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Phenomenon of the Soviet Cinema
Author: Iurii Viktorovich Vorontsov
Publisher: Imported Publication
Published: 1980
Total Pages: 423
ISBN-13: 9780828518741
DOWNLOAD EBOOK →Indian Films in Soviet Cinemas
Author: Sudha Rajagopalan
Publisher: Indiana University Press
Published: 2008
Total Pages: 282
ISBN-13: 0253220998
DOWNLOAD EBOOK →Understanding the Soviet public's love of Indian popular film
The Cinema of Soviet Kazakhstan 1925–1991
Author: Peter Rollberg
Publisher: Rowman & Littlefield
Published: 2021-02-12
Total Pages: 467
ISBN-13: 1793641757
DOWNLOAD EBOOK →This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The author’s analysis places leading directors—Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalin—in their sociopolitical and cultural context.
Kino
Author: Jay Leyda
Publisher: London : Allen & Unwin
Published: 1960
Total Pages: 538
ISBN-13:
DOWNLOAD EBOOK →The Politics of the Soviet Cinema 1917-1929
Author: Richard Taylor
Publisher: Cambridge University Press
Published: 2008-10-30
Total Pages: 238
ISBN-13: 9780521088558
DOWNLOAD EBOOK →The book provides an illuminating background of the political history of the Soviet cinema in the twenties.
Stalinism and Soviet Cinema
Author: Derek Spring
Publisher: Routledge
Published: 2013-11-05
Total Pages: 296
ISBN-13: 113612828X
DOWNLOAD EBOOK →Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.
Kinoglasnost
Author: Anna Lawton
Publisher: CUP Archive
Published: 1992-11-26
Total Pages: 310
ISBN-13: 9780521388146
DOWNLOAD EBOOK →An examination of soviet cinema under Glasnost and Perestrokïa.
Soviet Cinema
Author: Jamie Miller
Publisher: Bloomsbury Publishing
Published: 2009-12-18
Total Pages: 239
ISBN-13: 085771693X
DOWNLOAD EBOOK →When the Bolsheviks seized power in the Soviet Union during 1917, they were suffering from a substantial political legitimacy deficit. Uneasy political foundations meant that cinema became a key part of the strategy to protect the existence of the USSR. Based on extensive archival research, this welcome book examines the interaction between politics and the Soviet cinema industry during the period between Stalin's rise to power and the beginning of the Great Patriotic War. It reveals that film had a central function during those years as an important means of convincing the masses that the regime was legitimate and a bearer of historical truth. Miller analyses key films, from the classic musical 'Circus' to the political epic "The Great Citizen", and examines the Bolsheviks', ultimately failed, attempts to develop a 'cinema for the millions'. As Denise Youngblood writes, 'this work is indispensable reading not only for specialists in Soviet film and culture, but also for anyone interested in the dynamics of cultural production in an authoritarian society'.
Ruptures and Continuities in Soviet/Russian Cinema
Author: Birgit Beumers
Publisher: Routledge
Published: 2017-11-22
Total Pages: 226
ISBN-13: 1317194705
DOWNLOAD EBOOK →This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.
