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Paolozzi and Wittgenstein

Author: Diego Mantoan

Publisher: Springer

Published: 2019-05-10

Total Pages: 222

ISBN-13: 3030158462

This impressive edited collection investigates the relationship between British Pop Art pioneer Eduardo Paolozzi and the philosopher Ludwig Wittgenstein. At this time, when Paolozzi’s oeuvre is in the process of being rediscovered, his long-time fascination with Wittgenstein requires thorough exploration, as it discloses a deeper understanding of his artistic production, further helping to reassess the philosopher’s actual impact on visual arts and its theory in the second half of the 20th century. With 13 diverse and comprehensive chapters, bringing together philosophers and art historians, this volume aims at retracing and pondering the influence of Wittgenstein on the idea of art in Paolozzi, thus giving an unprecedented insight into Wittgenstein’s philosophy as employed by contemporary artists.

Artists & Prints

Author: Deborah Wye

Publisher: The Museum of Modern Art

Published: 2004

Total Pages: 296

ISBN-13: 9780870701252

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Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.

Geneses of Postmodern Art

Author: Paul Crowther

Publisher: Routledge

Published: 2018-09-03

Total Pages: 345

ISBN-13: 0429886233

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Postmodernism in the visual arts is not just another 'ism.' It emerged in the 1960s as a transformation of artistic creativity inspired by Duchamp's idea that the artwork does not have to be physically made by its creator. Products of mass culture and technology can be used just as well as traditional media. This idea became influential because of a widespread naturalization of technology - where technology becomes something lived in as well as used. Postmodern art embodies this attitude. To explain why, Paul Crowther investigates topics such as eclecticism, the sublime, deconstruction in art and philosophy, and Paolozzi's Wittgenstein-inspired works.

Eye on Europe

Author: Deborah Wye

Publisher: The Museum of Modern Art

Published: 2006

Total Pages: 338

ISBN-13: 9780870703713

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An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.

(Over)Interpreting Wittgenstein

Author: A. Biletzki

Publisher: Springer Science & Business Media

Published: 2012-09-14

Total Pages: 276

ISBN-13: 940070822X

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This book tells the story of Wittgenstein interpretation during the past eighty years. It provides different interpretations, chronologies, developments, and controversies. It aims to discover the motives and motivations behind the philosophical community's project of interpreting Wittgenstein. It will prove valuable to philosophers, scholars, interpreters, students, and specialists, in both analytic and continental philosophy.

The Ground Zero of the Arts: Rules, Processes, Forms

Author: Davide Dal Sasso

Publisher: BRILL

Published: 2021-10-05

Total Pages: 166

ISBN-13: 9004498621

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The publication proposes to investigate the arts from the inside, namely, their common foundations: the rules for artistic creation, the processes that involve artists in their activities, the forms that they can achieve. An inquiry about art-making and artistic practices.

Wittgenstein's House

Author: Nana Last

Publisher: Fordham Univ Press

Published: 2008

Total Pages: 223

ISBN-13: 0823228800

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"The book advances the radical proposition that the field in which architecture and philosophy operate includes linguistic and spatial practices. It develops innovative forms of interdisciplinary analyses to demonstrate that the philosophical positions put forth by Wittgenstein's two main works are literally unthinkable outside of their respective conceptions of space: the view from above in the early work and the view from within constructed by the later work."--BOOK JACKET.

The Philosophy of Art History (Routledge Revivals)

Author: Arnold Hauser

Publisher: Routledge

Published: 2018-12-07

Total Pages: 347

ISBN-13: 1134889860

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First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.

Wittgenstein on Aesthetic Understanding

Author: Garry L. Hagberg

Publisher: Springer

Published: 2017-05-22

Total Pages: 394

ISBN-13: 3319409107

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This book investigates the significance of Wittgenstein’s philosophy for aesthetic understanding. Focusing on the aesthetic elements of Wittgenstein’s philosophical work, the authors explore connections to contemporary currents in aesthetic thinking and the illuminating power of Wittgenstein’s philosophy when considered in connection with the interpretation of specific works of literature, music, and the arts. Taken together, the chapters presented here show what aesthetic understanding consists of and the ways we achieve it, how it might be articulated, and why it is important. At a time of strong renewal of interest in Wittgenstein’s contributions to the philosophy of mind and language, this book offers insight into the connections between philosophical-psychological and linguistic issues and the understanding of the arts.

Eduardo Paolozzi - Collaging Culture

Author: Simon Martin

Publisher:

Published: 2014-02

Total Pages: 127

ISBN-13: 9781869827120

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A major retrospective of the work of Eduardo Paolozzi (1924-2005), one of the most inventive and prolific of the British artists to come to prominence after the Second World War. Featuring around 150 works in a variety of media, the exhibition will explore the extraordinary versatility of Paolozzi's approach to making art and the central importance of collage as a working process within his career, not only in the traditional sense of paper collage, but also in terms of sculptural assemblage, printmaking and filmmaking