Bitstreams

Bitstreams PDF

Author: Matthew G. Kirschenbaum

Publisher: University of Pennsylvania Press

Published: 2021-10-08

Total Pages: 160

ISBN-13: 0812224957

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In Bitstreams, Matthew G. Kirschenbaum distills twenty years of thinking about the intersection of digital media, textual studies, and literary archives to argue that bits—the ubiquitous ones and zeros of computing— always depend on the material world that surrounds them to form the bulwark for preserving the future of literary heritage.

The Literary Heritage of the Arabs

The Literary Heritage of the Arabs PDF

Author: Suheil Bushrui

Publisher: Saqi

Published: 2014-06-05

Total Pages: 441

ISBN-13: 0863563147

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The Literary Heritage of the Arabs samples some of the finest literature produced by Arab writers in the last 1,500 years. The selection of poetry and prose spans many genres and styles, conveying the full range of Arab experiences and perspectives - from the tragic to the comic, the wistful to the mystical, the courtly to the lowly, and the Arab East to Andalusia. The reader of this anthology will become aware of the extent to which this vibrant and distinctive literary heritage has always been both receptive to the currents from neighbouring cultures and influential in the evolution of other literary traditions, in South Asia, Western Europe and beyond. Thus, the reader will discover, behind local colours and different literary conventions, our common humanity.

Modernism and the Locations of Literary Heritage

Modernism and the Locations of Literary Heritage PDF

Author: Andrea Zemgulys

Publisher: Cambridge University Press

Published: 2012-02-23

Total Pages: 0

ISBN-13: 9781107404700

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Modernist writers in the early twentieth century aimed to write in inventive and transformative ways, but they lived in places celebrated for their association with the achievements of past generations. For E. M. Forster, T. S. Eliot, and Virginia Woolf, this contrast was strongly felt: living and writing in London, they found themselves in a city that was being fashioned as 'historic' in ways incongruous with their own critical ideals. In this innovative study, Andrea Zemgulys reads the early writings of Forster, Eliot and Woolf against the development of a growing heritage industry in England generally and London in particular. Her study offers fresh analyses of major works and a fascinating history of the making of literary and historical heritage in late nineteenth- and early twentieth-century Britain.