The Theory of Oral Composition

The Theory of Oral Composition PDF

Author: John Miles Foley

Publisher: Indiana University Press

Published: 1988-06-22

Total Pages: 198

ISBN-13: 9780253204653

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" . . . excellent book . . . " —The Classical Outlook " . . . brief and readable . . . There is good tonic in these pages for the serious student of oral tradition . . . a remarkable book." —Asian Folklore Studies "The bibliography is a boon for students and faculty at any level who are curious about the nature, composition, and performance of oral poetry." —Choice " . . . concise, evolutionary account . . . " —Religious Studies Review "As ever, Professor Foley's conscientious scholarship and sound judgements combine to make a further substantial contribution to the field." —E. C. Hawkesworth, School of Slavonic and East European Studies, University of London, The Slavonic Review "Foley is probably the only scholar who is in a position even to suggest the extent of what we should know to work in this area." —Speculum "Foley's survey stands as a fitting tribute to the achievements of Parry and Lord and as a sure guide to future productive work in the field." —Journal of American Folklore " . . . detailed and informative study . . . We are fortunate that John Foley chose to write this book." —Motif " . . . Theory of Oral Composition . . . detailed account written in an elegant style which could serve equally as a textbook for college and graduate students and as a reference tool for scholars already in the field." —Olifant "As an 'introductory history,' The Theory of Oral Composition accomplishes its purpose admirably. It has the capacity to arouse interest on the part of the uninitiated." —Anthropologica Presents the first history of the new field of oral-formulaic theory, which arose from the pioneering research of Milman Parry and Albert Lord on the Homeric poems.

The Psychology of Written Composition

The Psychology of Written Composition PDF

Author: Carl Bereiter

Publisher: Routledge

Published: 2013-11-05

Total Pages: 396

ISBN-13: 1136691812

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First Published in 1987. Part of a series on the psychology of education and instruction, this volume marks a highpoint in the development on writing from a cognitive perspective. It significantly expands the data base upon which our understanding of writing rests. the book presents an original theory, or at any rate, the beginnings of a theory of writing and the development of writing skills, emphasizing the control processes in writing.

A Magical Muddle

A Magical Muddle PDF

Author: Twinkl Originals

Publisher: Twinkl

Published: 2019-10-31

Total Pages: 18

ISBN-13: 1916033946

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Tabitha is worried about a special visitor coming to her school. “She wanted to impress the Head Witch but sometimes, her spells went wrong.” When Tabitha comes up with a brainy idea, will she dazzle or disappoint? Find out in this fun story about magic and friendship. Download the full eBook and explore supporting teaching materials at www.twinkl.com/originals Join Twinkl Book Club to receive printed story books every half-term at www.twinkl.co.uk/book-club (UK only).

Oral Presentations in the Composition Course

Oral Presentations in the Composition Course PDF

Author: Matthew Duncan

Publisher: Bedford/St. Martin's

Published: 2006-02-10

Total Pages: 64

ISBN-13: 9780312417840

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The ideal supplement for any writing class that includes an oral component, Oral Presentations in the Composition Course: A Brief Guide offers students the advice they need to plan, prepare, and present their work effectively. With sections on analyzing audiences, choosing effective language, using visual aids, collaborating on group presentations, and dealing with the fear of public speaking, this booklet offers help for students’ most common challenges in developing oral presentations.

The Lea Guide To Composition

The Lea Guide To Composition PDF

Author: James D. Williams

Publisher: Routledge

Published: 2005-04-11

Total Pages: 537

ISBN-13: 1135672792

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The LEA Guide to Composition is firmly based on research into how people learn to write and draws on the most significant strategies and techniques in composition studies. But this text is not just about the act of writing. It is about using writing as a vehicle for learning--about the world, about the academy, about oneself. The focus is on writing as a means of interpretation. The emphasis throughout is on encouraging reflection and developing critical thinking skills. Although the text suggests ways of teaching that reflect knowledge about how people most easily learn to become competent writers, it is specifically designed to allow for numerous approaches to teaching composition. Instructors will value this flexibility. This text is finely tuned to the needs and interests of today's composition students and teachers. Classroom tested at various universities over a four-year period to refine and improve its effectiveness, the Guide is distinguished by a range of carefully crafted instructional features: *Reading-Writing Connection. An extensive selection of fresh, thought-provoking, professional work allows students to internalize models and acquire appropriate genre familiarity. Student papers are included to illustrate how others have responded to real writing tasks similar to those the readers of this book will face. *Critical Reading and Thinking. Numerous reading selections are thoroughly analyzed to provide models of close, critical reading. Critical Reading Guides, provided for some selections, draw students in by asking rhetorical questions that develop critical thinking skills and better understanding of how the authors produced key effects. *Diverse Voices. Specially designed writing activities encourage students who are non-native speakers of English, or who come from non-mainstream cultural backgrounds, to share their perspectives with the entire class. *Writing Activities. More than 60 writing activities of various types are included, suitable for students with a range of writing experience. Many of these are short assignments that are linked to longer ones, which allows students to build their skills sequentially, adding new skills as old ones are practiced and mastered. *Writing Guides. Based on years of teaching experience, these guides provide detailed information and concrete, practical advice about how to succeed on selected assignments in each chapter. *Group Activities. Selected writing assignments include collaborative workshop activities that prompt students to engage in a variety of group efforts that enhance the writing process. As a result, group work progresses with a clear purpose and well-defined goals, leading to more student involvement and, ultimately, better writing. *Application of Key Ideas. Writing Assignments, Writing Guides, and Critical Reading Guides are complemented by activities that allow students to practice using important concepts discussed in the text that progress with a clear purpose and well-defined before they begin an actual assignment. *Journal Entries. Prompts throughout the text are included to increase the amount of writing students do, to enhance reflection and critical thinking, and to engage students in reflecting on and making connections between college and their lives outside of class. *Handbook. The handbook provides basic information about the form and function of language. It focuses on the usage conventions that are a crucial part of academic writing. In addition, it covers differences and similarities in the specific conventions that govern writing in the humanities, social sciences, and science. The documentation formats for these three major divisions of the undergraduate curriculum are described in detail, with full-length student papers to illustrate the formats in context. An Instructor's Manual is available with this text, upon adoption.