Outlaw Representation
Author: Richard Meyer
Publisher: Beacon Press
Published: 2002
Total Pages: 390
ISBN-13: 9780807079355
DOWNLOAD EBOOK →Outlaw Representation is a Beacon Press publication.
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Outlaw Representation
Outlaw Culture
Author: bell hooks
Publisher: Routledge
Published: 2015-09-03
Total Pages: 322
ISBN-13: 1136767908
DOWNLOAD EBOOK →According to the Washington Post, no one who cares about contemporary African-American cultures can ignore bell hooks' electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As hooks herself notes, interrogations of popular culture can b
Outlaw Representation
Author: Richard Meyer
Publisher: Echo Point Books & Media
Published: 2018-01-15
Total Pages: 392
ISBN-13: 9781626543171
DOWNLOAD EBOOK →Richard Meyer's Outlaw Representation tells the amazing, often outrageous, story of the battle over censorship and homosexuality in the modern art world. Featuring detailed analysis, biographical information, and artwork from such famous figures as Andy Warhol and Robert Mapplethorpe, this book will educate and enrage lovers of artistic freedom.
Lead Belly, Woody Guthrie, Bob Dylan, and American Folk Outlaw Performance
Author: Damian A. Carpenter
Publisher: Routledge
Published: 2017-10-20
Total Pages: 232
ISBN-13: 1317107071
DOWNLOAD EBOOK →With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw that Lead Belly represented to an urban bourgeoisie audience, the good outlaw that Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw that Dylan offered audiences who responded to him as a promoter of clear-sighted self-evaluation. As Carpenter shows, the outlaw and the law as located in society are interdependent in terms of definition. His study provides an in-depth look at the outlaw figure’s self-reflexive commentary and critique of both performer and society that reflects the times in which they played their outlaw roles.
Citizen Outlaw
Author: Charles Barber
Publisher: HarperCollins
Published: 2019-10-15
Total Pages: 351
ISBN-13: 0062692879
DOWNLOAD EBOOK →A VITAL NEXT CHAPTER IN THE ONGOING CONVERSATION ABOUT RACE AND SOCIAL JUSTICE IN AMERICA When he was in his early twenties, William Juneboy Outlaw iii was sentenced to eighty-five years in prison for homicide and armed assault. The sentence brought his brief but prolific criminal career as the head of a forty-member cocaine gang in New Haven, Connecticut, to a close. But behind bars, Outlaw quickly became a feared prison “shot caller” with 100 men under his sway. Then everything changed: His original sentence was reduced by sixty years. At the same time, he was shipped to a series of America’s most notorious federal prisons, where he endured long stints in solitary confinement—and where transformational relationships with a fellow inmate and with a prison therapist made him realize that he wanted more for himself. Upon his release, Outlaw took a job at Dunkin’ Donuts, began volunteering in New Haven, and started to rebuild his life. Now an award-winning community advocate, he leads a team of former felons in negotiating truces between gangs on the very streets that he once terrorized. The homicide rate in New Haven has decreased by 70 percent in the decade that he’s run the team—a drop as dramatic as in any city in the country. Written with exclusive access to Outlaw himself, Charles Barber’s Citizen Outlaw is the unforgettable story of how a gangleader became the catalyst for one of the greatest civic crime reductions in America, and an inspiring argument for love and compassion in the face of insurmountable odds.
The Great American Outlaw
Author: Frank Richard Prassel
Publisher: University of Oklahoma Press
Published: 1996-09-01
Total Pages: 436
ISBN-13: 9780806128429
DOWNLOAD EBOOK →This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege."
Black Looks
Author: bell hooks
Publisher: Routledge
Published: 2014-10-10
Total Pages: 298
ISBN-13: 1317588487
DOWNLOAD EBOOK →In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert." As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do.
Transnational Representations of the U.S. Borderlands. Outlaw Women in Contemporary "Border Cinema"
Author: Jeanette Gonsior
Publisher: GRIN Verlag
Published: 2019-10-14
Total Pages: 202
ISBN-13: 334603531X
DOWNLOAD EBOOK →Master's Thesis from the year 2014 in the subject American Studies - Miscellaneous, grade: 1,0, Humboldt-University of Berlin (Department of English and American Studies), language: English, abstract: The Mexican Revolution of the 1910s alone is considered to have inspired some hundreds of border films, mostly documentaries and docudramas. The Mexican film industry has a nearly equally long history of representing the U.S.-Mexico borderlands. According to Norma Iglesias-Prieto, one of the leading scholars in the field of Mexican border cinema, more than 300 border films were produced in Mexico between 1936 and 1996. “By the 1930s, Mexican producers were beginning to view the border as a profitable theme for Mexico’s national film industry” (Iglesias-Prieto 1998). Referring to Iglesias-Prieto’s classic book-length study "Entre yerba, polvo y plomo: Lo fronterizo visto por el cine mexicano" (1991), Fregoso argues that Mexico produced 147 border films in the decade between 1979 and 1989 alone (cp. 2003). Charles Ramírez Berg also points to a boom in 'cine fronterizo' in the 1980s: "Border films have flourished on the lowest end of the economic and aesthetic Mexican moviemaking scale for decades. The 'narcotraficante' film, a Mexican police genre, is the most popular (...)
American Culture in the 1930s
Author: David Eldridge
Publisher: Edinburgh University Press
Published: 2008-10-08
Total Pages: 288
ISBN-13: 0748629777
DOWNLOAD EBOOK →This book provides an insightful overview of the major cultural forms of 1930s America: literature and drama, music and radio, film and photography, art and design, and a chapter on the role of the federal government in the development of the arts. The intellectual context of 1930s American culture is a strong feature, whilst case studies of influential texts and practitioners of the decade - from War of the Worlds to The Grapes of Wrath and from Edward Hopper to the Rockefeller Centre - help to explain the cultural impulses of radicalism, nationalism and escapism that characterize the United States in the 1930s.
