Ovid's Tristia, Book 1, Literally Tr. With Notes, By T.j. Arnold

Ovid's Tristia, Book 1, Literally Tr. With Notes, By T.j. Arnold PDF

Author: Publius Ovidius Naso

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781020575105

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This edition of Ovid's Tristia Book 1, translated by TJ Arnold, provides a literal translation of the Latin text along with detailed explanatory notes. It offers a unique insight into the work of one of ancient Rome's most celebrated poets. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Women Poets in Ancient Greece and Rome

Women Poets in Ancient Greece and Rome PDF

Author: Ellen Greene

Publisher: University of Oklahoma Press

Published: 2005

Total Pages: 260

ISBN-13: 9780806136646

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Although Greek society was largely male-dominated, it gave rise to a strong tradition of female authorship. Women poets of ancient Greece and Rome have long fascinated readers, even though much of their poetry survives only in fragmentary form. This pathbreaking volume is the first collection of essays to examine virtually all surviving poetry by Greek and Roman women. It elevates the status of the poems by demonstrating their depth and artistry. Edited and with an introduction by Ellen Greene, the volume covers a broad time span, beginning with Sappho (ca. 630 b.c.e.) in archaic Greece and extending to Sulpicia (first century B.C.E.) in Augustan Rome. In their analyses, the contributors situate the female poets in an established male tradition, but they also reveal their distinctly “feminine” perspectives. Despite relying on literary convention, the female poets often defy cultural norms, speaking in their own voices and transcending their positions as objects of derision in male-authored texts. In their innovative reworkings of established forms, women poets of ancient Greece and Rome are not mere imitators but creators of a distinct and original body of work.