New Paris Guide

New Paris Guide PDF

Author: A and W Galignani (Firm)

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781019650820

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First published in the mid-19th century, the New Paris Guide is a comprehensive guidebook to the city of Paris and its environs. Written by the publishing firm A. and W. Galignani, the book covers everything from major tourist attractions to lesser-known corners of the city. With its detailed maps and helpful descriptions, this book is a must-read for anyone planning a trip to Paris. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Paris and Its Environs

Paris and Its Environs PDF

Author: K. Baedeker

Publisher: BoD – Books on Demand

Published: 2023-12-30

Total Pages: 394

ISBN-13: 3368845330

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Reprint of the original, first published in 1874.

Paris and its Environs

Paris and its Environs PDF

Author: Karl Baedeker

Publisher: BoD – Books on Demand

Published: 2013-09-24

Total Pages: 534

ISBN-13: 3956562224

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Nachdruck der englischsprachigen Originalausgabe aus dem Jahr 1878 mit mehreren farbig gedruckten Karten.

Critical Readings in Impressionism and Post-Impressionism

Critical Readings in Impressionism and Post-Impressionism PDF

Author: Mary Tompkins Lewis

Publisher: Univ of California Press

Published: 2023-12-22

Total Pages: 368

ISBN-13: 052094044X

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The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward