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India's Shakespeare

Author: Poonam Trivedi

Publisher: University of Delaware Press

Published: 2005

Total Pages: 316

ISBN-13: 9780874138818

This is a collection on the diverse aspects of the interaction between Shakespeare and India, a process embedded in the contradictions of colonialism - of simultaneous submission and resistance. The essays, grouped around the key issues of translation, interpretation, and performance, deal with how the plays were taught, translated, and adapted, as well as the literary, social, and political implications of this absorption into the cultural fabric of India. They also look at the other side, what India meant to Shakespeare. Further, they document how the performance of Shakespeare both colonized and catalyzed Indian theater - being staged in English in schools, in translation in various parts of the country, through acculturation into indigenous theater forms and Hindi cinema. The book highlights, and thus rereads, not just one of the longest and most widespread interactions between a Western author and the East but also part of the colonial and postcolonial history of India. Poonam Trivedi is a Reader in English at Indraprastha College, University of Delhi. Now retired, Dennis Bartholomeusz was Reader in English literature at Monash University in Melbourne.

Performing Shakespeare in India

Author: Shormishtha Panja

Publisher: Bloomsbury Publishing

Published: 2024-07-20

Total Pages: 329

ISBN-13: 9356405387

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This book deals with Indian Shakespeare adaptations on stage, on screen, in translation, in visual culture and in digital humanities and how these constitute Indianness. It is envisaged as an important intervention in the ongoing explorations in social and cultural history, into the questions of what constitutes Indianness for the colonial and the postcolonial subject and the role that Shakespeare plays in this identity formation. Even as the conscious project of dismantling colonization and its intellectual apparatus in various forms was on from the 19th century onward, the Indian literati, intellectuals, scholars, dramaturges and film directors were engaged in deconstructing the ultimate icon of colonial presence: Shakespeare. This project was both the text and the sub-text of cultural activities like translation and stage performance and, later, cinema. Fourteen of the essays in this collection were originally papers presented in an international conference on Shakespeare in India by scholars, theatre persons and translators. The four new essays added for the revised edition along with the Afterword by renowned Shakespeare scholar Jyotsna Singh, update the ongoing narrative of the previous essays and are connected by the common thread of extraordinary negotiations of post-colonial identity issues, be they in language, in social and cultural practices, or in art forms.

Performing Shakespeare in India

Author: Shormishtha Panja

Publisher: SAGE Publishing India

Published: 2016-07-18

Total Pages: 281

ISBN-13: 9351509753

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· This collection is unusual in that the essays are not written from a single perspective and instead cover aspects as diverse as socio-political issues, translation, performance, language and identity, literary analysis. · The style of all the essays is jargon-free and accessible to the lay reader. · Given the fact that the 400th anniversary of Shakespeare’s death comes up in 2016, this collection would be in the nature of both a retrospective appraisal as well as an anticipatory homage. · Its approaches are multi-disciplinary - from socio-historical analysis, to political commentary, translation studies, literary criticism and performance studies. · It will interest researchers interested in translation studies and performance studies, and literary critics.

Shakespeare and Indian Theatre

Author: Vikram Singh Thakur

Publisher: Bloomsbury Publishing

Published: 2021-12-30

Total Pages: 232

ISBN-13: 9389812658

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This book looks at adaptations, translations and performance of Shakespeare's productions in India from the mid-18th century, when British officers in India staged Shakespeare's plays along with other English playwrights for entertainment, through various Indian adaptations of his plays during the colonial period to post-Independence period. It studies Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions, such as Marathi, Kannada, Malayalam and Hindi, have been included. The book dwells on the fascinating story of the languages of India that have absorbed Shakespeare's work and have transformed the original educated Indian's Shakespeare into the popular Shakespeare practice of the 19th and 20th centuries, and the unique urban-folkish tradition in postcolonial India.

Shakespeare and Indian Cinemas

Author: Poonam Trivedi

Publisher: Routledge

Published: 2018-08-06

Total Pages: 344

ISBN-13: 1317367006

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This book is the first to explore the rich archive of Shakespeare in Indian cinemas, including less familiar, Indian language cinemas to contribute to the assessment of the expanding repertoire of Shakespeare films worldwide. Essays cover mainstream and regional Indian cinemas such as the better known Tamil and Kannada, as well as the less familiar regions of the North Eastern states. The volume visits diverse filmic genres, starting from the earliest silent cinema, to diasporic films made for global audiences, television films, independent films, and documentaries, thus expanding the very notion of ‘Indian cinema’ while also looking at the different modalities of deploying Shakespeare specific to these genres. Shakespeareans and film scholars provide an alternative history of the development of Indian cinemas through its negotiations with Shakespeare focusing on the inter-textualities between Shakespearean theatre, regional cinema, performative traditions, and literary histories in India. The purpose is not to catalog examples of Shakespearean influence but to analyze the interplay of the aesthetic, historical, socio-political, and theoretical contexts in which Indian language films have turned to Shakespeare and to what purpose. The discussion extends from the content of the plays to the modes of their cinematic and intermedial translations. It thus tracks the intra–Indian flows and cross-currents between the various film industries, and intervenes in the politics of multiculturalism and inter/intraculturalism built up around Shakespearean appropriations. Contributing to current studies in global Shakespeare, this book marks a discursive shift in the way Shakespeare on screen is predominantly theorized, as well as how Indian cinema, particularly ‘Shakespeare in Indian cinema’ is understood.

Shakespeare and Indian Theatre

Author: Vikram Singh Thakur

Publisher:

Published: 2020

Total Pages:

ISBN-13: 9789389812640

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India's Shakespeare: Translation, Interpretation and Performance

Author: Poonam Trivedi

Publisher: Pearson Education India

Published: 2005

Total Pages: 272

ISBN-13: 813179959X

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India’s Shakespeare: Translation, Interpretation and Performance is ideal for English literature, performance, translation studies. This collection of essays examines the diverse aspects of Shakespeare's interaction with India, since two hundred years ago when the British first introduced him here. While the study of Shakespeare was an imperial imposition, the performance of Shakespeare was not. Shakespeare, translated and adapted on the commercial stage during the late nineteenth century was widely successful; and remains to this day, the most published and performed western author in India. The important role Shakespeare has played in allowing cultures to speak with each other forms the center of this volume with contributions examining presence of Shakespeare in both colonial and post-colonial India. The essays discuss the several contexts in which Shakespeare was read, taught, translated, performed, and absorbed into the cultural fabric of India. The introduction details the history of this induction, its shifts and developments and its corresponding critical discourse in India and the west. This collection of essays, emerging from first hand experience, is presented from a variety of critical positions, performative, textual, historicist, feminist and post-colonialist, as befits the range of the subject.

Re-playing Shakespeare in Asia

Author: Poonam Trivedi

Publisher: Routledge

Published: 2010-01-31

Total Pages: 356

ISBN-13: 1135272255

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In this critical volume, leading scholars in the field examine the performance of Shakespeare in Asia. Emerging out of the view that it is in "play" or performance, and particularly in intercultural / multicultural performance, that the cutting edge of Shakespeare studies is to be found, the essays in this volume pay close attention to the modes of transference of the language of the text into the alternative languages of Asian theatres; to the history and politics of the performance of Shakespeare in key locations in Asia; to the new Asian experimentation with indigenous forms via Shakespeare and the consequent revitalizing and revising of the traditional boundaries of genre and gender; and to Shakespeare as a cultural capital world wide. Focusing specifically on the work of major directors in the central and emerging areas of Asia – Japan, China, India, Korea, Taiwan, Singapore, Indonesia and the Philippines - the chapters in this volume encompass a broader and more representative swath of Asian performances and locations in one book than has been attempted till now.

World-Wide Shakespeares

Author: Sonia Massai

Publisher: Routledge

Published: 2007-05-07

Total Pages: 216

ISBN-13: 1134345836

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Drawing on debates around the global/local dimensions of cultural production, an international team of contributors explore the appropriation of Shakespeare’s plays in film and performance around the world. In particular, the book examines the ways in which adapters and directors have put Shakespeare into dialogue with local traditions and contexts. The contributors look in turn at ‘local’ Shakespeares for local, national and international audiences, covering a range of English and foreign appropriations that challenge geographical and cultural oppositions between ‘centre’ and ‘periphery’, and ‘big-time’ and ‘small-time’ Shakespeares. Responding to a surge of critical interest in the poetics and politics of appropriation, World-Wide Shakespeares is a valuable resource for those interested in the afterlife of Shakespeare in film and performance globally.

Fritz Bennewitz in India

Author: Joerg Esleben

Publisher: University of Toronto Press

Published: 2016-01-01

Total Pages: 382

ISBN-13: 1487500386

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5" Perspectives from Bennewitz's Partners in India -- Amal Allana -- Samik Bandyopadhyay -- Akshara, K.V. -- Prasanna -- Anuradha Kapur -- 6" Essays on Bennewitz in India -- Intersections: Fritz Bennewitz's Biography and His Intercultural Work -- Bennewitz in India: Politics, Brecht, and the Human Touch -- Conclusion -- Chronology of Bennewitz's Stays and Projects in South Asia and of His Indian Projects in Germany -- Glossary of Theatre Terms, Institutions, and Cultural References -- Bibliography -- Index