Anti-Pamela and Shamela

Anti-Pamela and Shamela PDF

Author: Eliza Haywood

Publisher: Broadview Press

Published: 2004-01-29

Total Pages: 340

ISBN-13: 9781551113838

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Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.

Pamela

Pamela PDF

Author: Samuel Richardson

Publisher: ReadHowYouWant.com

Published: 2008-10-15

Total Pages: 1310

ISBN-13: 1442938994

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Richardson's novel is among the first English novels to explore the inner depths of human psychology. Told in a series of letters, his classic tale of a virginal serving maid pursued by her employer deals with matters that were unexplored when it was written in 1740. A true classic!

Pamela Giraud

Pamela Giraud PDF

Author: Honore de Balzac

Publisher: BoD – Books on Demand

Published: 2019-09-25

Total Pages: 102

ISBN-13: 3734090555

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Reproduction of the original: Pamela Giraud by Honore de Balzac

Pamela Hansford Johnson

Pamela Hansford Johnson PDF

Author: Deirdre David

Publisher: Oxford University Press

Published: 2017-06-30

Total Pages: 352

ISBN-13: 0191045926

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Deirdre David traces the successful writing life of Pamela Hansford Johnson (1912-1981) from the time of her childhood growing up in a theatrical household in South London to her death as the widow of the novelist and popular intellectual C. P. Snow. Forced to leave school at sixteen, she trained as a shorthand typist, worked for four years in the mid 1930 for a West End Bank, and conducted a tumultuous romance with the then 19-year old poet Dylan Thomas. Thomas having persuaded her she would become a better novelist than a poet she published a scandalous first novel in 1935 and went on to publish close to thirty more in her career. A passionate defender of the narrative traditions of the British novel, she contributed many essays and reviews on contemporary fiction to periodicals and newspapers; in her own fiction, in the nineteenth-century traditions of Jane Austen, George Eliot, and Charles Dickens, she focused on the domestic everyday, the moral questions facing a rapidly-changing society, and the challenges and pleasures of urban life. She was very much a novelist of the city, particularly London. She also gained praise and criticism for her writings about violence and pornography, especially in her well-known analysis of the notorious Moors murder trial. With C. P. Snow, she travelled many times to the United States and the Soviet Union and at the time of her death in 1981, she was still at work on her last novel. Hers was a rich, courageous, and politically committed writing life, and this biography restores Johnson's work to the critical distinction it received when it was published.

Samuel Richardson's Introduction to Pamela

Samuel Richardson's Introduction to Pamela PDF

Author: Samuel Richardson

Publisher: Publio Kiadó Kft.

Published:

Total Pages: 33

ISBN-13: 9633818214

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Since most publishers of Pamela have preferred to print Richardson’s table of contents from the sixth edition, his complete introduction (his preface, together with letters to the editor and comments) is missing even from some of our best collections. Occasionally one finds the preface and the first two letters, but only four publishers since Richardson have attempted to reprint the full introduction. Harrison (London, 1785) -- who omits the first letter -- and Cooke (London, 1802-3) both follow Richardson’s eighth edition; Ballantyne (Edinburgh, 1824) uses the fourth; the Shakespeare Head (Oxford, 1929), the third. And even these printings leave one dissatisfied. The Shakespeare Head gives the fullest text, but naturally omits Richardson’s revisions; Cooke gives the introduction in its final form, but one misses the full text which accompanied the book in its heyday; and rarely are both Cooke and Shakespeare Head to be found in the same library.