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Pahari Masters

Author: B. N. Goswamy

Publisher: Oxford University Press, USA

Published: 1997

Total Pages: 398

ISBN-13:

Pahari painting has long been acknowledged as one of the great achievements of India in the realm of art. The Pahari painter, however, has always been relegated to an indeterminate, anonymous background, seen mostly as a craftsman following pre-determined patterns. This book recovers these artists. Presented here is neither merely a history of Pahari painting nor yet another study of the art of the northern hill states, but a search for the makers of the images. The authors have chosen from the best work of fourteen Pahari masters, spanning three hundred years, from as many as twenty museums and private collections across the world. They have gathered as many facts as possible in an effort to bring the artists into sharper focus. From the vast number of paintings available, those included have been carefully selected in an effort to illuminate the range of each master's work and the processes of thought that may have been behind their art.

Wonder of the Age

Author: John Guy

Publisher: Metropolitan Museum of Art

Published: 2011

Total Pages: 226

ISBN-13: 1588394301

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Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.

Panorama of Himalayan Art

Author: O. C. Handa

Publisher: Indus Publishing

Published: 2005

Total Pages: 192

ISBN-13: 9788173871849

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Indian Miniature Painting

Author: Anjan Chakraverty

Publisher: Roli Books Private Limited

Published: 2005

Total Pages: 156

ISBN-13: 9788174363343

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This book journeys through the development and decline of the schools of Indian miniature painting. The represented masterpieces bear testimony to the genius of the painters. Of special interest is the context, portrayed through contemporary literature and chronicles that throw light on the lives of these master artists.

The Body Adorned

Author: Vidya Dehejia

Publisher: Columbia University Press

Published: 2009-02-26

Total Pages: 262

ISBN-13: 9780231512664

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The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.

Divine Pleasures

Author: Terence McInerney

Publisher: Metropolitan Museum of Art

Published: 2016-06-14

Total Pages: 276

ISBN-13: 1588395901

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As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols that are central to literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures features an informative entry for each work and two essays by scholar Terence McInerney that together outline the history of Indian painting and the Rajput courts, providing fresh insights and interpretations. Also included are a personal essay by expert and collector Steven M. Kossak and an examination of Hindu epic and myth in Mughal painting, which lays important foundations for Rajput painting, by curator Navina Najat Haidar. Through their research and observations, the authors deepen our understanding and underscore the significance of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the divine.

Devi

Author: Vidya Dehejia

Publisher: Prestel Publishing

Published: 1999

Total Pages: 432

ISBN-13:

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"Devi, the Great Goddess of India, is beautiful, beneficent, terrifying, all-powerful, and glorious. Ubiquitous in India's social and spiritual fabric, she has, over the millennia, been painted, sculpted, carved, and wrought from silver and bronze in myriad shapes and forms. Devi: The Great Goddess brings together 120 of these diverse examples of Devi and a group of distinguished essayists who explore facets of Devi worship and tradition, including ritual, architecture, literature, history, and contemporary issues such as feminism and gender politics. The book appeals to readers compelled by the exploration and interpretation of the art, religion, and history of India."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Technique of Pahari Painting

Author: Vishwa Chander Ohri

Publisher:

Published: 2001

Total Pages: 230

ISBN-13:

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Himachal Pradesh Rough Guides Snapshot India (includes Shimla, Dharamsala, the Kullu and Parvati valleys, Manali, Spiti and the Manali–Leh Highway)

Author: Rough Guides

Publisher: Penguin

Published: 2012-03-22

Total Pages: 315

ISBN-13: 1409361748

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The Rough Guide Snapshot to Himachal Pradesh is the ultimate travel guide to this beautiful part of India. It guides you through the state with reliable information and comprehensive coverage of all the sights and attractions, from the Raj-era hill town of Shimla to Dharamsala, home of the Dalai Lama; plus high-altitude treks through the stunning Dhauladhar forest and Spiti Valley. Detailed maps and up-to-date listings pinpoint the best restaurants, hotels and hostels ensuring you have the best trip possible, whether passing through, staying for the weekend or longer. Also included is the Basics section from The Rough Guide to India, with all the practical information you need for travelling in and around Himachal Pradesh, including transport, food, drink, costs, health, activities and tips for travelling with children. Also published as part of The Rough Guide to India. Full coverage: Shimla, Kalka-Shimla railway (toy train line), Dharamsala, Rewalsar, Naggar, Manali, Spiti Valley, Dhauladhar treks, Kinnaur treks, Mandi, McLeon Ganj, Dalhousie, Kullu Valley (Valley of the Gods), Parvati Valley, Lahaul, Manali-Leh Highway (Equivalent printed page extent 125 pages).

Teaching South and Southeast Asian Art

Author: Bokyung Kim

Publisher: Springer Nature

Published: 2023-04-10

Total Pages: 306

ISBN-13: 3031225163

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This volume challenges existing notions of what is “Indian,” “Southeast Asian,” and/or “South Asian” art to help educators present a more contextualized understanding of art in a globalized world. In doing so, it (re)examines how South or Southeast Asian art is being made, exhibited, circulated and experienced in new ways in the United States or in regions under its cultural hegemony. The essays presented in this book examine both historical and contemporary transformations or lived experiences of monuments and regional styles (sites) from South or Southeast Asian art in art making, subsequent usage, and exhibition-making under the rubric of “Indian,” “South Asian,” “or “Southeast Asian” Art.