Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach

Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach PDF

Author: Frederick Neumann

Publisher: Princeton University Press

Published: 2020-05-05

Total Pages: 644

ISBN-13: 0691213348

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Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.

The Ornamentation of Baroque Music

The Ornamentation of Baroque Music PDF

Author: Manfredo Zimmermann

Publisher: BoD – Books on Demand

Published: 2021-07-05

Total Pages: 94

ISBN-13: 3739231971

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Everything you want to know about embellishing Music of the Baroque Era is taught systematically and well-founded here: from the different "essential ornaments" such as trill, mordent, appoggiatura, slide, etc. up to the free melodic ornaments, cadenzas and improvised grounds. In addition, you will find valuable information, tips, constructive exercises, historical examples and much more. Exclusively you get a live recorded harpsichord-basso continuo accompaniment for all exercises, which supports you harmonically and rhythmically. For pupils, students, amateurs and professional musicians

Baroque Ornament and Designs

Baroque Ornament and Designs PDF

Author: Fran‡oise Stella

Publisher: Courier Corporation

Published: 1987-01-01

Total Pages: 50

ISBN-13: 0486253783

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Extravagant in concept, exuberant in spirit, elaborate in design, Baroque art and architecture flourished in 17th-century Europe. These engravings by a noted French artist perfectly embody the Baroque sensibility through architectural ornaments, decorative motifs, lush florals and foliates, borders, and other striking design elements. 46 illustrations.

On Playing the Flute

On Playing the Flute PDF

Author: Johann Joachim Quantz

Publisher: UPNE

Published: 2001-03

Total Pages: 470

ISBN-13: 9781555534738

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Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style

French Baroque Ornament

French Baroque Ornament PDF

Author: Jean Le Pautre

Publisher: Courier Corporation

Published: 2012-09-11

Total Pages: 82

ISBN-13: 0486154114

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A rich assortment of Baroque imagery to use . . . and admire Meticulously reproduced from a valuable portfolio by a notable nineteenth-century French artist, 124 black-and-white illustrations capture the lavish devices and grand sweep of Louis IV-era Baroque design. A gorgeous population of elaborate architectural ornaments, decorative motifs, and border elements, this collection of royalty-free art will inspire ideas for — and immediately embellish — a host of craft, design, and graphics projects. An exhaustive reference for artists and Baroque design enthusiasts.

The Oxford Handbook of the Baroque

The Oxford Handbook of the Baroque PDF

Author: John D. Lyons

Publisher: Oxford University Press

Published: 2019-08-08

Total Pages: 856

ISBN-13: 0190678461

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Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.

Ornamentation and Improvisation in Mozart

Ornamentation and Improvisation in Mozart PDF

Author: Frederick Neumann

Publisher: Princeton University Press

Published: 2019-01-15

Total Pages: 320

ISBN-13: 0691194688

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This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left "white spots" in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed. Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars. Frederick Neumann is Professor of Music Emeritus at the University of Richmond. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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