it also considers a number of related issues crucial to any understanding of photography, from the business practices of professional photographers to the repetition of pose and setting that is so central to certain familiar photographic genres. Ranging from the daguerreotype to the digital image, the end result is a kind of little history of photography, partial and episodic, but no less significant a rendition of the photographic experience for being so. This book represents a summation of Batchen’s work to date, making it be essential reading for students and scholars of photography and for all those interested in the history of the medium
Visuality and Virtuality
Author: Whitney Davis
Publisher: Princeton University Press
Published: 2022-06-14
Total Pages: 368
ISBN-13: 0691245908
DOWNLOAD EBOOK →A provocative and challenging new conceptual framework for the study of images This book builds on the groundbreaking theoretical framework established in Whitney Davis’s acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture. Davis argues that pictoriality—the depiction intended by its maker to be seen—emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the first step of the art historian’s craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including “bivisibility” (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases—Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi. A profound new theory of the work of both makers and viewers by one of the discipline’s most esteemed and engaged thinkers, Visuality and Virtuality is essential reading for art historians, architects, archaeologists, and philosophers of art and visual theory.
The Mass Image
Author: G. Beegan
Publisher: Springer
Published: 2008-01-09
Total Pages: 316
ISBN-13: 0230589928
DOWNLOAD EBOOK →The Mass Image situates the creation of the first photographically illustrated magazines within the social relations of the emerging popular culture of late Victorian London. It demonstrates how photomechanical reproduction allowed the illustrated press to envisage modern life on a much more intense scale than ever before.
Samuel Butler, Victorian Against the Grain
Author: James G. Paradis
Publisher: University of Toronto Press
Published: 2007-12-29
Total Pages: 441
ISBN-13: 1442692308
DOWNLOAD EBOOK →Samuel Butler (1835-1902), Victorian satirist, critic, and visual artist, possessed one of the most original and inquiring imaginations of his age. The author of two satires, Erewhon (1872) and The Way of All Flesh (1903), Butler's intellectually adventurous explorations along the cultural frontiers of his time appeared in volume after eccentric volume. Author of four works on evolution, he was one of the most prolific evolutionary speculators of his time. He was an innovative travel writer and art historian who used the creative insights of his own painting, photography, and local knowledge to invent, in works like Alps and Sanctuaries (1881), a vibrant Italian culture that contrasted with the spiritually frigid experience of his High Church upbringing. Despite his range and achievement, there remains surprisingly little contemporary analytical commentary on Butler's work. Samuel Butler, Victorian against the Grain is an interdisciplinary collection of essays that provides a critical overview of Butler's career, one which places his multifaceted body of work within the cultural framework of the Victorian age. The essays, taken together, discuss the formation of Victorian England's ultimate polymath, an artistic and intellectual ventriloquist who assumed an extraordinary range of roles - as satirist, novelist, evolutionist, natural theologian, travel writer, art historian, biographer, classicist, painter, and photographer.
Encyclopedia of Nineteenth-Century Photography
Author: John Hannavy
Publisher: Routledge
Published: 2013-12-16
Total Pages: 1630
ISBN-13: 1135873267
DOWNLOAD EBOOK →The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Clarence H. White and His World
Author: Anne McCauley
Publisher: Yale University Press
Published: 2017-01-01
Total Pages: 409
ISBN-13: 0300229089
DOWNLOAD EBOOK →Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Human, All Too Human
Author: Diana Fuss
Publisher: Routledge
Published: 2013-10-31
Total Pages: 257
ISBN-13: 1317958926
DOWNLOAD EBOOK →The question of what it means to be human has never before been more difficult and more contested. The human, with a complicated social history that his rarely been examined, remains entrenched in traditional Enlightenment thinking. Human, All Too Human considers how we might radicalize our notion of the human. Can the human be thought outside humanism? Any rethinking of the human places us immediately inside an ever-widening field of contrasting labels: animate and inanimate, natural and artificial, living and dead, organic and mechanistic. These and other boundary confusions at the frontier of the human are the subject of this volume, as each essay takes up one of three disputed border identities: animals, things or children. Human, All Too Human examines how we explain our interest in anthropomorphism and our fascination with species categorizations. Essays explore what we mean by things and how the integrity of the human may already be compromised by them. The nine essays in this volume all attempt to rethink the category of the human, challenging some of our most cherished cultural classifications. By inviting us to place the traditions subject of knowledge in the unsettling position of object, these writers interrogate the boundary distinctions that, until now, have exempted the human from the vigilant analysis it so urgently requires. Contributors: Nancy Armstrong, Rey Chow, Drucilla Cornell, Diana Fuss, Marjorie Garber, Barbara Johnson, Cora Kaplan, James Kincaid, Harriet Ritvo, David Willis
