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Author: Peter Szondi
Publisher: Stanford University Press
Published: 2002
Total Pages: 132
ISBN-13: 9780804743952
DOWNLOAD EBOOK →This is a succinct and elegant argument for the specificity of a philosophy of tragedy, as opposed to a poetics of tragedy espoused by Aristotle.
Author: Graham Saunders
Publisher: Manchester University Press
Published: 2002
Total Pages: 226
ISBN-13: 9780719059568
DOWNLOAD EBOOK →Love Me or Kill Me is the first study of Sarah Kane, the most significant British dramatist in post-war theater. It covers all of Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. Locating the main dramatic sources and features of her work as well as centralizing her place within the 'new wave' of emergent British dramatists in the 1990's, Graham Saunders provides an introduction for those familiar and unfamiliar with her work.
Author: Sarah Kane
Publisher: Methuen Drama
Published: 2008-09-19
Total Pages: 0
ISBN-13: 9780413771124
DOWNLOAD EBOOK →First single volume edition of this bold version of a classic by Sarah Kane Sarah Kane's radical reworking of Seneca's classical tragedy of incest and unrequited lust. Phaedra's Love is a bold and provocative revisioning of the story of Phaedra's obsessive and destructive love of her son Hippolytus and his violent punishment by Theseus.Kane's achievement is to have humanised the antics of the pounding royals. Her sulphurous dialgoue is full of reeking toughness' Evening Standard 'Sarah Kane's writing is both daring and accomplished' Time Out 'Pure theatre or rather impure theatre: dirty, alarming, dangerous' Observer 'delivered with punch and laced with black humour' Financial Times
Author: Geraldine Brodie
Publisher: Routledge
Published: 2017-07-06
Total Pages: 296
ISBN-13: 1315436795
DOWNLOAD EBOOK →Translating for performance is a difficult – and hotly contested – activity. Adapting Translation for the Stage presents a sustained dialogue between scholars, actors, directors, writers, and those working across these boundaries, exploring common themes and issues encountered when writing, staging, and researching translated works. It is organised into four parts, each reflecting on a theatrical genre where translation is regularly practised: The Role of Translation in Rewriting Naturalist Theatre Adapting Classical Drama at the Turn of the Twenty-First Century Translocating Political Activism in Contemporary Theatre Modernist Narratives of Translation in Performance A range of case studies from the National Theatre’s Medea to The Gate Theatre’s Dances of Death and Emily Mann’s The House of Bernarda Alba shed new light on the creative processes inherent in translating for the theatre, destabilising the literal/performable binary to suggest that adaptation and translation can – and do – coexist on stage. Chronicling the many possible intersections between translation theory and practice, Adapting Translation for the Stage offers a unique exploration of the processes of translating, adapting, and relocating work for the theatre.
Author: V.G. Julie Rajan
Publisher: Routledge
Published: 2016-12-05
Total Pages: 228
ISBN-13: 1351916092
DOWNLOAD EBOOK →How various mythologies challenge, enable, and inspire women artists and activists across the globe to communicate personal and historical experiences of violence is the central concern of this collection. Beginning with the observation that twentieth- and twenty-first century female writers and artists often use myth to represent their social and artistic struggles, the distinguished international scholars and writers consider mythic fabulations as spaces for contested meanings and resistant readings. The identified resistance of the mythic material to repression-working, as it were, in opposition to another celebrated drive/role of myth, that of containment-makes the use of myth particularly stimulating for twentieth-century and contemporary female artists; and it is an interest in the aesthetic and political consequences of such resistances that animates this book. Exemplifying the diverse types of engagement with myth and femininity, literary criticism, discussions of film and art, artwork, as well as original creative writing, could all be found within the boundaries of this innovative volume. Femininity, myth, and violence are here explored in contexts such as female mythopoiesis in the early twentieth century; the politics of representation in contemporary writing; revision of old myths; and creation of new myths in multicultural female experiences. Keeping the focus on the actual works of art, the editors and contributors offer scholars and teachers an inclusive way to approach literature and the arts that avoids the limits imposed by genre or national and regional boundaries.
Author: Vayos Liapis
Publisher: Cambridge University Press
Published: 2021-04
Total Pages: 447
ISBN-13: 1107155703
DOWNLOAD EBOOK →Shows how contemporary adaptations, on the stage and on the page, can breathe new life into Greek tragedy.
Author: J K Curry
Publisher: University of Alabama Press
Published: 2010-10-15
Total Pages: 152
ISBN-13: 0817370056
DOWNLOAD EBOOK →Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. The contributors illuminate many aspects of this largely ignored yet crucial part of the theatre.
Author: Korbinian Stöckl
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2021-01-18
Total Pages: 197
ISBN-13: 3110714760
DOWNLOAD EBOOK →Despite the recent turn to affects and emotions in the humanities and despite the unceasing popularity of romantic and erotic love as a motif in fictional works of all genres, the subject has received surprisingly little attention in academic studies of contemporary drama. Love in Contemporary British Drama reflects the appeal of love as a topic and driving force in dramatic works with in-depth analyses of eight pivotal plays from the past three decades. Following an interdisciplinary and historical approach, the study collects and condenses theories of love from philosophy and sociology to derive persisting discourses and to examine their reoccurrence and transformation in contemporary plays. Special emphasis is put on narratives of love’s compensatory function and precariousness and on how modifications of these narratives epitomise the peculiarities of emotional life in the social and cultural context of the present. Based on the assumption that drama is especially inclined to draw on shared narratives for representations of love, the book demonstrates that love is both a window to remnants of the past in the present and a proper subject matter for drama in times in which the suitability of the dramatic form has been questioned.
Author: Emma Cole
Publisher: Oxford University Press, USA
Published: 2019-11
Total Pages: 325
ISBN-13: 0198817681
DOWNLOAD EBOOK →Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic Tragedies focuses upon such experimental reinventions and analyses receptions of Greek and Roman tragedy that come under the banner of 'postdramatic theatre', a style of performance in which the traditional components of drama, such as character and narrative, are subordinate to the immediate, affective power of more abstract elements, such as image and sound. The chapters are arranged into three parts, each of which explores classical reception within a specific strand of postdramatic theatre: text-based theatre, devised theatre, and theatre that transcends the usual boundaries of time and space, such as durational and immersive theatre. Each offers a semiotic and phenomenological analysis of a particular case study, covering both widely known and less studied productions from 1995 to 2015. Together they reveal that postdramatic theatre is related to the classics at its conceptual core, and that the study of postdramatic tragedies reveals a great deal about both the evolution of theatre in recent decades, and the status of ancient drama in modernity.
Author: Gordon Spencer Shrimpton
Publisher: McGill-Queen's Press - MQUP
Published: 1991
Total Pages: 376
ISBN-13: 9780773508378
DOWNLOAD EBOOK →In Theopompus the Historian, Gordon Shrimpton critically examines the direct evidence concerning the life and lost works of Theopompus of Chios, the fourth-century BC historian and orator, providing the first comprehensive study of the man and his work. In a translation of the fragments (the surviving citations of Theopompus' work) and of the testimonies (the references made to Theopompus' work by other writers), he makes available all that remains of Theopompus' writings.
