Patronage of British Art

Patronage of British Art PDF

Author: John Pye

Publisher:

Published: 1845

Total Pages: 484

ISBN-13:

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In the autumn of 1846 a correspondence was opened in 'The Times' on the subject of the cleaning and restoration of the national pictures. The Keeper of the Gallery, Mr. Charles Eastlake, was accused of restoring good pictures and purchasing bad ones. The attack was led by the picture-dealer and former artist, Mr. Morris Moore, writing first under the pseudonym of "Verax" and later his own name.--Cf. Ruskin.

Thomas Stothard

Thomas Stothard PDF

Author: Shelley M. Bennett

Publisher:

Published: 1988

Total Pages: 136

ISBN-13:

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Thomas Stothard (1755-1834) was probably the most prolific illustrator of his times, executing designs for everything from landscape, sculpture, and history painting to ceramics, silverwork, and book illustration. The resounding popularity of his art attests to the extent to which his decorative style and sentimental subject matter appealed to a wide range of his contemporaries. The general spread of his fame and the rise of his prices must be measured against this background. His sentimental art is a challenge to the accepted notion that political artists produce only" tough" art. An account of Stothard's life, in particular of the special nature of his relation to his employers, reveals the increasingly complex role of the artist in an industrial society.

Patronage Of British Art

Patronage Of British Art PDF

Author: John Pye

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781020140549

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Explore the rich history of British art and artists in this comprehensive account. The book covers the period from the early 1700s to the early 1800s and includes detailed information on key figures and important works. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Artists and Patrons in Post-war Britain

Artists and Patrons in Post-war Britain PDF

Author: Courtauld Institute of Art

Publisher: Routledge

Published: 2017-11-01

Total Pages: 219

ISBN-13: 135176313X

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This title was first published in 2001. An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.

The Quest for Albion

The Quest for Albion PDF

Author: Christopher Lloyd

Publisher: Royal Collection

Published: 1998

Total Pages: 132

ISBN-13:

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A history of painting in Britain from the sixteenth century as illustrated by the works in the Royal Collection. Contains discussions on the role the British monarchy have played in forming a British school and their influence on British painting via their patronage. Published to accompany exhibition held at the Queen's Gallery, Buckingham Palace, 15/5 - 11/10 1998.

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