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Philosophies of Nature after Schelling

Author: Iain Hamilton Grant

Publisher: Bloomsbury Publishing

Published: 2008-10-23

Total Pages: 246

ISBN-13: 1441147306

'The whole of modern European philosophy', wrote F.W.J. Schelling in 1809, 'has this common deficiency - that nature does not exist for it.' Despite repeated echoes of Schelling's assessment throughout the natural sciences, and despite the philosophy of nature recently proposed but not completed by Gilles Deleuze, Philosophies of Nature After Schelling argues that Schelling's verdict remains accurate two hundred years later. Presenting a lucid account of Schelling's major works in the philosophy of nature alongside those of his scientific contemporaries who pursued and furthered that work, this book does not simply aim to present Schelling's extravagant 'speculative physics' as an historical episode. Rather, Schelling's programme is presented as a viable and necessary corrective both to the rejection of metaphysics and the correlative 'antiphysics' at the ethical heart of contemporary philosophy.

Philosophies of Nature After Schelling

Author: Iain Hamilton Grant

Publisher: A&C Black

Published: 2008-12-23

Total Pages: 247

ISBN-13: 1847064329

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A lucid and crucial account of Schelling's major works in the philosophy of nature, now available in paperback.

Philosophies of Nature After Schelling

Author: Iain Hamilton Grant

Publisher: A&C Black

Published: 2006-06-23

Total Pages: 264

ISBN-13: 9780826479020

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A lucid and crucial account of Schelling's major works in the philosophy of nature, now available in paperback.

Philosophies of Nature after Schelling

Author: Iain Hamilton Grant

Publisher: A&C Black

Published: 2006-06-18

Total Pages: 247

ISBN-13: 1847142761

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Freedom and Nature in Schelling's Philosophy of Art

Author: Devin Zane Shaw

Publisher: Bloomsbury Publishing

Published: 2010-12-09

Total Pages: 192

ISBN-13: 1441193693

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Schelling is often thought to be a protean thinker whose work is difficult to approach or interpret. Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810. Schelling's philosophy of art is the 'keystone' of the system; it unifies his idea of freedom and his philosophy of nature. Schelling's idea of freedom is developed through a critique of the formalism of Kant's and Fichte's practical philosophies, and his nature-philosophy is developed to show how subjectivity and objectivity emerge from a common source in nature. The philosophy of art plays a dual role in the system. First, Schelling argues that artistic activity produces through the artwork a sensible realization of the ideas of philosophy. Second, he argues that artistic production creates the possibility of a new mythology that can overcome the socio-political divisions that structure the relationships between individuals and society. Shaw's careful analysis shows how art, for Schelling, is the highest expression of human freedom.

Ideas for a Philosophy of Nature

Author: F. W. J. von Schelling

Publisher: Cambridge University Press

Published: 1988-09-30

Total Pages: 326

ISBN-13: 9780521357333

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This is an English translation of Schelling's Ideas for a Philosophy of Nature (first published in 1797 and revised in 1803), one of the most significant works in the German tradition of philosophy of nature and early nineteenth-century philosophy of science. It stands in opposition to the Newtonian picture of matter as constituted by inert, impenetrable particles, and argues instead for matter as an equilibrium of active forces that engage in dynamic polar opposition to one another. In the revisions of 1803 Schelling incorporated this dialectical view into a neo-Platonic conception of an original unity divided upon itself. The text is of more than simply historical interest: its daring and original vision of nature, philosophy, and empirical science will prove absorbing reading for all philosophers concerned with post-Kantian German idealism, for scholars of German Romanticism, and for historians of science.

Schelling's Philosophy

Author: G. Anthony Bruno

Publisher: Oxford University Press

Published: 2020-03-26

Total Pages: 256

ISBN-13: 0192542052

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The current wave of critical and historical engagement with idealist texts affords an unprecedented opportunity to discover the richness and value of the thought of F. W. J. Schelling. In this volume leading scholars offer compelling reasons to regard Schelling as one of Kant's most incisive interpreters, a pioneering philosopher of nature, a resolute philosopher of human finitude and freedom, a nuanced thinker of the bounds of logic and self-consciousness, and perhaps Hegel's most effective critic. The volume provides a wide-ranging presentation of Schelling's original contribution to, and internal critique of, the basic insights of German idealism, his role in shaping the course of post-Kantian thought, and his sensitivity and innovative responses to questions of lasting metaphysical, epistemological, ethical, aesthetic, and theological importance.

Being After Rousseau

Author: Richard L. Velkley

Publisher: University of Chicago Press

Published: 2002-05

Total Pages: 214

ISBN-13: 9780226852560

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In Being after Rousseau, Richard L. Velkley presents Jean-Jacques Rousseau as the founder of a modern European tradition of reflection on the relation of philosophy to culture—a reflection that calls both into question. Tracing this tradition from Rousseau to Immanuel Kant, Friedrich Schelling, and Martin Heidegger, Velkley shows late modern philosophy as a series of ultimately unsuccessful attempts to resolve the dichotomies between nature and society, culture and civilization, and philosophy and society that Rousseau brought to the fore. The Rousseauian tradition begins, for Velkley, with Rousseau's criticism of modern political philosophy. Although the German Idealists such as Schelling accepted much of Rousseau's critique, they believed, unlike Rousseau, that human wholeness could be attained at the level of society and history. Heidegger and Nietzsche questioned this claim, but followed both Rousseau and the Idealists in their vision of the philosopher-poet striving to recover an original wholeness that the history of reason has distorted.

Norms of Nature

Author: Paul Sheldon Davies

Publisher: MIT Press

Published: 2003-01-24

Total Pages: 260

ISBN-13: 9780262262378

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The components of living systems strike us as functional-as for the sake of certain ends—and as endowed with specific norms of performance. The mammalian eye, for example, has the function of perceiving and processing light, and possession of this property tempts us to claim that token eyes are supposed to perceive and process light. That is, we tend to evaluate the performance of token eyes against the norm described in the attributed functional property. Hence the norms of nature. What, then, are the norms of nature? Whence do they arise? Out of what natural properties or relations are they constituted? In Norms of Nature, Paul Sheldon Davies argues against the prevailing view that natural norms are constituted out of some form of historical success—usually success in natural selection. He defends the view that functions are nothing more than effects that contribute to the exercise of some more general systemic capacity. Natural functions exist insofar as the components of natural systems contribute to the exercise of systemic capacities. This is so irrespective of the system's history. Even if the mammalian eye had never been selected for, it would have the function of perceiving and processing light, because those are the effects that contribute to the exercise of the visual system. The systemic approach to conceptualizing natural norms, claims Davies, is superior to the historical approach in several important ways. Especially significant is that it helps us understand how the attribution of functions within the life sciences coheres with the methods and ontology of the natural sciences generally.

Without Criteria

Author: Steven Shaviro

Publisher: MIT Press

Published: 2012-08-24

Total Pages: 191

ISBN-13: 0262261154

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A Deleuzian reading of Whitehead and a Whiteheadian reading of Deleuze open the possibility of a critical aesthetics of contemporary culture. In Without Criteria, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, “Why is there something, rather than nothing?” Whitehead asks, “How is it that there is always something new?” In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent one. Without Criteria is Shaviro's experiment in rethinking postmodern theory, especially the theory of aesthetics, from a point of view that hearkens back to Whitehead rather than Heidegger. In working through the ideas of Whitehead and Deleuze, Shaviro also appeals to Kant, arguing that certain aspects of Kant's thought pave the way for the philosophical “constructivism” embraced by both Whitehead and Deleuze. Kant, Whitehead, and Deleuze are not commonly grouped together, but the juxtaposition of them in Without Criteria helps to shed light on a variety of issues that are of concern to contemporary art and media practices.