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Painting, Politics, and the New Front of Cold War Italy

Author: Adrian R. Duran

Publisher:

Published: 2016

Total Pages: 101

ISBN-13: 9781351555142

"The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50. Beginning with the dialogues that framed the formation of the Fronte Nuovo, this book reconsiders artists' works, correspondence, critical writings, and manifestos. These are married to examination's of specific exhibitions, the most important of which are the group's 1947 inaugural exhibition and the 1948 and 1950 Venice Biennali. The critical responses to these exhibitions are reconsidered in light of their groundings in the heated political debates of the period. In total, these diverse sources reveal the vast divide between the internal discourse of the arts, generated by the participant artists and their works, and the surrounding politics of Cold War Italy."--Provided by publisher.

Painting Politics and the New Front of Cold War Italy

Author: Adrian R. Duran

Publisher: Routledge

Published: 2018-02-06

Total Pages: 196

ISBN-13: 9781138548268

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The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50. Beginning with the dialogues that framed the formation of the Fronte Nuovo, this book reconsiders artists' works, correspondence, critical writings, and manifestos. These are married to examinations of specific exhibitions, the most important of which are the group's 1947 inaugural exhibition and the 1948 and 1950 Venice Biennali. The critical responses to these exhibitions are reconsidered in light of their groundings in the heated political debates of the period. In total, these diverse sources reveal the vast divide between the internal discourse of the arts, generated by the participant artists and their works, and the surrounding politics of Cold War Italy.

"Painting, Politics, and the New Front of Cold War Italy "

Author: Adrian R. Duran

Publisher: Routledge

Published: 2017-07-05

Total Pages: 197

ISBN-13: 1351555162

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The Rise and Fall of American Art, 1940s–1980s

Author: Catherine Dossin

Publisher: Routledge

Published: 2016-03-03

Total Pages: 325

ISBN-13: 1317017684

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In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.

The Rise and Fall of American Art, 1940s–1980s

Author: Assoc Prof Catherine Dossin

Publisher: Ashgate Publishing, Ltd.

Published: 2015-06-28

Total Pages: 329

ISBN-13: 1472471326

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In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.

Italian Humanist Photography from Fascism to the Cold War

Author: Martina Caruso

Publisher: Routledge

Published: 2020-08-19

Total Pages: 232

ISBN-13: 1000211460

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Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.

Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990

Author: Claudia Hopkins

Publisher: Routledge

Published: 2020-12-21

Total Pages: 836

ISBN-13: 1000061698

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Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.

Italy in the Cold War

Author: Christopher Duggan

Publisher: Berg 3pl

Published: 1995-11

Total Pages: 246

ISBN-13:

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Arguing that many of Italy's current problems can be traced to the first decade of the cold war, 13 essays examine various aspects of that crucial period: the legacy of fascism, limited sovereignty, European integration, Pope Pius XII, cinema, prison notebooks, the family, industrial design, images of Russia, critics and intellectuals, and others. Annotation copyright by Book News, Inc., Portland, OR

Communism and anti-Communism in early Cold War Italy

Author: Andrea Mariuzzo

Publisher: Manchester University Press

Published: 2018-07-17

Total Pages: 367

ISBN-13: 1526121891

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The struggle in projects, ideas and symbols between the strongest Communist Party in the West and an anti-communist and pro-Western government coalition was the most peculiar founding element of Italian democratic political system after World War II. Communism and anti-Communism in early Cold War Italy enlightens new aspects of and players of the anti-Communist ‘front’. It takes into account the role of cultural associations, newspapers and the popular press in the selection and diffusion of critical judgements and images of Communism, highlighting a dimension that explains the force and the diffusion of anti-communist opinions in Italy after 1989 and the crisis of traditional parties. The author also places the case of Italian cold-war anti-communism in an international context for the first time.

Mission Italy

Author: Richard N. Gardner

Publisher: Rowman & Littlefield

Published: 2005

Total Pages: 396

ISBN-13: 9780742539983

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In 1987, Roy Orbison crowned his critical rehabilitation with this concert in Los Angeles, where he runs through his greatest hits with the help of some famous friends. Those joining the Big O for such classics as 'Only the Lonely', 'Crying', 'It's Over' and 'Oh, Pretty Woman' include Jackson Browne, T-Bone Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, Steven Soles, J.D. Souther, Bruce Springsteen, Tom Waits and Jennifer Warnes.