Piano concertos nos. 20, 21, and 22

Piano concertos nos. 20, 21, and 22 PDF

Author: Wolfgang Amadeus Mozart

Publisher: Courier Corporation

Published: 1995-01-01

Total Pages: 210

ISBN-13: 0486284352

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The three piano concertos contained in this volume were all composed in 1785, when Mozart was 29. High points of one of the most amazingly productive and creatively brilliant periods in the composer's life, yet they are masterworks of very different character: No. 20 (K466 in D Minor), a work of intensity, passion, and spiritual conflict; No. 21 (K467 in C Major), with its luminous, world-famous "Andante, " a work of calm and majesty; and No. 22 (K482 in E-flat Major), music of grace and maturity, said to have "realized the century's ideal whilst yet casting aside the shackles of fashion." These three works are presented here in authoritative two-piano playing editions edited by Franz Kullak and Hans Bischoff, two of the nineteenth century's leading piano editors and teachers of pianists. Their classic format for two keyboards is the universal standard, for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. To this practicality Dover adds the convenience and economy of compiling three major concertos within a single volume.

Piano Concertos Nos. 17-22 in Full Score

Piano Concertos Nos. 17-22 in Full Score PDF

Author: Wolfgang Amadeus Mozart

Publisher: Courier Corporation

Published: 1978-05-01

Total Pages: 383

ISBN-13: 0486235998

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This volume contains six complete piano concertos in full score: No. 17 in G Major, K.453; No. 18 in B-flat Major, K.456; No. 19 in F Major, K.459; No. 20 in D Minor, K.466; No. 21 in C Major, K. 467; No. 22 in E-flat Major, K. 482. Also included are Mozart's own cadenzas for Nos. 17, 18, and 19. All six concertos are photographically reprinted from the Breitkopf & Hartel printed text, still considered the standard, authoritative edition for the Mozart concertos. Noteheads in this edition are large enough to be read easily, and margins and spaces between staves permit written notes, harmonic analysis, fingerings, and running measure numbers. Since Mozart's piano concertos are frequently performed in concert and there are several recordings currently available for each of these pieces, this edition is extremely useful for study, reference, and enjoyment."

Piano Concerto No. 24 in C Minor, K. 491

Piano Concerto No. 24 in C Minor, K. 491 PDF

Author: Wolfgang Amadeus Mozart

Publisher: Alfred Music

Published: 1996-02-01

Total Pages: 60

ISBN-13: 9781457475832

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Expertly arranged Piano Duet by Wolfgang Amadeus Mozart from the Kalmus Edition series. This Advanced Piano Duet (2 Pianos, 4 Hands) is from the Classical era. 2 copies are required for performance.

La jota aragonesa and other favorites for piano four hands

La jota aragonesa and other favorites for piano four hands PDF

Author: Louis Moreau Gottschalk

Publisher: Courier Corporation

Published: 2003-01-01

Total Pages: 212

ISBN-13: 9780486427362

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Gottschalk's Creole heritage and extensive visits to Cuba, the West Indies, and South America are reflected in this great-sounding, glittering, and wonderfully melodious music for piano duet. Contents include La jota aragonesa, Op. 14; Ojos criollos, Op. 37; Réponds-moi (Cuban dance), Op. 50; La gallina, Op. 53; Ses yeux (polka), Op. 66; Grande tarentelle, Op. posth. 67; Radieuse (concert waltz), Op. 72; and — as an encore — Gottschalk's legendary four-hand arrangement of Rossini's ever-popular William Tell Overture.

Structural Novelty and Tradition in the Early Romantic Piano Concerto

Structural Novelty and Tradition in the Early Romantic Piano Concerto PDF

Author: Stephan D. Lindeman

Publisher: Pendragon Press

Published: 1999

Total Pages: 368

ISBN-13: 9781576470008

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Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR

Opera and the Morbidity of Music

Opera and the Morbidity of Music PDF

Author: Joseph Kerman

Publisher: New York Review of Books

Published: 2008-04-08

Total Pages: 410

ISBN-13: 9781590172650

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The death of classical music, the distinguished critic and musicologist Joseph Kerman declares, is “a tired, vacuous concept that will not die.” In this wide-ranging collection of essays and reviews, Kerman examines the ongoing vitality of the classical music tradition, from the days of Guillaume Dufay, John Taverner, and William Byrd to contemporary operas by Philip Glass and John Adams. Here are enlightening investigations of the lives and works of the greatest composers: Bach and his Well-Tempered Clavier, Mozart’s and Beethoven’s piano concertos, Schubert’s songs, Wagner’s and Verdi’s operas. Kerman discusses The Magic Flute as well as productions of the Monteverdi operas in Brooklyn and the Ring in San Francisco and Bayreuth. He also includes remembrances of Maria Callas and Carlos Kleiber that make clear why they were such extraordinary musicians. Kerman argues that predictions—let alone assumptions—of the death of classical music are not a new development but part of a cultural transformation that has long been with us. Always alert to the significance of historical changes, from the invention of music notation to the advent of recording, he proposes that the place to look for renewal of the classical music tradition in America today is in opera—in a flood of new works, the rediscovery of long-forgotten ones, and innovative productions by companies large and small. Written for a general audience rather than for experts, Kerman’s essays invite readers to listen afresh and to engage with his insights into how music works. “His gift is so uncommon as to make one sad,” Alex Ross has said.

All Music Guide to Classical Music

All Music Guide to Classical Music PDF

Author: Chris Woodstra

Publisher: Hal Leonard Corporation

Published: 2005

Total Pages: 1620

ISBN-13: 9780879308650

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Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.

Classical Music For Dummies

Classical Music For Dummies PDF

Author: David Pogue

Publisher: John Wiley & Sons

Published: 2015-06-25

Total Pages: 387

ISBN-13: 1119049741

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Haydn, Tchaikovsky, and Brahms, oh, my! The beginner's guide to classical music Classical Music For Dummies is a friendly, funny, easy-to-understand guide to composers, instruments, orchestras, concerts, recordings, and more. Classical music is widely considered one of the pinnacles of human achievement, and this informative guide will shows you just how beautiful and rewarding it can be. You'll learn how Bach is different from Beethoven, how Mozart is different still, and why not all "classical" music is actually Classical if it's really Baroque or Romantic. You'll be introduced to the composers and their work, and discover the groundbreaking pieces that shake the world every time they're played. Begin building your classical music library with the essential recordings that define orchestral, choral, and operatic beauty as you get acquainted with the orchestras and musicians that bring the composers to life. Whether you want to play classical music or just learn more about it, Classical Music For Dummies will teach you everything you need to know to get the most out of this increasingly popular genre. Distinguish flute from piccolo, violin from viola, and trumpet from trombone Learn the difference between overtures, requiems, arias, and masses Explore the composers that shaped music as we know it Discover the recordings your music library cannot be without Classical music has begun sneaking into the mainstream — if your interest has been piqued, there's never been a better time to develop an appreciation for this incredibly rich, complex, and varied body of work. Classical Music For Dummies lays the groundwork, and demonstrates just how amazing classical music can be.